Meltdown

This film was not all that bad as the story went but the camera work is what makes it difficult to watch. I just don't like that so-called "realistic" camera work that is being done nowadays; you know the type- jumping off center, panning around, etc. What got me particularly irritated about this film though was the new thing that they threw into the mix by shooting a few frames in black and white in each scene. I believe that the film would have been much better if the camera work was shot in the much more conventional way because as it was I couldn't concentrate on it and found myself analyzing the camera work instead. Maybe if more people express dissatisfaction with camera work like this the filmmakers will finally get the hint.

I was told by a friend and fellow 24 fan, that there was a fantastic movie made on the same subject as this years series storyline. I rented the movie and was completely blown away. I have to say, some of the comments above are harsh. As a television movie, this is hands above 95% of what's made. No one has mentioned that Chechik seemed inspired by Paul Greengrass' work on Bloody Sunday, rather than 24. Interestingly enough, I would say the writers of 24 actually saw this movie and went so far as to use its premise and if you can believe it, even cast the same actor as the lead terrorist, Arnold Vosloo. That said, the movie is pretty relentless. Chechik places you inside moments without editorializing. Although I might question some of the motivation of the terrorists, once I got the big twist, I found myself being less interested in the why and more interested in the how. Which I suppose is the reason FX made the movie. More importantly, the ending leaves you breathless in its callousness and in the position the US government takes regarding their actions. Actions characterized as being for the "good of the country." It's amazing to me how bad for the country that posit is. Really well done.

This is not just your ordinary action/thriller. We are kept guessing constantly about what might happen. We mainly see what is essential, and details of the lives of those affected are pretty much left out. There are no background stories unless we need to hear them. Editing is rapid fire and if we have seen all we need to see, the action quickly switches to something else. For example, Mika is the reporter on the scene. In her first report, we spend more time watching her put on makeup than seeing what she actually has to say. We pretty much know, so that's not essential.

Camera work is quite unusual. Different angles in the same scene might be black and white while others are color. At first I thought the black and white was security footage, but most of the time the cameras are moving--mostly shaking. It may be somewhat unsettling but it's effective. And of course I mentioned the editing.

There is lots of good acting here. Bruce Greenwood is Tom Shea, the man in charge, who's not supposed to be but his superior is elsewhere and it will take time for him to get back. Shea was not happy with the results of the U.S.S. Cole attack and got himself demoted. But he knows what he's doing. Arnold Vosloo is the terrorist in charge. I'm going to guess that Manoj Sood is in charge of the control room, the man who desperately tries to keep the terrorists from doing anything harmful.

And the standout performer is Leslie Hope, the cop who is nervous and in pain after being shot while wearing a vest (this saves your life but doesn't prevent pain). She tries really hard and finds some valuable information.

Robert Kovacik, the dedicated news anchor, must cope with whatever comes his way. Live television has its problems, but he deals with them. He's so professional I figured he might be real, and the credits say he plays himself. Dagmar Midcap as the reporter on the scene lacks personality and doesn't seem much like a real journalist, but that's just because of the current state of journalism, where cute babes seem to matter more than hard news. She's attractive and gets the information across.

Two experts are listed in the credits as themselves. Dr. Jim Walsh seems quite nervous, which doesn't inspire confidence, but I guess there is realism there. David Rapoport comes across as calmer and more professional.

One thing bothered me about the news coverage. At times the entire screen is filled, with the anchor in the middle, graphics, and a crawl at the bottom, as if we are seeing what people actually see on TV. When people are being interviewed, a lot of that information goes away. That's not a big deal, I guess, because we're not actually watching the newscast, but it would have been more effective to show the TV screen exactly as others might have seen it.

It's a worthy effort with some important lessons about what this country's most vulnerable sites ought to be doing.

The editing in this movie was rather unusual. They kept fading in and fading out. The hand held camera work didn't really work for me, too much made me dizzy. And the choice to go black and white at times was uncalled for, at first I thought it was for the "terrorists" to gather information but then out of nowhere it would just go because. The main terrorist has been in The Mummy and Darkman now he's playing another bad guy. The character of Shea is rather over the top I'm not sure if someone like that would really be in the FBI, and he's the senator in Rules of Engagement. Also the actions of the anti terrorist team were rather harsh, you'd think they'd be a little more controlled.

Over all it was enjoyable watching.

The subject matter of this film is something I try to stay clear of. Like most of us I know it's out there but for my own state of mind, I would rather skip down the yellow brick road. So why did I see it. To be truthful because of Arnold Vosloo who I think is a greatly overlooked talent.

But the movie, even though I did not want to think about such things did make me think. The way the movie was make with it's "Breaking New" fourm just added to the effect. And made it look real. After it was over. I could not help but ask myself some long avoided questions. Just how much does the media add to the panic for the sake of good ratings. How "many" time's has our government white washed what they tell us. Just how many of our service men have been used and discarded. And how many people are there like me who just let it ride because we don't want to deal with it.

Thanks to this movie, I'm going to start dealing with it. I'm going to be more aware of what is going on. I may skip down a yellow brick road. But you can be sure I'll be ready for the brick wall at the end of it.