En 1937, un adolescente es elegido para la producción de "Julius Caesar" en Mercury Theatre, dirigida por el joven Orson Welles.En 1937, un adolescente es elegido para la producción de "Julius Caesar" en Mercury Theatre, dirigida por el joven Orson Welles.En 1937, un adolescente es elegido para la producción de "Julius Caesar" en Mercury Theatre, dirigida por el joven Orson Welles.
- Nominada a1 premio BAFTA
- 5 premios ganados y 27 nominaciones en total
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Argumento
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- TriviaThe real Norman Lloyd denounced the film, and pointed out that contrary to his portrayal as a lecher, he was a recently married man at the time. This was a happy marriage which lasted many decades until his wife's death. He also took exception to the depiction of Orson Welles as a bullying director and said that he had never seen Welles, with whom he worked often, behave in such a manner, adding that, also, "we wouldn't have stood for it!" He did however concede that Christian McKay's performance as Welles was excellent.
- ErroresRichard accompanies Orson to 485 Madison Ave (CBS) for a "recording session" for a radio show ("The First Nighter" program). At this time (1937) and until the late 40s network programs were broadcast live, never recorded. Most programs were produced live twice, once for the East Coast and three hours later from the West Cost.
- Citas
Orson Welles: You really are a god created actor Richard. Those weren't just words you see. I recognize 'The Look'.
Richard Samuels: The Look?
Orson Welles: The bone deep understanding that your life is so utterly without meaning that simply to survive you have to reinvent yourself. Because if people can't find you, they can't dislike you. You see if I can be Brutus for 90 minutes tonight; I mean really be him, from the inside out; then for 90 minutes I get this miraculous reprieve from being myself. That's what you see in every great actor's eyes.
- Créditos curiososGilson Lavis is listed as "Drumer" instead of "Drummer".
- ConexionesFeatured in Live from Studio Five: Episode #1.48 (2009)
- Bandas sonorasThis Year's Kisses
Written by Irving Berlin
(C) Irving Berlin Music Corp (ASCAP)
All Rights Administered by Warner/Chappell Music Ltd.
All Rights Reserved
Performed by Helen Ward & Benny Goodman & His Orchestra
Courtesy of Bluebird/Novus/RCA Victor
By arrangement with Sony BMG Entertainment
Me and Orson Welles, based on a novel by Robert Kaplow, tells the story of a teenager, Richard Samuels (Zac Efron), who is swept from learning about Shakespeare in the classroom to the fast paced world of the Mercury Theater on Broadway when he lands a role in Orson Welles famous 1937 production of Caesar. As Orson Welles struggles to get the production ready for the premier, Richard falls for the theater's resident hottie, a charming and ambitious aspiring actress played by Claire Daines, and finds himself growing up quickly to the realities of show business and the real world.
The movie is entirely carried by it's acting, and the actor generating the most buzz is the British born Christian McKay who plays Welles. I'm very uneasy about praising portrayals of real life figures, because it seems any time an actor plays any historical figure (from Gandhi to Capote and Idi Amin) they receive excessive attention. I think it has less to do with the "acting" involved than it has to do with the fact that most audiences feel much more comfortable passing judgment (and bestowing praise) on mimicry than actual acting. That said, McKay does a masterful job in capturing that mythical image of a young Orson Welles that all of us film geeks have in our head, from the striking resemblance in appearance to the pitch perfect intonations in his voice. Welles is charming and maddening, endearing and brutal, and always larger than life... and McKay captures it all perfectly. It's clearly a role that McKay has been mastering for a long time, as he was doing a one-man-show about Welles on Broadway before being snatched for the role in Me and Orson Welles. From the Q&A session (at the Toronto international film festival), McKay seemed intelligent and passionate about his work, and I truly hope he doesn't get pigeon-holed into spoofing Welles for his entire career.
Unfortunately the other acting foot that the movie stands on, isn't nearly as good. Zac Efron is just so pretty (and I say this as a heterosexual male) that it becomes distracting. Watching Efron act, it feels like he's trying to make women orgasm in every scene he's in, which works well in enough in the many scenes he's trying to court Claire Daines's character, but doesn't work in any other scene. Efron's acting makes it hard for the audience to emotionally connect and prevents the movie from achieving the emotional punch it might otherwise. The audience is never drawn in and they remain spectators, which, fortunately, isn't such a bad thing since the movie is so fun and nostalgically charming. Perhaps even the flighty and ethereal feeling the film gets because of it's lack of punch can be forgiven, since it's a movie about youth and growing up and so much of that involves tempestuous passions that end up being quite meaningless in retrospect.
8/10
- death-hilarious
- 5 sep 2008
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Detalles
- Fecha de lanzamiento
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- Sitio oficial
- Idioma
- También se conoce como
- Me & Orson Welles
- Locaciones de filmación
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Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,190,003
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,638
- 29 nov 2009
- Total a nivel mundial
- USD 2,336,172
- Tiempo de ejecución1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1