Wycliffe

Despite the occasional slow tempo, Wycliffe is a wonderful detective series. It is gritty and tense, but there is something somewhat charming about it as well. The series is beautifully photographed, and the scenery is exquisite. The music, especially the main theme, is lovely and has a pleasant Cornish lilt to it. The series is well scripted and well constructed in terms of story lines as well, with the writing focused, thoughtful and sensitive and the story lines having their fair moments of grit and tension. And the acting is great, Jack Shepherd is superb as Wycliffe, who is quite old fashioned and conventional, and Helen Masters and Jimmy Yuill are also great as well developed supporting characters. Overall, a fine detective series, perhaps not the best out there, but it is very atmospheric thanks to the scenery and main theme music. 9/10 Bethany Cox

After binging 20+ seasons of Midsomer Murders, Wycliffe was the perfect show to go into next. Instead of the quirky, usually fun, but for sure brighter, HD widescreen presentation with a much more modern formulaic episode, we get a much more realistic, drawn out portrayal of policing/detective work.

Just wrapping up the last episode of season 5. What's unfortunate is that it had probably at least 2 more seasons in it, and I put all the blame on ITV. Anyway, for my experience, the first three seasons are much different than the last two, and that's not a bad thing. While those first seasons draw more from the Wycliffe books and that same format, season 4 and 5 started having several long reaching arcs that were woven well into the mystery of the week.

One of the things that might throw some people off (but if you've seen Taggart, especially those early years) is that when the case is done, many times the episode just ends on what seems to be an awkward note - still, it doesn't take long to get used to it. Today, we seem to want, or feel that we deserve, some kind of resolution for everyone, even the secondary characters.

An underlying theme of the show that becomes more prominent is certainly the conflict between the "man on the ground" and the bureaucracy calling the shots from their ivory tower, usually concerned more with politics, procedure and press releases than the actual job. This is incarnated typically in Michael Attwell's DCC Stevens, who does a wonderful job of bringing to life a character that makes you want to punch him in the face every time he is onscreen.

It's not until later in the show's run that we start to get better glimpses into the personal lives of Wycliffe, Doug and Lucy, but the common theme of trying to have a life outside of the job is what is emphasized. With Wycliffe, what starts out with just phone calls home to Helen or even one or two with his son David, eventually give way to more nuanced and fleshed out scenes with his entire family, as he struggles constantly with being there as a husband and father to two teenagers. At the same time, Wycliffe also has the benefit of having a fairly stable home life. Doug and Lucy have their own issues just trying to find and maintain any kind of lasting relationships.

The Cornish setting is a nice change,not only from other British cop shows I've watched, but from police dramas/mysteries in general. The rural-ness and for the most part what I'd consider today as low middle class to working poor as many of the supporting characters brings a different kind of gravitas to these stories as the villager or upper crust elites of Midsomer do. There's a certain feeling of despair that seems to be integrated into the personalities of so many characters on the show.

The show takes its time telling the story. There's definitely a slow burn to many episodes. Sometimes an episode will start and it doesn't make much effort to hide whodunit, and other times I was completely surprised. Over the course of its run, Wycliffe finds this odd combination between Columbo (where you know from the start who did it and you watch the heroes struggle through trying to figure out how to prove it) and the typical mystery which when well-written, leaves you guessing right up until the end.

To reference my title, it's certainly a show that wouldn't get the greenlight today. If it did, there would be probably massive changes to the scope and characterization on the show. Probably in regards to Lucy and Doug does that seem most evident. Lucy has some moments during the show where reality hits her hard, and the show doesn't hold back because she is a woman. She is forced to acknowledge that in certain situations she thought she knew more than she actually did, and it gets her into a couple of pretty rough situations because of it. If anything, the writers actually wrote Lucy as a wonderful character who struggled, had a real character arc, learned, and showed vulnerability. In other words, she was actually written as a woman, instead of the current day trend of taking a male character and just changing the pronouns. Jimmy Yuill's Doug would probably have been written off the show after the first season if Twitter was around back then, because some rando on there would have their sensibilities offended or triggered or something. While he and Wycliffe were both of the old school, Doug's struggle with adjusting to the change not only in policy but underlying culture was definitely more prevalent - and unlike Sgt Troy from Midsomer, who seemed to mellow and broaden his viewpoints somewhat over time, Doug Kersey staunchly stuck to his guns and didn't mince words over his displeasure. It's the kind of characterizations we need today in current American TV.

It is certainly a show I'd recommend. I feel like I rambled, but my coffee has worn off and I need to take a nap.

Wycliffe ran for five years, gathering quite a loyal fan base. Jack Shepherd is strong in the title role, Wycliffe is intelligent, thoughtful and cool, if lacking a sense of humour somewhat. Aided by his competent team including DS Lane and DI Kersey, they solve mysteries in and around Cornwall. The Cornish setting is glorious and adds massively, gives the show a cosy feeling.

At times it can feel a little slow paced and a bit beige, you'll see more floral sofas then you can imagine. That said it can be very gritty and dramatic, without going overboard. Highlights include episodes such as dance of the Scorpions and Land's End, I think it gets better as it progresses.

It has dated a little, but still has lots to offer the mystery fan. If like myself you enjoy the likes of Hetty Wainthrop you're sure to enjoy this. 7/10

Wycliffe uses a dull knife of plodding detectery to pry these mysteries out of the gray sea and apparently endless you've-seen-one-you've-seen-them-all moorish landscapes. In almost every one the perpetrator and plot ending are revealed long before the hour is up. Revealed to the audience, that is. Wycliffe and his team take a bit longer. These are the bog-standard fare for older British detective series -- not much originality, not much emotion except the occasional bark of the boss when he is discommoded, lots of old ratty hotels and fusty pubs with less-than-winsome barmaids. A lot of the scenes consist of a couple of the detectives nursing beers in a bar in the evening, fussing about which direction the case should take next. They never agree. I'm watching almost all the episodes because I've already watched every other British mystery series a half dozen times. This is one of the least of these, my brethren.

Wycliffe is a gritty,tense detective show set in Cornwall.The main character Charles Wycliffe is an old fashioned,grumpy detective dedicated to his profession. He is joined by a beer loving,maverick and an ambitious modern woman looking to climb the ladder as best she can. Wycliffe relies solely on conventional means to solve his cases and usually stays within the realm of the law to catch the culprits. At times his work can stray into his home life.He can be relaxing at home with his wife and daughter when he gets an urgent call. The stunning scenery of Cornwall is used to great effect.It's a real joy to see Wycliffe speeding around the tight,winding roads in the pursuit of gathering evidence or tracking down a suspect. He also appears to be quite fond of the classic detective garment of a long trench coat