CALIFICACIÓN DE IMDb
5.6/10
20 k
TU CALIFICACIÓN
Dos subgerentes de una tienda de abarrotes corporativa compiten por un codiciado ascenso.Dos subgerentes de una tienda de abarrotes corporativa compiten por un codiciado ascenso.Dos subgerentes de una tienda de abarrotes corporativa compiten por un codiciado ascenso.
Kris D. Lofton
- Second Kid in Parking Lot
- (as Kristopher Lofton)
Edwin Walker
- Fourth Kid in Parking Lot
- (as Edwin M. Walker)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ever sat through one of those movies that you're hoping something's going to happen - and it doesn't? The Promotion is one such movie. Here's the uninspiring story of two guys - both intent on being promoted within a corporate supermarket franchise.
That's the premise - short and sweet. Naturally there's some tension between both men competing for the position, but overall the humor is weak; the competitive nature of the applicants is unconvincing and the story flat-lines a couple of minutes into the film.
John C. Reilly is the hopeful manager from Canada while the incumbent is Seann William Scott.
There's nothing to it, nothing to expect and with only a hint of infidelity or upheaval, it's best left out of the spotlight - preferably collecting dust someplace in a $1 rental outlet...
That's the premise - short and sweet. Naturally there's some tension between both men competing for the position, but overall the humor is weak; the competitive nature of the applicants is unconvincing and the story flat-lines a couple of minutes into the film.
John C. Reilly is the hopeful manager from Canada while the incumbent is Seann William Scott.
There's nothing to it, nothing to expect and with only a hint of infidelity or upheaval, it's best left out of the spotlight - preferably collecting dust someplace in a $1 rental outlet...
I expected a bit more from this movie, if only because of Steve Conrad's involvement as well as two decent leads for that type of movie. Unfortunately, Conrad, who is usually a good writer, really delivered his weakest story and lines here. Perhaps the double duty as writer and director didn't help.
Seann William Scott will never be mistaken for an Oscar performing actor but he usually has energy and a charisma that is very evident on the screen. Here, he really seems uninspired. There seems to be an attempt to pull a Jim Carrey or Will Ferrell with a performance that would be partly funny, partly tragic. Unfortunately, he fails on both fronts. John C Reilly, who is both a tremendous character actor and a great comedy guy is the most disappointing aspect of the movie. He utterly fails at making this character believable in any way and, at times, it seems he is reciting lines at a private rehearsal. Really, really bad. The actresses playing the wives of our main characters are equally uninteresting and unconvincing. Special mention goes to Lili Taylor in another awful role. Her worse performance ever and would have been worthy of a Razzie award if the movie was higher profile and her role more prominent.
There's still a nice basic plot, some moments are funny enough. The motivational tapes of Richard Welhner make for a nice running gag, until it becomes overused. By the end of the movie, we're just glad when Reilly throws that away on the sidewalk. The last arc of the film is even weaker than the rest, with a botched resolution. It really could have been a new kind of Office Space but unfortunately, those throwing that comparison are absolutely mistaken and need some more perspective. There simply aren't any classic elements in The Promotion, while Office Space is a top 10 comedy of all time. Quite a difference between the two, really.
Perhaps a director working with Conrad would have helped keep a sense of direction. A recast of the main characters (or much better actor direction) was also needed. The movie is a decent way to kill time but doesn't offer anything beyond that.
Seann William Scott will never be mistaken for an Oscar performing actor but he usually has energy and a charisma that is very evident on the screen. Here, he really seems uninspired. There seems to be an attempt to pull a Jim Carrey or Will Ferrell with a performance that would be partly funny, partly tragic. Unfortunately, he fails on both fronts. John C Reilly, who is both a tremendous character actor and a great comedy guy is the most disappointing aspect of the movie. He utterly fails at making this character believable in any way and, at times, it seems he is reciting lines at a private rehearsal. Really, really bad. The actresses playing the wives of our main characters are equally uninteresting and unconvincing. Special mention goes to Lili Taylor in another awful role. Her worse performance ever and would have been worthy of a Razzie award if the movie was higher profile and her role more prominent.
There's still a nice basic plot, some moments are funny enough. The motivational tapes of Richard Welhner make for a nice running gag, until it becomes overused. By the end of the movie, we're just glad when Reilly throws that away on the sidewalk. The last arc of the film is even weaker than the rest, with a botched resolution. It really could have been a new kind of Office Space but unfortunately, those throwing that comparison are absolutely mistaken and need some more perspective. There simply aren't any classic elements in The Promotion, while Office Space is a top 10 comedy of all time. Quite a difference between the two, really.
Perhaps a director working with Conrad would have helped keep a sense of direction. A recast of the main characters (or much better actor direction) was also needed. The movie is a decent way to kill time but doesn't offer anything beyond that.
This movie is FAR better than the 5.6 star rating it has. Well written, hilarious, subtle, poignant, well-acted. The premise is so beautifully simple, but the movie is rich with human interest/condition situations. It's definitely a sleeper/winner and worth the watch.
A weinstein production. Sean scott and john reilly play assistant managers who are both vying for the same manager position. For all the big names in this, something was just lacking. Editing was one issue; those long, weird pauses really keep the film from moving right along. Also a weak script. We've all worked in a supermarket, or some similar job, where the public is weird and unpredictable, but instead of making jokes about it, the confrontations between the two leads are negative and dark. There is a small role for jason bateman, who seems to find fun, odd roles. Fred armisen, bobby canavale, lili taylor, jenna fischer. So many well known names. I think it wants to be a funny, quirky film, but it's just not that funny. And not that quirky. Felt like an adam sandler film. But its not. Written and directed by steven conrad. I'm glad it didn't escalate into huge violence, like so many films do. It's just okay.
My first clue that "The Promotion" might have a little more below the surface than the usual Seann William Scott junior gag fest was the trailer...it didn't have too much easy humor and the plot seemed genuinely human, and even sensitive. Then there was the fact it was released by Miramax spin-off Dimension, an imprint more well known for horror movies than anything else. Something was up.
After seeing the film, I am pleased to say that lurking under the veneer of a slightly stupid mass-market comedy is a deftly knowing little indie movie waiting to surface.
The bad part of course is --- I don't know if many who would like the film will see it. It reminded me a little of "The Good Girl" with Jennifer Anniston. It was well scripted, rather slowly paced, and relied more on the script and storyline for laughs rather than leaning too heavily on the star-power of it's two principles.
The scene at the team-building retreat (dead-on if you've ever been to one) is a prime example. Yeah, there are a few pratfalls, but most of the time you're shriveling in your seat feeling horribly for John Reilly.
He's always been incredible at cutting to the human core of all his characters and he really shines in this part. You don't feel sorry for him as much as you feel empathy. And that's not the easiest thing to do with this character, who is far from lily white. As for Scott, he is definitely growing into an accomplished character actor and it's refreshing to see him tackle something this gray and still turn in a resonating performance. Some of the reviewers see him as a "wimp"....well, that's a bit too easy. I see him as distinctly human.
I'm also surprised that this comes from Steve Conrad, whose prior scripts I've always thought of as a bit heavy on the syrup. Nothing is forced here. Yeah, not much happens...this is a slice of life movie, albeit one with a funny crust.
It really is a shame it wasn't marketed a bit differently. It sucks to go into a movie expecting something and getting nothing close to what you expected out of it. Which, fortunately for me this time, wasn't the case.
After seeing the film, I am pleased to say that lurking under the veneer of a slightly stupid mass-market comedy is a deftly knowing little indie movie waiting to surface.
The bad part of course is --- I don't know if many who would like the film will see it. It reminded me a little of "The Good Girl" with Jennifer Anniston. It was well scripted, rather slowly paced, and relied more on the script and storyline for laughs rather than leaning too heavily on the star-power of it's two principles.
The scene at the team-building retreat (dead-on if you've ever been to one) is a prime example. Yeah, there are a few pratfalls, but most of the time you're shriveling in your seat feeling horribly for John Reilly.
He's always been incredible at cutting to the human core of all his characters and he really shines in this part. You don't feel sorry for him as much as you feel empathy. And that's not the easiest thing to do with this character, who is far from lily white. As for Scott, he is definitely growing into an accomplished character actor and it's refreshing to see him tackle something this gray and still turn in a resonating performance. Some of the reviewers see him as a "wimp"....well, that's a bit too easy. I see him as distinctly human.
I'm also surprised that this comes from Steve Conrad, whose prior scripts I've always thought of as a bit heavy on the syrup. Nothing is forced here. Yeah, not much happens...this is a slice of life movie, albeit one with a funny crust.
It really is a shame it wasn't marketed a bit differently. It sucks to go into a movie expecting something and getting nothing close to what you expected out of it. Which, fortunately for me this time, wasn't the case.
¿Sabías que…?
- TriviaJim Carrey was briefly interested in the lead role.
- ErroresRichard Welhner is from Québec, and his car has Québec plates, but vehicles from this province only have license plates on the rear of the vehicle, not on the front.
- Bandas sonorasManeater
Written by Sara Allen, Daryl Hall and John Oates
Performed by Clair Marlo and her Orchestra
Courtesy of Invisible Hand Productions
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- How long is The Promotion?Con tecnología de Alexa
- A NOTE ABOUT SPOILERS
Detalles
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 408,709
- Fin de semana de estreno en EE. UU. y Canadá
- USD 30,493
- 8 jun 2008
- Total a nivel mundial
- USD 457,690
- Tiempo de ejecución1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was The Promotion (2008) officially released in India in English?
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