Goodbye Bafana

Wow. This movie really touches your heart in a profound way. It makes you think about how we as human beings treat each other, and about what really matters in life.

We've all heard about the apartheid that took place in South Africa a few decades ago and how Nelson Mandela fought for freedom for the black people. This movie gives a somewhat different perspective being from a prison guards point of view during the almost three decades that he worked around Mandela. He goes into it with the opinion that Mandela is a dangerous terrorist, but during the years to come we get to follow the incredible journey of this man while he seeks the truth and challenges his preconceptions. This is truly inspiring to see.

Also, the actors are amazing in their roles, which contributes a lot to making this movie as good and believable as it is. I especially like Dennis Haysbert as Nelson Mandela. He feels perfect for this part as he manages to really bring out the charisma and strength of his character. When I see him even in the beginning of the movie I could feel from the performance made by Haysbert that this man could change the world. I like Joseph Fiennes from before, and he too makes an outstanding performance as the prison guard.

Goodbye Bafana is a touching, thought-provoking movie. Extremely well acted, I loved Joseph Fiennes (James Gregory) and Dennis Haysbert (Nelson Mandela) in their roles, and Diane Kruger (Gloria Gregory) did well, too. The movie has the slow, a bit mysterious charm in it, as August's movies usually do. The color scheme was like African dust, diluted, sometimes almost raw in the scorching sun. Music supported various scenes very well, without being too prominent.

The movie starts when a young prison warden James Gregory arrives to Robben Island 1968 and is addressed to keep an eye on Nelson Mandela, who is being imprisoned there for his political views. Gregory gets this mission, because he speaks xhosa, the local language, and therefore is able to read (and censor) the correspondence in and out of the prison, as well as understand what the prisoners talk to each other.

James Gregory is a faithful supporter of apartheid. He believes these black men are behind bars for a good reason and he supports the government politics. After he and his family witness a raid in a busy street, where black people are randomly harassed, Gregory has to answer the questions of his children - and his explanations sounded shallow even in his own ears. Very slowly, over the years, he became to see through the apartheid and change his views.

Dennis Haysbert was chosen to the role of Mandela, because of his quiet, distinctive charm and mental power. He did a great job. Joseph Fiennes was chosen because Bille August wanted an actor, who was tough and yet sensitive, someone who would be able to portray the change in the character in a period of almost thirty years. It was a very challenging role but Joe did a marvelous job.

There has been a lot of talk about his South African accent, and mostly it has been praised. I followed it very closely, and I think Joe did fine in that area, too. In some scenes the British accent is more or less audible, but most of the time he does a wonderful job.

Diane Kruger did a good job as James's wife, a mother of two, who was also raising their kids to support the apartheid. She opposed her husband being a warden for Nelson Mandela, because she could see that the close contact with the inmate made cracks to James's shield and his racistic opinions were vanishing rapidly. She tried to hold onto the apartheid views for much longer than her husband.

The movie ends to a year 1990, when Nelson Mandela is released from prison after being incarcerated for 27 years. The era of the new South Africa was to begin.

Any movie that deals with Nelson Mandela is a movie worth watching in my opinion. He is perhaps the only person in the world I can think of to whom I would apply the adjective "great." He was a man who could have lived in bitterness and anger all his life, seeking revenge when he finally achieved power, but who instead chose to devote himself to democracy and peaceful reconciliation between blacks and whites in South Africa. This movie, which I saw under the title "The Color Of Freedom," is interesting because although it deals extensively with Mandela, doesn't actually look at events from his perspective. The story is actually told from the perspective of James Gregory (played convincingly by Joseph Fiennes) - who as a prison guard slowly advancing up the ranks - met Mandela (played by Dennis Haysbert) in 1968 and gradually developed a relationship of trust and respect with him.

There's enough background information to give the viewer a taste of what South African life was like under apartheid, but the story isn't really about that. It's more a story of Mandela's impact on Gregory. At the start of the movie, Gregory came across as basically just another white South African, committed to apartheid and devoted to maintaining the white hold on "their" country. But slowly, as Gregory comes to know Mandela, he changes. Mandela's graciousness as well as his fierce devotion to his cause impacts Gregory, who suddenly begins to see Mandela not as a black terrorist out to kill whites but as a human being seeking basic dignity and equality.

Fiennes performance was very strong. Haysbert had a tough challenge. It surely isn't easy playing a man who is literally a living legend. He did well with the part, but it was difficult to accept him as Mandela. The portrayal of the racism that was so deeply ingrained in South African society was at times almost painful to watch. I suppose the biggest weakness of the story is that it's been denied by many people - apparently including Mandela. He did develop a strong relationship with one of his white guards, but it wasn't Gregory, who seems to have taken some liberty in the account he shares in his book, from which the movie was made. He is unfortunately dead and unable to answer to those criticisms. Still, this is a moving story, and there is truth behind it apparently, and it clearly established the qualities that made Mandela the great man he is, who accomplished the great things he managed.

While many books and films about South Africa's Apartheid have attempted to convey the tension and the eventual dissolution of that sociopolitical scheme, few histories bring us as close to the core of the schism as does Bille August's excellent film THE COLOR OF FREEDOM. Based on the book GOODBYE BAFANA by James Gregory (with Bob Graham) the story details the relationship between Nelson Mandela and prison warden James Gregory during Mandela's long imprisonment on Robben Island off the coast of South Africa, and the gradual friendship that occurred between these disparate men. Studying this development of a friendship provides an opportunity to better understand the concept of Apartheid and of the evils of racism in general.

Nelson Mandela (Dennis Haysbert) was convicted of treason and sentenced to life imprisonment on the desolate Robben Island for his non-violent attempts to end racism in South Africa, attempts that eventually resulted in work stoppages and resistance movements that moved the articulate, well-educated lawyer Mandela into the realm of activism. While on Robben Island he was guarded by one James Gregory (Joseph Fiennes), a pro-apartheid, cruel prison employee who was assigned to Mandela as a spy and censor because of Gregory's knowledge of the local language Xhosa (learned from his childhood when his best friend was a black boy named Bafana). Gregory lives on the island with this wife (Diane Kruger) and children and his commitment to his family provides a stark contrast to his hatred of his black 'Kaffir' prisoners: his involvement with the pro-apartheid status is strengthened by his direct communication with Intelligence in the cities of South Africa where his censored information from the prisoners leads to definitive capture and 'disposal' of the blacks. On a trip ashore Gregory and his wife and children witness first hand the beatings and cruelties of the whites against the blacks and Gregory returns to his duties on Robben Island with a gradually changing point of view for the model prisoner Mandela. They begin communicating in Xhosa and Gregory allows Mandela's wife Winnie (Faith Ndukwana) to spend more committed time with her husband on her restricted visits to Robben island. One particular misstep - Gregory passes Mandela's Christmas gift of a piece of chocolate to Winnie - threatens Gregory's status on the island, while at the same time bonding Mandela and Gregory like brothers. Gregory's life and philosophy have been changed by Mandela's powerful personality and spirit and his eventual release from prison into the new, freed South Africa has been aided in a small but meaningful way by Gregory - a reflection of Gregory's childhood bond with his friend Bafana.

August captures the tension and the atmosphere of South Africa in this visually stunning film. Fiennes is superb as James Gregory as is Diane Kruger as his wife. Dennis Haysbert conveys the spiritual essence of Mandela despite the fact that his physical appearance is not at all like the Mandela known so well from the still constant photographs of the diminutive freedom fighter we see frequently. But the film does convey the tenor of the changing times during the 27-year confinement of Nelson Mandela. The featurettes on the DVD offer lengthy history lessons about the real events referenced in the film and add immeasurably to the film's overall success. There is much to learn from this film in addition to the fact that it is a solid work of cinematic artistry. Grady Harp

Joseph Fiennes has always looked a bit like a spider monkey in my view, but in this movie he was better than in any role I'd seen him in before, doing what I thought was a competent job with the South African accent as well. Finally exempted from having to play the sex symbol, Ralph's little brother could finally concentrate on actually challenging himself with a complex role. In a movie based upon a true story, Fiennes plays James Gregory, a racist South African guard whose certainties are nonetheless shaken to the core over the span of twenty years – the time he spends as Nelson Mandela's prison warden. The movie's merit lies largely in showing us the daily application of a major historic abomination – Apartheid – through the lives of "little people", those ordinary men and women of South Africa thanks to whom it was perpetuated. These are "ordinary" white people who are neither heroes nor villains, but obtuse conformists. The violence of the system on its white citizens was considerably more hidden than on its black ones, but it was violence all the same: it was the obligation to remain as ignorant as possible. The alternative was to be persecuted by the status quo.

Dennis Haysbert as Nelson Mandela was suitably stoic and charismatic, a positive counterpart to Forest Whitaker's villainous Idi Amin from The Last King of Scotland. Diane Kruger was definitely better cast as an "ordinarily" racist, suburban hairdresser wife and mother of two, than as Helen of Troy. By the end of Goodbye, Bafana, I was also somewhat moved. My major complaint with the movie was that like the vast majority of African-set, historical movies made recently, Nelson Mandela and all the black African characters were largely viewed from the outside, through the whiteys' eyes. These movies' directors all need to sit in a darkened room and watch The Battle of Algiers together sometime