Discesa all'inferno

"Discesa all'inferno," the 1981 adult film directed by Mario Salieri and Sascha Alexander, is a fiery descent into the depths of passion and depravity. With a title that translates to "Descent into Hell," this film promises a journey through the circles of lust, and it delivers.

The film opens with a bang, introducing us to a cast of characters who embody the raw, uninhibited nature of the film. We are immediately thrust into a world of unapologetic sexuality, where pleasure and pain intertwine. The standout scene of the film involves Zara Whites, a vision of erotic beauty, who captivates with her insatiable appetite for pleasure. In a blur of moans and sweat, she becomes a whirlwind of carnal desire, her body contorting in ecstasy as she surrenders to the intense sensations. The scene is a masterpiece of adult cinema, a symphony of flesh and lust, with Whites shining like a diamond in the rough.

As the film progresses, we are treated to a variety of sexual encounters that explore the full spectrum of human desire. From tender moments of intimacy to wild orgies, "Discesa all'inferno" leaves no stone unturned in its portrayal of sexual exploration. The settings are diverse, from luxurious bedrooms to seedy back alleys, adding a layer of contrast that reflects the characters' complex motivations.

However, the film is not without its flaws. The plot, though present, often takes a back seat to the sexual antics, and the acting can be uneven at times. Some scenes feel rushed, while others drag on, disrupting the flow of the narrative. Despite these shortcomings, "Discesa all'inferno" remains a captivating watch, largely due to its unapologetic embrace of eroticism and the commitment of its cast.

In conclusion, "Discesa all'inferno" is a film that lives up to its name, taking viewers on a journey through the fiery depths of human sexuality. With a raw and unfiltered approach to adult entertainment, it delivers on its promise of passionate encounters. While it may not be a masterpiece in terms of storytelling, it excels in capturing the essence of uninhibited desire, making it a memorable experience for fans of the genre.

SATANIC INFERNO's title comes on way too strong - we don't get any Satanism and zero fantasy content, but rather a stimulating all-sex video spotlighting the lovely Zara Whites. Since it was produced by Sascha Alexander, the 77-minute feature is overshadowed by a 24-minute prologue starring his wife Sarah Young opposite Mr. Reliable, Peter North.

That English-language prologue is a classic, with North wearing glasses and surprisingly convincing as Sarah's shrink. Her complaint is getting no sleep (nudge/nudge, say no more), plagued with erotic dreams. North hypnotizes her and shtups her, with an extremely satisfying anal-sex interlude. His fans will be a tad surprised that the money shot finale is at the volume of a normal guy, not North's usual output measured by the pint. The Canooker is human, after all!

Main feature is extremely well-lit, making it atmospheric (a Salieri specialty) as well as erotic. It's bookended by scenes of Whites sent through a door (marked "999" next to it, the closest the show gets to Satanism with its connotation of "666" upside down) into a room filled with candles, but oddly enough no rituals or demonic nonsense is introduced. Instead there's a sleazy, bearded guy in a tux (who has the last word at the end, unintelligible to me dubbed in German, though I would probably have been baffled by the original Italian track as well) who introduces Whites to a high-class form of prostitution.

Unlike the usual Salieri densely-plotted video, this one is mainly tableaux of Whites and especially her co-star Jeanna Fine, involved in group sex. Head maestro is Roberto Malone, with another American import, Fine's frequent co-star Sean Michaels, also getting his licks in. Oddest staging has over a dozen nude guys masturbating, waiting for a slim blonde to service them.

Salieri adds a sense of class to the proceedings by taking great care over the settings and costuming, in addition to his expert lighting (a treat compared to the usual slapdash visuals of shot-on-video porn). A remarkable scene in a restaurant moves the video into "plays like a real movie" territory, albeit briefly.