CALIFICACIÓN DE IMDb
4.0/10
698
TU CALIFICACIÓN
Agrega una trama en tu idiomaIn 1950s Africa, a tribal magician calls up a demon to kill Europeans.In 1950s Africa, a tribal magician calls up a demon to kill Europeans.In 1950s Africa, a tribal magician calls up a demon to kill Europeans.
- Dirección
- Guionistas
- Elenco
Andre Jacobs
- Geoff Armstrong
- (as André Jacobs)
Pepsi Mabizela
- Elizabeth's Cook
- (as Pepsy Mabozela)
John Madala
- Old man with donkey
- (as John Madlala)
Max Mkhwanzi
- Tractor Driver
- (as Max Mkwanazi)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Unrelated to "The Curse" (1987) and "Curse II: The Bite" (1989), this in-name-only sequel stars Jenilee Harrison of 'Three's Company' fame as Elizabeth Armstrong, wife of a farmer in 1950 East Africa. She and her sister meddle in a tribal ceremony (they don't want to see a goat get sacrificed), much to their regret. The local witch doctor (Dumi Shongwe) summons a powerful demon of the sea to slaughter these foolish whites for their interference.
Co-written and directed by Sean Barton, a veteran editor whose credits in that capacity include "Return of the Jedi", "Curse III: Blood Sacrifice" is actually a pretty enjoyable B horror flick. It gets most of its impact from its on-location shooting in South Africa, and has a very good atmosphere. It can also get rather gory at times. Barton and company are wise not to give the monster too much screen time; it's largely unseen until the end, and when we finally get a good look at it, it's got a reasonably impressive design (by Chris Walas, the effects man who gave us the Gremlins and the 1986 version of The Fly). The music score composed by Julian Laxton & Patric van Blerk is another big plus. "Curse III: Blood Sacrifice" goes through its paces with skill, building up a decent body count and giving us an incendiary finale.
One doesn't exactly feel too much sympathy for the victims, but at least some of the cast deliver okay performances. Harrison has some appeal as the heroine. Henry Cele has a powerful screen presence as the character Mletch. Co-star Gavin Hood, who plays Robert, may be better known now as a director of such movies as "Tsotsi", "X-Men Origins: Wolverine", and "Ender's Game". The true star power in "Curse III" is provided by ever-reliable Sir Christopher Lee, who doesn't get that much screen time despite his top billing. But he makes every moment count.
Overall, not bad at all. The novelty of the African setting helps to make up for the routine storyline.
Six out of 10.
Co-written and directed by Sean Barton, a veteran editor whose credits in that capacity include "Return of the Jedi", "Curse III: Blood Sacrifice" is actually a pretty enjoyable B horror flick. It gets most of its impact from its on-location shooting in South Africa, and has a very good atmosphere. It can also get rather gory at times. Barton and company are wise not to give the monster too much screen time; it's largely unseen until the end, and when we finally get a good look at it, it's got a reasonably impressive design (by Chris Walas, the effects man who gave us the Gremlins and the 1986 version of The Fly). The music score composed by Julian Laxton & Patric van Blerk is another big plus. "Curse III: Blood Sacrifice" goes through its paces with skill, building up a decent body count and giving us an incendiary finale.
One doesn't exactly feel too much sympathy for the victims, but at least some of the cast deliver okay performances. Harrison has some appeal as the heroine. Henry Cele has a powerful screen presence as the character Mletch. Co-star Gavin Hood, who plays Robert, may be better known now as a director of such movies as "Tsotsi", "X-Men Origins: Wolverine", and "Ender's Game". The true star power in "Curse III" is provided by ever-reliable Sir Christopher Lee, who doesn't get that much screen time despite his top billing. But he makes every moment count.
Overall, not bad at all. The novelty of the African setting helps to make up for the routine storyline.
Six out of 10.
Who knows why I went to the trouble of hunting down this 1990 B flick, but expecting nothing, I settled in for a less than ordinary "thriller" about African voodoo, gratuitous nudity, and electrical storms. Watching this movie is all about letting yourself go for 90 some-odd minutes and appreciating that someone took the time to construct an offbeat little thriller that takes itself way too seriously, and almost pulls it off. Completely devoid of the tongue-in-cheek humor that the Scream movies and Psycho Beach Party laid on us, Curse 3 painstakingly takes us through a couple of days of hell for the inhabitants of a 1950's African village. It's truly a horror relic of the pre-Dewey days. (I'm talking David Arquette, not the president!). Jenilee Harrison acquits herself nicely (I'm surprised she hasn't had more of a chance to stake her claim in Hollywood) and Christopher Lee chews the scenery like he's auditioning for Hamlet. All in all, odd enough to be a fairly interesting little diversion. 2-and-a-half (out of 5) on the Corkymeter.
Panga is, I guess a hooked African Knife and that's what the film was sold as, until it failed and instead became part of the shaggy series of dog movies under that title.
But now it should just be seen and called Panga, it reflects the 80s everything is about knives cutting people era of horror. Now to be clear this film has little gore, it does feature bits of sexual exploitation in two scenes, Harrison self-consciously holding up her breasts to make them look larger. She isn't actor enough to carry the movie which has plenty of other problems.
Though we have Christopher Lee top billed, he barely has anything to do or is even in most of the film. Eventuallly a monster does appear, though even the monster must still lumber around, briefly with the Panga.
So do we don't get lots of killings, which might help a film where nothing really happes for half it's running time. The few times the Panga kills someone we have a shot of the blade rising and falling through frame--as if it's a TV movie, and even these shots don't birng any fear or, if you're after it, any blood or terror.
It's directed by an editor of the Least of the first three Star Wars films and one that drew criticism in part for doing a lot of intercutting between scenes making all the scenes seem less important individually than creataing any tension that that happens in this film too, which may make it sound more like it has some style than it does.
The film just can't pull off any kind of action at all, even if it's two people walking up stairs the camera seems awkwardly placed and the action artificial. The director, has no feel for the genre, there are only one or two kinda of moody shots and one long tedious walking around a dark empty house scene. He never directed another movie.
The obnoxious cheap sounding electric music score took two people to push some kind of cheesy thin synth momentum into the non eventful proceedings. It wasn't good then and it's worse now as far as hurting not helping the movie.
Harrison is a big problem, she's all surface, bugging out her eyes and letting her mouth hang open, getting messy and then suddenly having perfect hair and make up again. There is one of the unintentionally funniest reaction shots in genre history. She finds a body and screams while messing up her hair with both hands like she's in a hair commercial showing off how much body her hair has, then she slow walks out of the room and has perfect hair again. It's a high or low light that has to be seen to be believed.
Lee finally has a good moment telling his characters backstory which sounds much better than anything we've had to sit through in this movie. If he and the possibly interesting African supernatural elements had been allowed to take up more time the film could have been better. Or if it was going to be a slasher film then where is all the slashing and elaborate set-piece suspense scenes? Not in this movie that's where!!!
Then the film climaxes with not one but two totally unlikely and increbibly huge instant fires. The climax takes place in the rain yet one lantern instantly ignites a large very gree cane field!
So interesting perhaps as an example of a movie failing to pull off older horror elements while including trendy ones of the day. Ligthing is often done very flatly and though dolby stereo it doesn't do anything creative or effective with its sound either, and the cheesy synth music sounds like it's playing on a poolside AM radio of the day.
All said a loser, but not the worse of THE CURSE movies if that says anything. As others point out and like most of THE CURSE movies it's wasn't made to be one in the first place.
But now it should just be seen and called Panga, it reflects the 80s everything is about knives cutting people era of horror. Now to be clear this film has little gore, it does feature bits of sexual exploitation in two scenes, Harrison self-consciously holding up her breasts to make them look larger. She isn't actor enough to carry the movie which has plenty of other problems.
Though we have Christopher Lee top billed, he barely has anything to do or is even in most of the film. Eventuallly a monster does appear, though even the monster must still lumber around, briefly with the Panga.
So do we don't get lots of killings, which might help a film where nothing really happes for half it's running time. The few times the Panga kills someone we have a shot of the blade rising and falling through frame--as if it's a TV movie, and even these shots don't birng any fear or, if you're after it, any blood or terror.
It's directed by an editor of the Least of the first three Star Wars films and one that drew criticism in part for doing a lot of intercutting between scenes making all the scenes seem less important individually than creataing any tension that that happens in this film too, which may make it sound more like it has some style than it does.
The film just can't pull off any kind of action at all, even if it's two people walking up stairs the camera seems awkwardly placed and the action artificial. The director, has no feel for the genre, there are only one or two kinda of moody shots and one long tedious walking around a dark empty house scene. He never directed another movie.
The obnoxious cheap sounding electric music score took two people to push some kind of cheesy thin synth momentum into the non eventful proceedings. It wasn't good then and it's worse now as far as hurting not helping the movie.
Harrison is a big problem, she's all surface, bugging out her eyes and letting her mouth hang open, getting messy and then suddenly having perfect hair and make up again. There is one of the unintentionally funniest reaction shots in genre history. She finds a body and screams while messing up her hair with both hands like she's in a hair commercial showing off how much body her hair has, then she slow walks out of the room and has perfect hair again. It's a high or low light that has to be seen to be believed.
Lee finally has a good moment telling his characters backstory which sounds much better than anything we've had to sit through in this movie. If he and the possibly interesting African supernatural elements had been allowed to take up more time the film could have been better. Or if it was going to be a slasher film then where is all the slashing and elaborate set-piece suspense scenes? Not in this movie that's where!!!
Then the film climaxes with not one but two totally unlikely and increbibly huge instant fires. The climax takes place in the rain yet one lantern instantly ignites a large very gree cane field!
So interesting perhaps as an example of a movie failing to pull off older horror elements while including trendy ones of the day. Ligthing is often done very flatly and though dolby stereo it doesn't do anything creative or effective with its sound either, and the cheesy synth music sounds like it's playing on a poolside AM radio of the day.
All said a loser, but not the worse of THE CURSE movies if that says anything. As others point out and like most of THE CURSE movies it's wasn't made to be one in the first place.
An American bride's sister is visiting her and her sugar plantation owning husband in South Africa. While out one afternoon, the sister disrupts a native tribe's voodoo ceremony in an attempt to keep them from sacrificing a goat. As a result, a witch doctor puts a curse on them. It isn't long before a demon from the sea is stalking the family and anyone else they know.
Originally titled Panga, this is also known as Curse III: Blood Sacrifice, but none of the four films in that series have anything to do with each other. While this is far from a great movie, it is a fun watch. The African locations make for nice eye candy and we get Christopher Lee in a secondary role as a doctor who may be involved in the killings. Jenilee Harrison makes for an attractive leading lady, but her character can be rather annoying. No one else in the cast makes much of an impression, but they're mostly there to be machete fodder anyway. That's right, this demon uses a machete. It's funny to note that the director's last name is Barton, also the last name of the director behind Zaat, which I watched not long before viewing this one. The fish-like demon on display here reminded me of the creature from that film, only with much better effects work courtesy of Chris Walas.
The score for this film is rather odd, but you can't deny that it's catchy. It was stuck in my head for a good day afterward. Speaking of odd, there's a neat sequence where a character is burned alive after he's caught spying on the main characters from a sugar cane field. You would have to see the scene to realize how bizarre it really is.
Originally titled Panga, this is also known as Curse III: Blood Sacrifice, but none of the four films in that series have anything to do with each other. While this is far from a great movie, it is a fun watch. The African locations make for nice eye candy and we get Christopher Lee in a secondary role as a doctor who may be involved in the killings. Jenilee Harrison makes for an attractive leading lady, but her character can be rather annoying. No one else in the cast makes much of an impression, but they're mostly there to be machete fodder anyway. That's right, this demon uses a machete. It's funny to note that the director's last name is Barton, also the last name of the director behind Zaat, which I watched not long before viewing this one. The fish-like demon on display here reminded me of the creature from that film, only with much better effects work courtesy of Chris Walas.
The score for this film is rather odd, but you can't deny that it's catchy. It was stuck in my head for a good day afterward. Speaking of odd, there's a neat sequence where a character is burned alive after he's caught spying on the main characters from a sugar cane field. You would have to see the scene to realize how bizarre it really is.
Curse III: Blood Sacrifice is quite an entertaining film. As of yet, I have only seen this one and Curse I in the series. I hated "The Curse", because I felt it was one of those "quick films" to try and make Wil Wheaton a star. I had read that none of the sequels had anything to do with the original, so I figured that I would enjoy this. I did. I figured the budget was low, and I always enjoy when filmmakers work well on a shoestring budget. A women interrupts the sacrifice of a goat. The leader of the tribe summons a curse from the sea to pay her, her friends, and her family back. The movie was well done, and the East African scenery was a nice addition to an already well done film. Christopher Lee was in fine form, and the film made some sense unlike the original. The "sea creature" was a little cheesy, but the mystery and suspense made up for the cheesy, low budget special effects. It's one of those films that leaves you guessing about what might happen next. "Curse III" is definitely one of the best purchases I made. See this film, I guarantee you that if you don't like it, you won't hate it!
¿Sabías que…?
- TriviaOriginally released as a standalone film entitled "Panga," both this film and Catacombs (1988) were released with the names "Curse III" and "Curse IV" despite not being intended sequels to El maleficio (1987).
- ConexionesFollows El maleficio (1987)
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