Nicole conoce a David y le parece que es perfecto. Pero cuando su atención se vuelve obsesión, su lado oscuro emerge y el amor de ella de convierte en miedo.Nicole conoce a David y le parece que es perfecto. Pero cuando su atención se vuelve obsesión, su lado oscuro emerge y el amor de ella de convierte en miedo.Nicole conoce a David y le parece que es perfecto. Pero cuando su atención se vuelve obsesión, su lado oscuro emerge y el amor de ella de convierte en miedo.
- Premios
- 1 premio ganado y 2 nominaciones en total
Gerry Bean
- Eddie Clark
- (as John Oliver)
Rav Toor
- Counterman
- (as Ravinder Toor)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaLeonardo DiCaprio was looked at for the role of David McCall, DiCaprio didn't think he was right for the role, but he put in a good word for friend/co-star Mark Wahlberg to director James Foley after working with him on The Basketball Diaries (1995). Foley and Wahlberg spent the day hanging out and discussing the part before Wahlberg was later told by Foley that he really liked him but that he wouldn't be considered for the lead role of David McCall. Wahlberg was subsequently offered to come in to audition for one of David's criminal friends and impressed Foley so much with his audition that Foley told the studio that he would back out of directing the movie if Wahlberg didn't get to play David.
- ErroresWhen David hits himself in the chest repeatedly after he talks with Mr. Walker, Nicole comes home and tells her dad that she saw bruises all over his chest, but shortly after David carves "Nicole 4 Eva" on his chest, there are no bruises or any marks.
- Citas
David McCall: [At the door] It could have all been different, Mr. Walker. You should have allowed nature to take its course. In the end, it will anyway.
[pause]
David McCall: SO LET ME IN THE FUCKIN' HOUSE!
- Bandas sonorasJessica
Written by Dickey Betts
Performed by The Allman Brothers Band
Courtesy of Polydor Records
By Arrangement with PolyGram Special Markets
Unichappell Music, Inc. & F.R. Betts Music Co.
All Rights Administered by Unichappell Music, Inc. (BMI)
Opinión destacada
Movie like this either reach out and pull you in or they don't. Fear pulled me in. I rented this movie about a week after Halloween of 1996 and put it in my VCR not sure what to expect. 2 hours later I ejected the movie from the VCR feeling somewhat dazed and overwhelmed. Fear isn't a classic. But it works well. It is scary, violent gory and well made. The reason it works so well is because it was made by people who knew what they were doing. The whole stalker style of movies is full of uninspired trash that sounds like it was made for the USA network.
Fear stands heads and shoulders above that (And to some extent above the original Fatal Attraction). It's not afraid to push, to pull us inside, to scare us and give us a good conclusion at the end, one that movies of this type always mess up.
***
Fear stands heads and shoulders above that (And to some extent above the original Fatal Attraction). It's not afraid to push, to pull us inside, to scare us and give us a good conclusion at the end, one that movies of this type always mess up.
***
- Deniro68
- 15 oct 1999
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Fear?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Fear
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 20,831,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,312,240
- 14 abr 1996
- Total a nivel mundial
- USD 20,831,000
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta