Adiós a Las Vegas

Leaving Las Vegas is a very powerful character drama that happens to be the best acting Nicholas Cage has ever done. We are so used to his over-the-top performances, but this role is very reserved. He does play an alcohol addict, but he isn't crazy for the majority of the film and that's a relief. This film was made on a very cheap budget, but that doesn't matter when we get too involved in the story and the relationship between the two main characters.

Mike Figgis's film is about a Hollywood screenwriter named Ben who loses everything thanks to his alcoholism. He decides to go to Las Vegas to literally drink himself to death and that's where he meets a prostitute, Sera. They form a relationship despite their issues and each realize they form a special bond with each other.

The acting is very good. Nic Cage does a career role and his portrayal of an alcoholic is very realistic and disturbing. I'm perturbed on how much alcohol he drank in the film. Elizabeth Shue does very well as Sera and we are able to feel her pain despite her profession.

Overall, this is a very surreal and realistic drama that focuses mightily on characterization. I don't like what each person does, but somehow the movie makes me feel bad for them and root for good things to happen to our main characters. Also, I really liked the look and the feel of the film. It gives out a more realistic feeling. Thanks to the raw, gritty, and powerful performances, this movie works on a high level. I rate this film 9/10.

Having recovered from the mind-numbing Heat, a supposed character study, I was eager to sink my teeth into a different 1995 gem and I found it here with Leaving Las Vegas. With only two important characters, the entire film rests heavily on the shoulders of Nicolas Cage and Elisabeth Shue, and neither of them disappoint.

Of the two, Nicolas Cage is the Oscar winner and the truly deserving one at that. He is simply hypnotic as Ben Sanderson, an alcoholic so far gone he doesn't even remember why he wants to die. His withdrawal scenes are so real they are upsetting, whereas his drunken charisma is so real its almost funny. The balance that Cage strikes really highlights how tragic his character really is. He conveys hatred and rage and loneliness and despair, and you will be so sad yet so hooked that its impossible to look away. Elisabeth Shue gets off to a slower start than Cage, but she is still an endearing, emotional character, capable of great things.

The writing is very good, giving Cage the perfect, pitiful dialogue in order to serve his woeful character, and even throws in a hypnotic monologue or two. The best thing that Figgis achieves in this film is his cruel and deliberate intersplicing of mood-killing incidents (invariably caused by alcohol) between the moments of love and passion that Shue and Cage share. It is a relentless reminder that their love story is completely doomed. Sting's My One and Only Love is all over this film, which I thought was a very good choice, in addition to the beautiful and haunting score.

The final act focuses a little too much on Shue and not enough on Cage, and whilst their final scene together was appropriately pathetic to suit the tragedy of the film, I couldn't help but feel less engaged. I also didn't enjoy Shue's constant commentary, given that it doesn't really go anywhere.

But between the raw passion of Nicholas Cage and the uncompromising guiding hand of Mike Figgis, any complaints I could ever have otherwise found in Leaving Las Vegas are completely washed away.

"Leaving Las Vegas" is an insightful, harrowing experience about the binding forces of true romance, the power of encouragement and compassion, and the tragic effects of alcoholism. The performances are absolutely astounding: Nicholas Cage delivers one of the most unforgettable, genuine, and human performances ever captured on film (a well-deserved Oscar for every reason), and Elisabeth Shue, as his soul provider and protector through the trauma of his alcoholic turmoil is sentimental, passionate, and definitely deserving of the Oscar for Best Actress in 1995, providing us with the eye of Ben Sanderson's heart and soul, as his equally troubled lover who has pledged to stay with him through tears and trials. Director Mike Figgis is intensely effective in following the many turmoils of Sanderson as he copes with terminal alcoholism, even going so far as to declaring he will "drink himself to death in Las Vegas", and the effects of his struggle upon his functions, health, and spirit, as well as the corresponding attributes of his loyal lover, Sara. I'm certain that anyone who has experienced the turmoil of alcoholism or has been deeply involved with such an abuser will gravely appreciate the realism and depth of this film to address the egregious effects of drinking constantly, and how this alcoholism tears many lives literally apart. I was horrified by Sanderson's dependence upon alcoholism as a substitute for happiness and control, and Nicholas Cage's uncanny human performance, with all of his appropriate, convincing twitches and erratic movements, enhanced the compassion and torment I felt for this character, who has literally surrendered his life to this terrible disease of alcoholism. We gasp in horror as we see Sanderson taking a shower with a bottle of gin in hand, and trembling to the refrigerator for a bottle of vodka: these are the true, tragic symptoms of alcoholism, and this film does an excellent job in addressing them. A brilliant, tragic, yet extremely essential study of the disease of alcoholism and how it can destroy every aspiration, every desire, and every state of consciousness we have within ourselves, when we are constantly craving "one more bottle of vodka" 24 hours a day, 7 days a week... Nicholas Cage delivers one of the most heartfelt and eerily convincing performances in the history of film, and this is one lamentable, subliminal look at one of the saddest and unnecessary addictions in humans: striving to either enhance, better, or in this case, destroy their lives in constantly drinking intoxicating and deadly substances. Sanderson to Sara: "You can never make me stop drinking"--- the sad, yet frighteningly real state of mind of a disparaged, hopeless, alcoholic. **** out of ****

If Mike Figgis never made another film, and Nick Cage and Elizabeth Shue retired after making Leaving Las Vegas, they would have done so with impunity. Both actors are superb, and bring the excellent screenplay to life with the help of some masterful dramatic cinematography.

Cage plays a suicidal alcoholic who has come to Las Vegas to drink himself to death, and Shue plays the unexpected problem - a prostitute who falls in love with him. The only reason this film did not receive a ten from me is the voice-over technique which was tastefully minimal, but, in my opinion, the only mistake the director made. It does help to provide closure, but I felt that closure was an unnecessary compromise here.

This is not an entertaining film, and in truth, I am surprised by its popularity among typical audiences. It is a serious film, and a work of art, but fun is not to be found here. DO NOT see this film if you dislike feeling emotionally drained and ethically challenged, and DO NOT see it if you are very prone to boredom, or easily offended by sexual violence, substance abuse and the horror of daily life on the street.

This is an intensely sad film about love shared by people who are caught in the gravity of their lives and can not escape. It is also a story of redemption and respect, found in improbable places. It is NOT a fun-filled frolicking romantic comedy, but rather, the opposite, and it achieves a beauty, dignity and power almost unique among films treating such starkly real and disturbing subjects.

Nic Cage is hit and miss with me. This is him at his best. His pain, apathy, hopelessness, helplessness, pathetic-ness (if that's a word) is heart wrenching. You can't help but pity him but at the same time you know he's on the correct path -- for him. It's sad. But beautiful at the same time because of his relationship with her. The thing that makes this performance so amazing to me is that he's usually such a loud, boisterous character, sometimes to the point of obnoxiousness but here he is so understated. If it's not the best performance of all time, it is definitely his best performance. For me.