007: GoldenEye

Bond 17 welcomes Pierce Brosnan as the tuxedo wearing MI6 secret agent. Besides Brosnan, a lot has changed since the last outing for Bond in the film franchise, and this film sees an almost re-birth of the franchise for the 1990's

Released in 1995 this film was directed by Martin Campbell, who would later go on to direct Daniel Craig in "Casino Royal" too. Campbell replaced John Glen who worked on 5 Bond films and reinvigorated the franchise during the 80's. Michael France steps in as writer replacing Richard Maibaum (who worked on 14 Bond films) and Michael G. Wilson (who stepped into a Production role), with Jeffrey Caine and Bruce Feirstein writing the screenplay. Ian Fleming of course is the mastermind behind the main characters in this, although the story is not based on any of his books - which is the first time that a completely original version of Bond has hit the screen. Eric Serra steps up into music department which John Barry previously monopolised. While some of Barry's original scoring is present still, Serra brings an updated score to a fresh new generation of Bond. The theme song to accompany the open credits was "Goldeneye" which was sung by Tina Turner. Previously the production team for the film would work with the musical artists so that themes of the film were incorporated into the song, but not this time. This time the song was written by Bono and The Edge from the band U2. Also, noteworthy, Albert R. Broccoli took a step away due to ill health and was mainly a consultant, his daughter Barbara took up his production role with his stepson Michael G. Wilson. Unfortunately, Albert would die 7 months after the release of this film. Running at 130 minutes this film had a budget of $60 million and grossed a whopping $352 million - which makes Bond's relaunch a massive success.

The most obvious refresh is in the title character, Pierce Brosnan replaces Timothy Dalton. Dalton was due to come back, but due to legal wrangling this production of this film did not start for 4-5 years, by which time Dalton's contract had expired. He initially agreed he would come back for a single film, but Broccoli wanted him to sign on for 4-6 films which Dalton did not want to do. So rather than renewing Dalton at all, Broccoli turned to Irishman Pierce Brosnan. Brosnan had been considered for the role prior to Dalton, but he was committed to an NBC contract to play "Remmington Steele". The writers did adapt the version of Bond for Brosnan as best as they could, but the fact of the matter remains, the film was written with Dalton in mind for the title role, which is why there is still a darkness to the character. It's amusing to look back at other people considered for the role, the studio considered Mel Gibson (they considered him before choosing Dalton in the 80's too), Hugh Grant, Liam Neeson and even Paul McGann were considered. In his role, Brosnan is brilliant, he manages to combine the approach other Bond actors gave; he manages to be as dark as Dalton, as witty and charming as Moore, and as direct and professional as Connery (sorry Lazenby, you didn't get a mention because in one film you didn't manage to stamp your mark on the franchise). Not only does he manage to combine other Bond performances, but he also manages to put his own classy stamp on the film, he is cool, stylish, and savvy. His Bond is every part an action hero but dressed down in comfortable clothes.

As well as Bond being recast, some of the regular reoccurring characters were recast too. Judi Dench replaces Robert Brown as Bond's MI6 boss "M". This was a bold move but was not the first time a female boss was considered. When Lois Maxwell was about to step away from playing Miss Moneypenny she suggested a female "M" which was actually considered, but the eventual decision was that the world wasn't ready yet. In the 1990's the world was a little more ready for a female boss, but regardless of is it was ready or not, Judi Dench absolutely commanded the role and stole the attention when she was in frame. Miss Moneypenny was recast with Caroline Bliss being replaced by Samantha Bond. She does not appear for a long time, but she is witty and charming for her time on screen. The only actor from the reoccurring characters to survive the refresh was Desmond Llewelyn as Q. There are some new reoccurring characters that are introduced here, which I can mention with the benefit of hindsight. Joe Don Baker is CIA operative Jack Wade, replacing the Felix Leiter character that came before him. The character is portrayed as a bumbling loud, chubby American which is in complete contrast to the mannerisms of Bond. Choosing this stereotype of a character seems like it's very tongue in cheek, but because Wade doesn't get a lot of screen time it works well. Robbie Coltrane's Valentin Zukovsky is also a character that you will see again in the next Bond film. Coltrane's portray is decent but not absolutely necessary. It feels like he is shoehorned in for a little bit of comedic relief - which is further backed up by his on-screen girlfriend (played by Minnie Driver) and her terrible singing.

There are three main villains in this film, General Ourumov (Gottfried John), Xenia Onatopp (Famke Janssen) and Alec Treveluyan (Sean Bean). All three of which give varying but great performances that are different from other villains that Bond has faced before. Ourumov is the maniacal Russian general with a hidden agenda, he is menacing and dangerous. Onatopp is a very over the top henchwoman but she is unmistakably a powerful female in a Bond film who poses as much as threat as 007. Famke Janssen does well in the role and brings to life a performance which I feel could have been a lot cheesier. Sean Bean sits at the top of the bad guy pyramid and he is great. The character is supposed to the decedent of Lienz Cossacks, who worked with MI6 for a long time to cover up his plot for revenge. He does great to play a charming character that is extremely dangerous. I am not too keen on Bean's quintessential English accent in this film, I prefer it when he's true to his Yorkshire roots, but ignoring his accent his performance is very strong. Sean Bean's role could have been played by Alan Rickman or Anthony Hopkins but they turned it down. Hopkins would again be approached for a role in "Tomorrow Never Dies" only to turn it down again then. The use of a former MI6 agent as the lead protagonist in the film was a change from using archetypal bad guys such as Nazi's, drug lords, or mad scientists. This was partly down to the changing times of the era. Worldwide politics had changed dramatically since "License to Kill", this was actually the first Bond film after the dissolution of the Soviet Union and after the end of the Cold War; the Berlin wall in Germany had also come down too. The new bad guys were the ones sat at the end of a computer who had the power to bring down nations with the press of a keyboard button. It was important that Bond changed with the times and it did that by having Alan Cumming's Boris character as the computer whizz, controlled by the former intelligence agent that Sean Bean portrayed.

Izabella Scorupco as Natalya is the typical Bond girl of the film, but with her computer knowledge she is more than just eye-candy. At different times she allows the plot to continue advancing with the information and solutions she puts in front of Bond. It is fair to say without this character the film would not advance the way it does. Scorupco does a lovely job in the role demonstrates a wide range of emotions that she puts on plate for the audience to empathise with her. Alan Cumming is her technical counterpart then nemesis in the role. I found this character to be slightly annoying at times but again he is integral to the plot. The fact that I considered the character to be annoying is testament to Cumming's performance, if he invokes emotion then he has done well.

So, there were a lot of firsts in the film, more firsts came in the studio used. This was the inaugural film to be shot at Leavesden Studios. It was also the first Bond film to use CGI too. Add to that the casting changes and the production team changes, and you have a Bond film that on the surface may look familiar, but the parts are all new. Like a classic car that has had a new engine added, an approach that seemed to work as audiences loved this Bond film and it won plenty of plaudits and awards. The name Goldeneye comes from a manoeuvre that Ian Fleming took part in while with the Naval Intelligence Division, it is also the name of his estate in Jamaica.

All in all, I really enjoyed the film. I consider it to be a fantastic rebirth of the franchise and all the players from cast and the production team do a great job. Its family friendly enough that kids or grandparents can watch it without being upset or offended, but it is equally able to be a grown-up film with lots of action and intelligence in it too. The film is everything that you would expect or want from a Bond film and with Brosnan able to combine all the other Bond performances in his portrayal in this film, it should make fans new and old happy. I am happy to recommend this film and I am certain you'll have fun watching it too.

In terms of Bond films this is a 9 out of 10.

In terms of movies in the long and illustrious history of film I would give this a 8 out of 10.

Bond is back and better than ever. OK, he may not be better than ever but he's better than he's been in some time. GoldenEye has a great opening scene that is more entertaining than most entire movies. It involves bungee jumping, guns, motorcycles, planes, and nerve gas among other things. Pierce Brosnan's first effort as Bond is a remarkable one. The movie has good acting, good action, and humor. It's great escapism from start to finish. The women are beautiful and Famke Jannsen and Sean Bean play their roles well. GoldenEye also boasts one of the best finales of the series in which Bond must take on the villain atop a gigantic satellite dish. As stated earlier, Brosnan is terrific as Bond. He's suave, witty, charming, looks good in a suit, and has a capacity for action. In conclusion, this is a thrilling Bond from start to finish and should not be missed. Out of 4 stars - 3.5

This movie fully deserves it's status as a classic in the action/thriller/spy/drama category. It's so much fun, well written, solid dialogue and yet it finds that sweet spot with just the right amount of classic Bond ridiculousness. Famke Jensenn playing Onatopp, a soviet assassin who kills men by riding them to death in bed? Yup, sounds like a Bond movie. Judi Dench absolutely kills it as M, I love the gravitas and complexity she brings to the role. Even back in 1995 calling out Bond, what some would consider to be the fictional epitome of toxic masculinity and chauvinism, and saying he's a dinosaur and that she has no problem sending him off to die if she has to. Love her so much in this. As for Bond himself, this may be because I grew up in this period but I have always loved Brosnan in the role. Yes, the later films get exponentially more absurd and the quality absolutely goes down but he is so perfectly cast as the suave, charming and devilish-at-times international man of mystery. That man wears the hell out of those suits, drinks a martini with the best of them and looks just right in that Aston Martin.

Definite recommend for people interested in a solid action flick. The plot is a little crazy, but that was perfectly in line with when it was made and the style of film it's going for. Easily worth a rent.

After a 6 year hiatus due to protracted legal wranglings as to WHO owned the BOND film rights, GOLDENEYE was finally made! It was worth the wait! With the almost impossible assignment of both retaining the quintessential METHOD of the Connery period and the need to drag Bond screaming into the new millennium and its new technology, Martin Campbell actually pulled it off.

Brosnan, though not my personal favorite I have to say, did a damn near remarkable job, by not only bringing elements of Connery, Dalton and Moore to the role, but by stamping it with his own identity (he WAS actually first choice ahead of Dalton but was contractually tied to REMINGTON STEELE and could not gain a release!)

Wishing to link back with the earlier mega successful Bonds, the very title of GOLDENEYE was inspirational, immediately bringing to mind the latent image of GOLDFINGER. Not one half bad title song either compared to some recent efforts.

With Bernard Lee's sad demise, Judy Dench made a brilliant replacement as M, all balls and bravado. Similarly, Moneypenny is now a strictly new-age secretary admonishing 007 for his sexual harassment of her good self! Dearest of all, Desmond Llewelyn still shines as "Q" berating 007 for his behaviour and telling him to "grow up."

Famke Janssen is a throw-back to the good old days of Bond badgirls as the aptly named Xenia Onatopp. Izabella Scorupco however must be the most beautiful of all the "good" Bond girls. Feminine to the core and everything the average man would want to love and protect she is is simply yummy.....no more so than when she chides 007's cold-war repartee with his Russian counterpart as "Boys with Toys" Soo cute!

Action was at a premium from the rip-snorting bungee-jump (pre-credits) to the climactic battle atop the communications tower. Everything gelled in this movie to elevate it to amongst the top 5 Bond films...no question! Top dialog, state of the art fx, innuendos on tap and a really first rate villain. Shame none of the later Brosnan outings have come close to this one!

8.8 out of 10!

Pierce Brosnan's first outing as the iconic spy was a good one. Goldeneye hit the mark with a great story, a progressive M, Bond girl and soundtrack. Pierce makes the role his own and nicely takes on the mantle of 007. Viewers can embrace a new and modern Bond for the 90s. Goldeneye is a special film for me as it was the first 007 film I watched with my parents and it hit the bullseye for me. I was captivated by this great story from start to finish. Decent film and Pierce's best Bond film.