Por culpa de un beso

Commercial director Dag (Ron Eldard) is a former womanizer. He's dating Halley (Kyra Sedgwick) and their best friend is Peter (Patrick Breen). Peter is dating flighty lead dancing Rebecca (Marley Shelton) who lives under her domineering director mother. One day, Rebecca reveals that she and Dag had a fling while she was touring in Europe. Dag, Halley, and Peter all break up as they find other relationships. Dag flirts with unstable waitress Paula (Marisa Tomei) who is in love Peter's commercial as a peanut butter mascot eagle. Halley has a fling with Andre (Taye Diggs) while staying at Rebecca's apartment. Peter meets Colleen (Sarita Choudhury) and then their plane crashes.

It's always fascinating to see these established actors in their earlier less-known work. Suddenly, Peter Dinklage shows up in a weird one-off role. Tomei is playing a psycho. There is a lot of wackiness but it doesn't strike my fancy. It's harder to laugh when the lead annoys me and Dag annoys me. I'm not a fan Eldard although he's usually pretty good as the annoying sidekick or the pathetic villain. It's not good when he's the lead. I also find the animated flashes really bad and unnecessary. I'm only interested in Halley and Peter but even there, the interest fades rather quickly. Peter pulling down his pants is a great move but his character turns bland. I love Sedgwick but when she lets in Andre, I just don't think that any New Yorker would do that without at least calling Rebecca. In the end, none of these characters intrigue me and other than the pants drop, none of it struck me as being funny.

This movie was a moviestar-filled indie film about relationships and what might have happened had they chosen to take things differently with the people nearest to them. This plot is very overused so naturally to change the movie and make it unique, they add digital effects over the video to make it more artsy.

I liked the effects and the different characters were always getting themselves into crazy situations involving neverending change, but the way this was directed was so unbelievable and chaotic that the audience, in my opinion, doesn't have time to understand how to react to the changes that are made. This movie is more depressing than happy or even "real."

This obviously is supposed to be a black comedy based around the emotion of love and its many forms and prices of being in love. I gave it a 5/10 stars because although it had nice stylistic touches to keep you watching, there was very little payoff to watching through to the credits.

"Just a Kiss" sucks like a Hoover. I only made it about halfway before ejecting. I showed the DVD cover to my SO and she just stuck up her nose at it. Even my cat tried to cover it up. The film has a good cast (why I rented it) but no story, goes no place, and really needs to get over itself. It's salted with cute little effects...not cute cute, just dumb cute. One star from Ebert and 86% rotten according to RottenTomatoes.com, I shoulda known better. (C-)

There are in fact some good takes in this film. Each is like an episode that relates forward or back to another, with uneven balance. The clever rotomation is probably unnecessary, but you never know because the central theme of infidelity masquerading as comedy never gets off the ground.

It could be just that I don't appreciate gimmicks or television-inspired quick jumps from one aspect or view of an object to another. Or that I see Generation X or Millennium Generation attitudes as disjointed and lacking any sense of classic value. Anyone who might be strongly centered on the idea of "character" (in the old sense of that word) should probably avoid this film as a waste of time. Go and rent a computer game or watch Reality TV instead.

I can't help wondering if some of the positive comments here were written by people involved in making this film, not only because it's a movie only its mother could love (though it is), but because they seem to reflect what the filmmakers intended, not what the audience sees. It's screamingly obvious that this was intended to be an 'original' film, the interspersing of cartoony footage, the 'alternate reality' stuff, but all in all this is just a rehash of 100 film school indies you've seen before, urban hipsters having sex, having relationships, engaging in the forced clever banter that passes for wit in such flicks. The characters are intended to be unique and interesting, but instead of personalities, they just have quirks. It's not unbearable, there's just not enough here to make it worth the time it takes to watch.