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"Die Hard" is the prototype type for the modern action film. Since it's also one of the best action films ever made, that happens to be a very good thing. "Die Hard" is lean, mean, and doesn't contain a single second of wasted screen time. The direction, the action, the story, the acting . . . every aspect of this film comes close to big-budget action movie perfection. Since "Die Hard" was first released in 1988, it's difficult to think of a blockbuster action film that doesn't follow the basic structure and format of "Die Hard" . . . or, for that matter, is better than "Die Hard".

"Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day . . . .

Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza -- the film is tight, electrifying, and clever, which is something few action films can ever claim. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next . . . and the surprises don't come out of left field, but are actually clever and well thought-out. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. McTiernan holds up his end of the film admirably as well -- he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. A lot of recent action films just fly along at a mindless, breakneck pace, without ever allowing the story to breathe or the suspense to build . . . unlike those films, "Die Hard" knows how to maximize the impact of each and every scene, and that's why it stands out so clearly from them all. With "Die Hard", John McTiernan puts on a perfect clinic as to how to pace an action movie.

As for the acting, it's darn near close to perfect. Bruce Willis is awesome as John McClane. As played by Willis, McClane's a smartass with a distinct disdain for being given orders . . . but McClane's also clever, and knows how to keep cool under pressure. There's more to McClane than the stereotypical tough guy hero. Fortunately, the role was given to Bruce Willis, who infuses McClane with the perfect mix of cocky arrogance and stone-cold heroism. The fact that Willis plays McClane as a man often in disbelief of his own situation, and who struggles in his fight against bad guys instead of just killing bad guys with ease, like most stereotypical action heroes -- well, not only does it make the character much more believable, it's darn brilliant. (The fact that Willis also knows how to deliver a deadpan one-liner better than anybody else in Hollywood makes the character all the better.) There's only a handful of movies where both character and actor are a completely perfect match; Bruce Willis as John McClane is one such perfect match.

Also worthy of mention is Alan Rickman's performance as the villain Hans Gruber. The Machiavellian Gruber would've been an easy villain to turn into little more than a scenery-chewing Bond villain . . . fortunately, Rickman doesn't travel the easy route. Gruber, as played by Rickman, is cold and calculating, and actually acts smart, instead of merely claiming to be smart and then being thoroughly outwitted by the hero. He always appears to have an ace hidden up his sleeve, and is so convincing at giving this impression, it's hard to tell throughout the film whether he or McClane truly have the upper hand. Other actors probably could've played Gruber fairly well, but Rickman makes Gruber one of the all-time great villains. As for the rest of the cast, they're all pretty good. Bonnie Bedelia does a nice job as John's soon-to-be-ex-wife Holly -- she plays her with enough smarts and feistiness to break the usual "damsel in distress" mold. It's also worth mentioning that Paul Gleason, who plays the obstinate police chief Robinson, pretty much sets up the modern action movie stereotype of the authority figure who refuses to heed the advice of the maverick hero. The character is stupid to a fault, and he's wonderful because of it.

"Die Hard" is a terrific example of what happens when all the pieces of a film fall together perfectly. There simply are no weak spots or dull moments in the film. Is "Die Hard" one of the best overall movies ever made? Probably not. But it's undeniably one of the best action movies ever made, and it just might well be the perfect modern action film. Grade: A

I've got to admit, I only really watched this movie because of the (many, many) references in Brooklyn 99. And I got thinking, is Die Hard really that good? So, I gave it a watch, guided by the many, many Jake Peralta jokes that I had grown accustomed to. And I've got to say, this is the action movie that paved the way for all future action movies.

I usually have an aversion to Christmas movies as they all tend to turn into cheesy rom-coms but this was pretty awesome. And I think the reason for that is because that even though it was Christmassy where it mattered, the plot didn't completely revolve around it.

I've got to admit, most of it was guns and explosions and there was very little plot to go off of besides a pretty traditional three-act structure, but it was still pretty damn entertaining. And you know it's a good movie when about 90% of it was guns and blood and explosions and the other 10% was Bruce Willis saying badass things and crawling through vents in an ever-disintegrating tank top, and you stilled enjoyed it.

There was never a still moment in this movie, but unlike most times, where I just end up getting bored of the CGI-fest explosions, I was actually pretty captivated through the entire runtime. I'm actually really pleasantly surprised. The ending is predictable, but it's nice. Not all movies have to be intellectual masterpieces. Sometimes you just need to switch your brain of a little and watch Bruce Willis kick ass.

So, Jake of B99 was right. I mean, it's badass, Bruce Willis has the best one-liners, you have cool explosions. There's not too much more I could say about this movie. Yippie kayak, other buckets.

-Sasha.

"Nine million terrorists in the world and I gotta kill one with feet smaller than my sister."

Well, what else can I say besides that this is "THE" (can't stress it more) action movie from the 80's with a young Bruce Willis. Personally, I don't even know how many times I've seen this movie. "Die Hard" remains an example for all action movies that followed. At that time you had the Sly and Arnie action movies. But these were more a performance of brutal violence, with big muscles and a sense of invincibility. Bruce showed a clever, shrewd, caustic action hero, who can take a beating, but on the other hand shows that he's not completely invincible.

Of course, the action in films nowadays is much bigger, more impressive and mind-blowing, but the strength of this film is the story, the accumulated tension, lightness and the dry humor of Bruce Willis. From the first minute he takes you in his grip, and he won't let loose. You see him slowly evolve from a wrinkle-free clean-shaved top cop into a reasonable damaged hero. This pattern keeps coming back in the next two parts, which are also top movies of the same caliber.

You'll notice this is already an old movie because for instance lighting a cigarette in a public place isn't prohibited. But how the action scenes are imaged, is still top-work and should be the aim for many action flicks.

I think the sudden confrontation between Gruber and McClane is one of the strongest scenes in this film, along with the well known "Yippie-kay-yee" cry. Trademark of Willis. The fact he likes the character of McClane a lot, you see clearly in "The Last boyscout". In that movie he plays an impoverished detective with the same coolness and cynical, dry humor as McClane. Too bad that in the last two Die Hard movies, McClane is only a shadow of himself like in the original movie.

"Die Hard" is one of those rarities in movie land, which you can watch without thinking "Pfft Again this movie". It remains, for me, an enjoyment to watch.

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In the late 1980s, Director John McTiernan refined the action film genre with this action- packed thriller that not only stars Bruce Willis is the role that defined his career, but also brought impressed audiences everywhere with ecstatic action sequences complete with amazing practical effects, inspiring characters, and one of the most original scripts for an action movie written for its time. This movie stars Bruce Willis as John McClane, a New York cop who heads on vacation to Los Angeles for the holidays, to spend Christmas with his wife Holly Genero (played by Bonnie Bedelia) and kids. Upon arriving at the Nakatomi Plaza building where she works, he and his wife ended having an argument dealing with family matters. Their dispute is eventually interrupted when the building becomes under attack by a dozen German terrorists lead by the ruthless Hans Gruber (played by Alan Rickman) who's intent on robbing the company of its money. Pitted against overwhelming odds and Gruber's diabolical mind, John McClane must take matters into his own hands and fight off the terrorists who have his wife, along with hundreds of innocent civilians held hostage, with no aid from the Los Angeles Police Department who are helpless against the terrorists' overwhelming power.

My family and I catch this fi on cable almost every year during the Christmas season and this never gets old. Unlike other action films from the 80s that spit cheesy little one-liners and mindless gun shootouts, this film presents viewers with a very likable protagonist who is self aware with his flaws and has feels very human, a Villain who is near equally likable and incredibly smart, and the dialogue between these two characters (which are spoken via walkie-talkies for the majority of the time) is very witty and clever that keep viewers' attention. The main character John McClane spends most of the time fighting off the terrorists who are lead by Hans Gruber, and the scenes are exciting to watch. Glossing with intense gunfights, explosions, stellar camera-work and fight choreography, the scenes keep viewers strapped to their seats. In the scenes when the action lightens up, there are some interesting conversations between characters like McClane, who at one point, shares a tender moment with a cop by admitting his flaws as a husband and a man as a whole. These moments are make you feel for the character and are presented in a realistic way and not sappy way. Bruce Willis does an excellent job as the main character and his performances him as the action hero he is today, along with his famous line "Yippie Kay Yay, motherf***er". The same can be said about Alan Rickman is gives off a performances as the one of the most charismatic antagonists ever put on screen. What really impresses me about this film is the action set pieces. The Nakatomi Plaza that serves as the film's main setting (at least during the beginning) is shot nowhere other than Twentieth Century Fox headquarters. Quite interesting!

Die Hard is one of the most influential action films ever made and shines with nearly every aspect an action film needs. It is a good movie for viewers to pop a bag of popcorn, sit on the couch, and watch. Director John McTiernan did a fantastic job with this film as well as the cast. This film is a textbook example of what action films need to be and a movie that every action fan should not miss.

In stepped John McTiernan and Bruce Willis with Die Hard. Willis, most famous at the time for the comic TV Series 'Moonlighting', made a perfect ordinary-man-in-an-extraordinary-situation action hero. He was believable as John McClane and not immune to being hurt. He bled and felt pain, a first for the genre. And yet his cool confident delivery of a great wisecracking, intelligent script made him all the cooler. But most credit should go to Director John McTiernan, king of the sophisticated action flick. He made action movies slick, smart and full of pace and wit while never letting up on the bullets, cars and bombs front.

Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Even after we discover that Hans isn't there as a political terrorist but simply as a thief, he loses absolutely no villain credibility when he responds to Holly McClane's criticism by saying "I am an exceptional thief, Mrs. McClane and since I'm moving to kidnapping you should be more polite." Although we know Hans is capable of vile acts, he actually sees those as merely means to a greater and somehow justifiable end. His disposition is almost humanitarian and you would imagine him as quite a gentleman outside of the context of the crimes he commits in Die Hard's arc. In the end though, Hans is a pure sociopath that even the audience is conned into sympathizing with. I would actually argue that Die Hard is the greatest pure action film ever made. Yippie-ki-yay *muddy funster*... and happy holidays.

Overall rating: 9 out of 10.