Motorcycle Gang

This is officially THE worst film ever made. It is terrible! The acting is awful, the sets are awful, the editing is awful, the plot is awful, the props are awful, the soundtrack is awful, I simply could not state one positive comment about this movie! Set in the fifties, you can blatantly see 90's cars roaming around, the bikes the 'Gang' use are rusting even though they are ahead of their time, this is diabolical. Words cannot describe it! Take my advice - avoid this piece of junk at all costs! It will be the biggest waste of 80 minutes you could ever imagine.

John Milius's Motorcycle Gang is a damn fine film. Originally made as a part of the Rebel Highway Series, a short lived series of made for TV movies for the Showtime channel, (ten TV-Movies produced in all) were made as homage to the great B-movies of the 1950's. Each director was given a very modest budget ($1.3 Million) and a limited time of shooting.

While the vast majority of the Rebel Highway films are campy and silly, or overacted bordering dangerously close to the realm of soap operas, Milius's Motorcycle Gang is none of these things. It's adult, serious, dark, wonderfully written, well-acted, and at its core a damn fine story. In fact this film does exactly what a movie should do, it takes its audience to another time and place, where they are then thrown into circumstances where otherwise they would (hopefully) never find themselves. In truth this movie showcases some of Milius's best work.

Motorcycle Gang stands out for a number of reasons - first, it takes its self seriously. With the intention of making a good movie and not a campy, cheesy, and over sexualized film, John Milius gives a realistic take on a normally outrageous idea (a vicious hoard of psychopathic bikers terrorizes an innocent family, chasing them across the American desert). And in doing so he paints a much more accurate description of life in 1950's America. Motorcycle Gang is able to achieve this in a number of different ways, first by manifesting the typical beliefs and opinions of many 1950's Americans in its characters. Throughout the film you will see many of the characters beliefs and opinions on pop-culture, values, history, and taboos being challenged as well as the lasting effect of those challenges.

Second by having more realistic characters, not only the performance of the characters is strong. Gerald McRaney's (the Father) portrayals very accurately a deeply conflicted man, a former war hero, now striving for a new start. Carla Gugino (the daughter) experiences a coming of age story. And Elan Oberon who plays (the Mother) battles her own demons and experiences a great deal of growth. Interestingly, actress Elan Oberon is John Milius's real-life wife and was previously terrorized by another gang of psychopathic bikers in yet another Milius story, this one part of the Miami Vice TV series entitled Viking Bikers from Hell. But all of the characters are driven by their own personal desires, goals, and experiences. And you see these recur again and again throughout the film in the characters.

Increasing the realism once again are the costumes - much more than your typical, blue jeans and Chuck Taylor shoes combination in a 1950's movie. The costumes that the characters wear truly help define them. The action scenes (the stunts and fights scene) are very realistic. For example, the fight scene, encompasses real-life Jiu Jitsu moves and 1940's military combat techniques. There are also a wonderful almost cameo appearance by Rorion Gracie (one of the co-founders of UFC) as Sgt. Lopez who I am sure, accompanied with Stunt Coordinator, Terry Jackson and John Milius had a hand in the fight scene).

But the writing is what stands out most of all. It is genius. While simply "the writing" is a very broad topic and encompass most of what has been previously mentioned, it must be mentioned because the writing is what makes this movie. (It should be noted that while the story is by Kent Anderson and while he also has a teleplay credit accompanied with Laurie McQuillan, what is not mentioned or credited is the fact that John Milius rewrote the teleplay (as stated in a 2003 interview)). It is in the rewrites by John Milius where his true genius emerges and it is there where the film gains its great and incredible depth, especially in a movie that does not even eclipse the 90 min mark. As previously stated the characters are more than simply one dimensional. They have goals, beliefs, taboos, and fears. But the characters also have a past, and in typical John Milius fashion he ties his characters into a significant historical incident and has them shaped by these events. It should be noted that while Milius's characters are known for giving great speeches, I always found it is the subtleties in his speeches, not just what the characters say and do, but the reasons behind them that truly shapes his movies. And Motorcycle Gang is no exception, it contains all of those accepts. And it is that, which makes this movie great, and truly a worthwhile film.

Now that I have written far much more than I originally intended I well leave you saying only this. I enjoyed this movie because it was fun, fraught with great adventure, history, and terror. It is a movie that, if given a chance, will sit right up and grab you.

I first saw this film on TV late one night. It starts out with the basic fundamentals of a road movie, a family are driving across the mid American desert to their new home in California in the mid sixties when they become terrorised by a motorcycle gang. The father, Cal, appears to be a mild mannered family man, spontaniously dealing with the angst displayed by his wife and teenage daughter whilst also trying to negotiate moving the family across the country. When his daughter is taken hostage by bikers it would seem he is powerless to alter the events that occur.

Nothing however could be further from the truth, it turns out that Cal is actually a World War 2 combat veteran and despite his humbled and fifty something appearance is a very efficient killing machine. When the final fight sequence occurs the character transformation becomes something to behold, as family man Cal takes on his opponents with a supremely violent and ruthess efficiency.

This movie is a classic. despite being shunned at the cinema, i would recommend it to anyone interested in good film. Neither a road, action or adventure movie, this picture defies a specific genre and in doing so in my opinion has become one of the best low key American classical of all time.

This film essentially begins sometime in the 50's with a man by the name of "Cal Morris" (Gerald McRaney), his wife "Jean Morris" (Elan Oberon) and their teenage daughter "Leann Morris" (Carla Gugino) packing up the car and heading out from Houston to their new home in Los Angeles. Naturally, since the interstate highways system was yet to be completed during this time, Cal figures that their trip will take approximately 3 days. Meanwhile, about 700 miles down the road, a motorcycle gang has recently gone on a killing spree and when they meet the Morris family at a roadside diner, the leader of the gang, known simply as "Jake" (Jake Busey), decides that he can make some money by kidnapping Leann and selling her in Mexico. What he doesn't realize, however, is that Cal is a former Army veteran who has seen his share of combat and is more than willing to take matters into his own hands to get his daughter back. Now, as far as the actual merits of this movie are concerned, I must admit that I have mixed feelings about it. On the one hand, although the film takes place in the 50's, there was something about the setting that just didn't feel right for some reason. I don't know, maybe it's just me but something seemed off. Likewise, I didn't particularly care for the acting on the part of Jake Busey all that much either. While it's true that his character was quite unsavory, his performance wasn't nearly as menacing as it should have been. Perhaps it was his goofy smile during some of these scenes, but whatever the reason, he just didn't seem right for this role. On the other hand, I thought that Gerald McRaney put in a good performance and--along with the reasonably interesting plot--managed to overcome some of the weaknesses just mentioned. That being said, while this was certainly not a great "biker film" by any means, it wasn't all that bad and for that reason I have rated it accordingly. Average.

Made for TV (Showtime) and directed by John Milius ("Conan the Barbarian," "Red Dawn"), 1994's "Motorcycle Gang" relays the story of a family traveling through the Southwest circa 1959-60 wherein they run afoul of a small gang of criminal bikers. The daughter is kidnapped and taken into Mexico. The father has no recourse but to take matters into his own hands. Will this crisis tear the family further apart or bring them closer together (i.e. a blessing in disguise)?

Jake "Gary's Son" Busey plays the charismatic bike leader and does it well. The father is played by Gerald McRaney (Major Dad), who's always perfect for father-type roles. The wife is played by Elan Oberon, who doesn't seem all that spectacular looks-wise until you see one shot of her at the motel (whoa!). One of the highlights is Carla Gugino (Silk Spectre in "Watchmen") as the daughter. The daughter's only 16 years-old but Carla was 22 at the time of filming.

There's an interesting subplot about sexuality -- the wife is bored with her husband and was having an affair to fulfill her sexual desires before the trip; the daughter (who suspects the affair) is just awakening to her sexuality and finds it intriguing; the father has grown bored with romance/sex and has drifted from his wife, but the vacation reinvigorates him and stirs his passions; the bikers only regard sex on the most base level.

Another theme is that of universal justice. Scum who choose to give themselves wholly over to their dark side and commit extreme criminal acts don't deserve lovey-dovey mercy and understanding -- they've gone too far; they deserve nothing but obliteration from this realm of existence (say a prayer with 'em if you want).

At a mere 84 minutes the film is short-but-sweet with almost no filler.

The gorgeous Southwest locations are a definite plus.

Being made-for-cable-TV "Motorcycle Gang" is obviously low-budget fare, but that's okay because the biker films of the late 60s/early 70s were just as low-budget. The good thing is that "Motorcycle Gang" is actually better than most of those films. In fact, it's on a par with 1992's "Beyond the Law," although I much prefer "Motorcycle Gang" (Charlie Sheen isn't believable as a hardcore biker plus that film had too many goofy elements).

This isn't "Apocalypse Now," it's a low-budget TV biker flick, so don't expect to be blown away. Just enjoy it for what it is, and maybe you'll discover that it's even more than that.

GRADE: B+