Thor

I watched this last night at a preview screening in London.

I prayed that Kenneth Branagh would learn from his mistakes with handling a big budget movie, namely his Frankeinstein. Thankfully, I am glad to say he learnt a great deal from those mistakes. Of course, this is no Henry V, this is just pure popcorn entertainment but a thoroughly enjoyable introduction to Thor for the big screen. Chris Hemsworth played the part with a lot of energy, charisma and I have to admit from a bloke's point of view, annoying good looks. Anthony Hopkins added much needed heavyweight presence as Odin but its a role he has quite frankly played a gazillion times but I never tire of it, so I'm not complaining. In a year long span of brilliantly playing vastly different roles from psychotic to swashbuckling heroine, Natalie Portman this time plays the sweet determined scientist girl who falls for the strangely mannered good looking guy. Nothing too taxing for any of them but they do give a re-assuring aura about them.

The visuals were quite spectacular, mainly, the sweeping canvas of Asgard. The action scenes were also good though I thought could have been executed better with lesser use of the fast cut edit style that is too often the norm in action film these days.

There is plenty of humour when Thor is on Earth but not in a put-off way as there is a suitable contrast of a serious tone with everything set in Asgard. Even though the storyline was somewhat predictable, it was still a riveting one.

For those like me, who were concerned about how Thor fits into the established Marvel connected universe set by the Iron Man films need not worry. That is just another thing that Branagh and crew pulls off very well. We can now fully embrace the forthcoming Avengers where a God, a man who transforms into a giant green beast, and a man who flies in a hi tech amour suit can share the same screen. So its all coming together nicely.

And make sure you stay for the end credit scenes. In case you did not know of this before, I urge you to go back to the previous films (Iron Man 1 & 2, Incredible Hulk) and watch the end of credit sequences if you haven't already. They tell a separate story strand that will culminate to a certain upcoming Marvel movie. The end credit sequence of Thor is the most fascinating yet as it actually takes a major plot development in the story strand ;) And it was the longest bloody end of credit sequence I've ever seen in any movie! One last thing, the film I saw was in 3d and once again, it practically nearly ruined all the action scenes for me. In the non action scenes, it was pretty useless and just simply made the film much darker.

The Marvel magic continues with Thor, as they create yet another throrouly enjoyable, fun, action packed and humourous adventure, where we're introduced to a bigger universe extending far beyond Earths realm.

What this movie does perfectly is ground the characters, and link them to our reality so that even though we're dealing with the mystical Frost Giants or the humoungous Destroyer, the characters do not appear other worldly or over powered to the existing superheroes.

The visuals are captivating, whether it be the splendours of Asgard or the chilly Jotunheim, the CGI is excellent. The story is crisply told, fast paced and simple, taking us across the realms and giving us a background to some really interesting, well written and well portrayed characters.

Chris Hemsworth nails the role of Thor with this charm, comic timing and of course good looks. He brings across the carefree, impulsive Thor while also showing a compassionate, gentle side to the character who'd otherwise have been all brawn and no brain.

Antony Hopkins is brilliant as ever, playing Odin Allfather with all the gravitas that the ruler of the nine realms should possess. He shows his steely, ruthless side, as well as his soft, wise nature with elan.

With Tom Hiddleston Marvel have struck gold when it comes to antagonist. His portrayal of Loki is by far the best negative character in the Marvel universe thus far. The God of mischief oozes charisma and brings out his underlying conflicts to perfection.

Natalie Portman and Stellan Skarsgard play important roles in helping Thor in his transformational journey, and we get small bits and pieces of Idris Elba and Jeremy Renners Heimdall and Hawkeye with a hope that they'd play meatier parts in future movies.

The action sequences are frequent and fun, there's a lot of humour, especially as Thor adjusts to the ways of the Earth and it keeps you engaged from the start to the end.

All in all, this film provides a perfect introduction to other worldly elements to be incorporated later in the MCU while managing to hold its own as a spectacle.

It may not be on par with Iron Man when it comes to a deep, rich story line, but it's the closest a movie in the MCU has come so far in touching those grand heights.

This is a throw-off piece of Marvel fiction that is packed full of cliché and predictability...to a point.

I found myself cringing at a lot of the scenes of heroism and there's a definite stink of pure cheetos-stained fanboyism in many of the scenes in general, with the usual over-the-top "glory" of this old four-color trope.

But certain things caught my attention as well-done.

First, Asgard is absolutely beautiful. They went all out in making a realm of metallic and elemental grandeur. I had no trouble in buying this as the realm of Asgard, the ultimate land of beautiful heroism. In particular, the rainbow bridge, the weaponry, and the interior scenes were very fitting in general style and specific detail. Very impressive visually and even thematically.

Second, Branagh's touch can be seen with Shakespearean flair in the family of Odin the AllFather. Odin himself is brimmed with both the rime of age and the wisdom that comes with it and yet his voice can instantly summon fearful authority. Hopkins does well with that balance, even through some cheesy scripting.

And the brothers... the sibling rivalry here is very very potent in that it is nuanced and fully realized by both actors. There is love there, but also a lack of understanding, envy, and hate. Loki is far from a cardboard villain, in that we see, all in one package - a fighter who protects his allies, an honest counselor, a liar, a cautious thinker, a smooth tongue, and an awkward one. He loves and reveres his father, but comes to almost fatally doubt him and even hate him...but it's all very real and very stirring. And even when it's clear that he's done very grim deeds, you can actually understand and accept his motives...and his last scene in the film brings all three of the family men together in a very poignant moment of utter loss.

I was pretty surprised how moving this all was, especially when put in the middle of some otherwise-uninspiring hero pablem.

So in summary, this movie both met my negative expectation of disappointment and surprised me with some purely moving content. See it to see if it surprises you at all as well, and forget the whole comic-book hero thing, since that's been done far better.

Thanks for reading.

In the pantheon of Marvel Superheroes, from my vantage point, Thor is a second-tier player. Even amongst non-obsessive comic aficionados, such as myself, Thor doesn't quite have the readership draw or the common familiarity in the public that heroes such as Spider-Man, Batman, Superman, etc., have. However, that doesn't mean that Marvel Studios, the filmmaking wing of the company, feel inclined to give the filmic adaptation of Thor short shrift. The cinematic entry for this character, titled simply Thor, is among the better of the Marvel adaptations of recent years, mixing a good sense of fun, strong acting, and some Shakespearian level drama that makes for an especially entertaining time at the movies.

Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.

When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.

Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.

When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.

Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.

Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.

Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.

Thor was much much better than I expected. I didn't know if they could pull of the balance between the Norse mythology stuff and the real world Marvel Universe. I should've known better because Marvel knows their characters and knows what we want to see. Spider-Man set a new standard for the superhero film genre back in the day. Iron Man upped the ante. Thor takes the ball and runs with it and places that bar even higher. I look forward to seeing it again and know it will do well enough to be worthy of a sequel because word of mouth is going to be great. Trust me when I say Thor REALLY IS as good as Iron Man and is most worthy to be called one of the greatest adaptations ever.

Chris Hemsworth as the Norse god Thor, and Tom Hiddleston as his villainous brother Loki show they have the acting ability and star quality to become mega-marquee names in the future. Marvel found two absolute diamonds in the rough. Both actors make a HUGE impression and are wonderful on screen. You knew Acedemy Award winners Anthony Hopkins and Natalie Portman would bring it but these relative unkowns more than hold their own on screen. I know the script is written mostly for them but they carry it in a big way. From what I've read, Hemsworth and Hiddleston were cast almost a year in advance of filming the story so, they had time to get into shape and do character research. They certain did these long-time Marvel greats proud. Intelligent comic-book popcorn epics are rare and this one is definitely a cut above the usual fare.