Cuando la hija de un psiquiatra es secuestrada, se horroriza al descubrir que la demanda de los secuestradores es que rompa con un desorden de estrés postraumático que sufre una joven que co... Leer todoCuando la hija de un psiquiatra es secuestrada, se horroriza al descubrir que la demanda de los secuestradores es que rompa con un desorden de estrés postraumático que sufre una joven que conoce un secreto.Cuando la hija de un psiquiatra es secuestrada, se horroriza al descubrir que la demanda de los secuestradores es que rompa con un desorden de estrés postraumático que sufre una joven que conoce un secreto.
- Premios
- 1 nominación en total
Philip DeWilde
- Intern
- (as Philip De Wilde)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaTwo of the film's main actresses later died at young age. Brittany Murphy (Elisabeth) passed away from pneumonia coupled with anemia and drug intoxication in 2009 at age 32 while Skye McCole Bartusiak (Jessie) suffered an accidental drug overdose at age 21 in 2014.
- ErroresAggie's Apple notebook appears to have its trademark logo on the cover upside down. This is how the G3 PowerBook is designed and is not an error. Starting with the subsequent G4 Powerbook, Apple reversed the logo such that it's upright when the laptop is in use.
- ConexionesEdited into Honest Trailers: Lord of the Rings (2012)
- Bandas sonorasFunky Cold Medina
Written by Matt Dike, Michael Ross (as Mike Ross), Marvin Young
Performed by Tone Loc
Courtesy of Delicious Vinyl
Opinión destacada
Renowned psychiatrist Nathan Conrad visits an 18 year old woman who is mentally disturbed with his colleague Dr Sachs. The next morning he awakes to find his daughter kidnapped and him and his wife under surveillance by a shadowy group of men. He is given until 5pm that day to get the patient to reveal a 6 digit number to him that is locked up in her head. Meanwhile his wife is trapped in their flat and police woman Cassidy is piecing together a puzzle that begins with the discovery of two related murders.
It doesn't matter how daft a story is if it manages to convince you for as long as it's on screen. For example Face/Off has the most absurd plot in the world, but for 2 hours it doesn't matter and it carries you along. This doesn't quite manage the same trick. The plot is daft - every single part of it is silly from the idea of a girl being unreachable is daft, the idea of the gang doing this is daft and the way that with very little notice the gang manage to set up cameras everywhere.
That said it has it's moments - the opening robbery is good and some of the drama works well. However for too much of the film you feel like the director is really trying to make it feel more tense than it is - witness the scene where Conrad first finds talks to Patrick Koster on the phone, the camera spins wildly all round him. Similarly he uses a lot of handheld stuff to give the impression of more action than is really happening, he also uses other lazy tricks like having everyone shouting their lines at times and making everyone squeal their tyres etc when they drive! These combined with the silly plot make it hard to get into.
Douglas is OK but he doesn't convince as the strong father figure that saves the day - he looks too old to take on Bean in a fight. He also looks far to old to have a beauty like Famke Janssen. She does well despite being stuck indoors all the time - the only problem with her is that she is far to warm and perfect a character. Murphy is good although she has moments where she's too hammy. Bean and his gang are good but they are distant from the action and never feel like a real threat - in fact you could almost sympathise with Bean, having been double-crossed at the start and wasting 10 years of his life. Esposito is OK but she doesn't really have a character - she tries to be tough and slightly sassy (a role she did so well everyday in Spin City) but she comes across as nondescript as her black leather coat. Victor Argo is a pleasure to see, but he's wasted here with nothing to do in a really small role. Fans of Abel Ferrera will know him while he's been in other things (notably the two Smoke films) and know how good a character actor he can be.
Overall this never manages to rise above it's silly plot. It has it's moments but with lesser stars this would have been just another silly straight-to-video thriller.
It doesn't matter how daft a story is if it manages to convince you for as long as it's on screen. For example Face/Off has the most absurd plot in the world, but for 2 hours it doesn't matter and it carries you along. This doesn't quite manage the same trick. The plot is daft - every single part of it is silly from the idea of a girl being unreachable is daft, the idea of the gang doing this is daft and the way that with very little notice the gang manage to set up cameras everywhere.
That said it has it's moments - the opening robbery is good and some of the drama works well. However for too much of the film you feel like the director is really trying to make it feel more tense than it is - witness the scene where Conrad first finds talks to Patrick Koster on the phone, the camera spins wildly all round him. Similarly he uses a lot of handheld stuff to give the impression of more action than is really happening, he also uses other lazy tricks like having everyone shouting their lines at times and making everyone squeal their tyres etc when they drive! These combined with the silly plot make it hard to get into.
Douglas is OK but he doesn't convince as the strong father figure that saves the day - he looks too old to take on Bean in a fight. He also looks far to old to have a beauty like Famke Janssen. She does well despite being stuck indoors all the time - the only problem with her is that she is far to warm and perfect a character. Murphy is good although she has moments where she's too hammy. Bean and his gang are good but they are distant from the action and never feel like a real threat - in fact you could almost sympathise with Bean, having been double-crossed at the start and wasting 10 years of his life. Esposito is OK but she doesn't really have a character - she tries to be tough and slightly sassy (a role she did so well everyday in Spin City) but she comes across as nondescript as her black leather coat. Victor Argo is a pleasure to see, but he's wasted here with nothing to do in a really small role. Fans of Abel Ferrera will know him while he's been in other things (notably the two Smoke films) and know how good a character actor he can be.
Overall this never manages to rise above it's silly plot. It has it's moments but with lesser stars this would have been just another silly straight-to-video thriller.
- bob the moo
- 17 feb 2002
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Don't Say a Word
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 55,001,642
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,090,474
- 30 sep 2001
- Total a nivel mundial
- USD 100,020,092
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to Ni una palabra (2001) in Japan?
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