Gideon's Daughter

How can be this simply story so touching? I kept asking this question for hours. Is it a parent-child relationship that everyone of us knows (at least from one of its sides) or is it something more? Or is it that lazy tempo that makes this movie so real? And I can't forget the totally beautiful song performed by Emily Blunt (Natasha). Bill Nighy's (Gideon) acting is perfect, too. Every scene in this film fits in it accurately and although the ending is filled with pathos, you'll have to like it. Because you want to believe that life goes that way. You have to see it and the best option is to watch it with your parents. It says things people should tell, but they don't.

"Gideon's Daughter" brings to a TV film a trend that is mostly obvious in literary fiction – the middle-aged man who thinks he is the center of the universe and the whole world revolves around him, and faces some kind of break down if any of his women show a bit of independence.

Written and directed by playwright Stephen Poliakoff, he mines similar territory as Cheever, Updike, Ford, Amis, Roth, etc. thrust into the center of English celebrity and political culture. The theme is even awkwardly made redundant by an odd structure of having another middle-aged man tell the tale to another pretty young woman and a mysterious kid.

Here, Bill Nighy's media consultant only perceives such events as Princess Diana's death or the upcoming millennium in terms of how it affects him. In press interviews, Nighy has said that Poliakoff intentionally directed him to play the main character as "stripped" but one certainly doesn't see how this catatonic schmoozer even got to his professional pinnacle. His past and current sexual adventures certainly seem more male fantasy than anything based on his charisma of any kind.

Tom Hardy, who was quite captivating as Robert Dudley, Earl of Leicester in the recent Queen Elizabeth I mini-series, shows much more suitable feistiness, as a cross between Jeremy Piven's agent in "Entourage" and Bradley Whitford's canny adviser in "The West Wing."

Miranda Richardson has the stereotyped role we've seen many times before of the quirky stranger (she dresses like an old hippie) from another class and lifestyle, but with a pained past with a child, who tempts him to play hooky and more. It is startlingly different for this genre that she is close to age appropriate.

A creepy centerpiece, and repeating motif, is the consultant's daughter (Emily Blunt getting to show little of the passion she displayed in "My Summer of Love") singing a lovely ballad in tribute to philanderer Georges Simenon's suicidal daughter. The story is particularly weakened by not seeing more of Blunt's life when she's not being the adoring daughter.

I really didn't get that a neglectful father who suddenly discovers he has paternal feelings is then to be considered "obsessive" rather than finally normal, even as she's about to leave the nest. His growing realization of his feelings is the best part of the film but a theme that all parents and grown children need to reconcile as adults-to-adults just drifts off.

With a good central performance from Bill Nighy, and as a way of showing that Emily Blunt would go onto be a star, this is a good piece of drama.

Well worth a watch.

This is definitely not a film for everyone. But I was eager to see it and happy to get it on DVD, as I live outside the UK and don't get the BBC. Bill Nighy, Miranda Richardson and Robert Lindsay together in one film is must, no matter what the film might be about.

This is a slow film, things happen almost in "real time", and the characters are very realistic. I work in a shop in a big train station, I get to see the most different people every day. People like Gideon or Stella do exist, and why not make a film about characters like them? The most beautiful or rather endearing scene, enchanting maybe even, was when Stella and Gideon lie next to each other in Stella's bed and talk about their lives and loved ones. A very quiet scene, and endlessly touching to watch.

Someone else said here, people probably have to be quite creative to understand this film. This might be true. You have to let go of conventional films a bit to be able to embrace this one. But if you're open enough to new impressions, then this is the right film for you. Or if you just want to see excellent performances by aforementioned actors.

I ordered Gideon's Daughter from Netflicks after watching the Golden Globes and seeing awards for both Bill Nighy and Emily Blunt. The movie is well worth watching for anyone who enjoys their work, as well as that of Miranda Richardson. The plot is a little confusing, and what is a throw-away scene at the beginning of the film becomes something that resonates throughout, so it's important to pay attention. Bill Nighy's personality is somewhat at odds with his character, who is supposed to be the most important spinmeister in England. Although there are moments when he lights up, he seems almost too laid back for the role, and it's also hard to believe he would have enough energy to be womanizer as he is supposed to be in the film. But I found his scenes with Emily Blunt to be a road map of the anger and frustration between a father and a daughter. Emily Blunt, in particular, is a revelation and if you only know her from The Devil Wears Prada, this gives a much better indication of what she is capable of doing. It has that high-gloss BBC combination of intellect, intrigue and pathos, and if you are looking for a way to spend an engrossing Sunday evening aside from the usual melodramas I recommend this.