Un niño con problemas se sumerge en un maravilloso mundo de fantasía a través de las páginas de un libro misterioso.Un niño con problemas se sumerge en un maravilloso mundo de fantasía a través de las páginas de un libro misterioso.Un niño con problemas se sumerge en un maravilloso mundo de fantasía a través de las páginas de un libro misterioso.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados y 9 nominaciones en total
Chris Eastman
- 1st Bully
- (as Drum Garrett)
Beth Anderson
- The 2nd Balladeer
- (voz)
- (sin créditos)
Donald Arthur
- School's Caretaker
- (sin créditos)
Willie Coppen
- Fantasia Inhabitant
- (sin créditos)
Bernd Eichinger
- Man next to Man Who Drops Milk
- (sin créditos)
Dee Harris
- The Balladeers' Lead Guitarist
- (sin créditos)
Opiniones destacadas
Finally, the truth about stories. The fact is, nothing ever really ends, and thusly, someone had to say so. That's what this movie does, and it does it ever so elegantly. A young boy, who knows so much about the "Lord Of The Rings", and "Beowulf" is about to find out something more real as he borrows a mystical book he finds enchanting. the even more powerful fact, is that once the book is opened, it will never close. Just as life never really ends on this earth, neither to stories. The book, titled "The Never Ending Story", is about Fantasia, a world that is dying, and an unbelievably horrifying substance known as "The Nothing", is enclosing it. A young warrior must face the danger of finding a cure. On earth, or in the book, life is intertwined to reach the ultimate answer to a young boys fears, and a young warriors quest. Film is full of some really lovable characters such as Falkor, the luck dragon, and the Rock Biter. Then, there is the Gmorg, whom I believe, is the most wretched creature in cinema. That thing is scary! In any case, film starts out as colorful and mystical, and grows dark and nightmarish with every scene, leading to a wonderful message about the substance that keeps Fantasia , and every other world out there, alive. Beautiful, just beautiful. A classic.
Just rewatched with my 9yr and she loved it! Saw it accepted by her with the same enthusiasm I had as a kid!
Yes, it's dated. Yes, the acting isn't the best. But... it is so magical and super sweet. Also very telling... in 1984 they told us that hope was disappearing and despair was setting in. A prediction of things to come - at least from 2020 to now in 2022!
Yes, it's dated. Yes, the acting isn't the best. But... it is so magical and super sweet. Also very telling... in 1984 they told us that hope was disappearing and despair was setting in. A prediction of things to come - at least from 2020 to now in 2022!
This film was a favorite of mine as a kid, but even back then I recognized that the book by Michael Ende was superior. Overall, it's a wonderful children's film marred by an inconsistent tone and an unsatisfying ending.
No fantasy film I've seen has tapped more successfully into the kinds of philosophical thoughts that kids have. Think of Rockbiter's speech describing the Nothing: "A hole would be something. Nah, this was nothing. And it got bigger, and bigger, and bigger...." This is the type of film that greatly appeals to introspective kids who think about things like infinity and the end of the universe. Do children really think about such things? I did. People who find that surprising have forgotten how profound children can sometimes be.
The whole of Fantasia, indeed, seems to be built out of children's dreams and fears. Some of it is about exhilaration, as when Atreyu rides Falkor. Others reflect anxiety, as in Atreyu's trek through the Swamps of Sadness. What appealed to me most as a kid was how an imaginative but passive child, sort of a young Walter Mitty, opens up a book in which an older, braver version of himself goes on adventures. But "Neverending Story" isn't so much escapism as it is about escapism. It's essentially a fable about the destruction of a child's fantasy world as he grows older and adapts to the modern world.
The special effects are good for their day. Although they look phony at a few points, the film's distinct visual look, from the shimmering Ivory Tower to the assortment of weird creatures, holds up well today. What makes the film work especially well is that the two child stars--Barret Oliver and Noah Hathaway--prove themselves capable actors. I use the word "capable" because almost everyone in the film overacts in an annoying way, which I blame primarily on the director. But there's a wonderful cameo by Gerald McRaney as Bastian's father. He has the perfect tone for the scene, appearing loving but distant, unable to fathom Bastian's mind. I wish the film had followed through by returning to their relationship at the end and exploring how Bastian changes as a result of his experiences in Fantasia.
The reason the ending doesn't work is obvious to anyone who's read the book. Simply put, the movie shows only the first half of the book! While this isn't the movie's fault entirely--there was no way the entire story could have fit into one movie--this could have been handled better. "The Wizard of Oz" faced the same problem yet managed not only to become one of the greatest fantasy movies of all time but to surpass its source material in some ways. "The Neverending Story" doesn't accomplish that feat. The story feels unresolved at the end while at the same time failing to clearly set up for a sequel. It attempts to wrap everything up with a sequence in which Bastian takes revenge on his old bullies. I enjoyed this scene when I was a kid, but in retrospect it creates a clash between the real world and the fantasy world. Bastian never grows as a character, he never learns to put his feet on the ground, something the early scenes suggest will happen.
There's one other problem, and that's that Wolfgang Petersen never really figured out the proper tone for a children's movie. He must not have had a clear idea what age he was shooting for. Some of the scenes are quite scary and violent, making this film inappropriate for younger children. Yet the muppet-like characters are presented in an annoyingly condescending way that I doubt older kids (not to mention teens and adults) would appreciate. For example, the first scene in Fantasia plays like a revival of Sesame Street, with Rockbiter filling the Cookie Monster role. By the time I was old enough to appreciate the deeper aspects of the story, I cringed at the film's cutesy moments. Petersen didn't have to direct the film this way. Had he shot for a wider age group, the result would have been fresher and more authentic for everyone.
No fantasy film I've seen has tapped more successfully into the kinds of philosophical thoughts that kids have. Think of Rockbiter's speech describing the Nothing: "A hole would be something. Nah, this was nothing. And it got bigger, and bigger, and bigger...." This is the type of film that greatly appeals to introspective kids who think about things like infinity and the end of the universe. Do children really think about such things? I did. People who find that surprising have forgotten how profound children can sometimes be.
The whole of Fantasia, indeed, seems to be built out of children's dreams and fears. Some of it is about exhilaration, as when Atreyu rides Falkor. Others reflect anxiety, as in Atreyu's trek through the Swamps of Sadness. What appealed to me most as a kid was how an imaginative but passive child, sort of a young Walter Mitty, opens up a book in which an older, braver version of himself goes on adventures. But "Neverending Story" isn't so much escapism as it is about escapism. It's essentially a fable about the destruction of a child's fantasy world as he grows older and adapts to the modern world.
The special effects are good for their day. Although they look phony at a few points, the film's distinct visual look, from the shimmering Ivory Tower to the assortment of weird creatures, holds up well today. What makes the film work especially well is that the two child stars--Barret Oliver and Noah Hathaway--prove themselves capable actors. I use the word "capable" because almost everyone in the film overacts in an annoying way, which I blame primarily on the director. But there's a wonderful cameo by Gerald McRaney as Bastian's father. He has the perfect tone for the scene, appearing loving but distant, unable to fathom Bastian's mind. I wish the film had followed through by returning to their relationship at the end and exploring how Bastian changes as a result of his experiences in Fantasia.
The reason the ending doesn't work is obvious to anyone who's read the book. Simply put, the movie shows only the first half of the book! While this isn't the movie's fault entirely--there was no way the entire story could have fit into one movie--this could have been handled better. "The Wizard of Oz" faced the same problem yet managed not only to become one of the greatest fantasy movies of all time but to surpass its source material in some ways. "The Neverending Story" doesn't accomplish that feat. The story feels unresolved at the end while at the same time failing to clearly set up for a sequel. It attempts to wrap everything up with a sequence in which Bastian takes revenge on his old bullies. I enjoyed this scene when I was a kid, but in retrospect it creates a clash between the real world and the fantasy world. Bastian never grows as a character, he never learns to put his feet on the ground, something the early scenes suggest will happen.
There's one other problem, and that's that Wolfgang Petersen never really figured out the proper tone for a children's movie. He must not have had a clear idea what age he was shooting for. Some of the scenes are quite scary and violent, making this film inappropriate for younger children. Yet the muppet-like characters are presented in an annoyingly condescending way that I doubt older kids (not to mention teens and adults) would appreciate. For example, the first scene in Fantasia plays like a revival of Sesame Street, with Rockbiter filling the Cookie Monster role. By the time I was old enough to appreciate the deeper aspects of the story, I cringed at the film's cutesy moments. Petersen didn't have to direct the film this way. Had he shot for a wider age group, the result would have been fresher and more authentic for everyone.
Turn around, tell me what you seeeee', flying through the clouds as the titles roll. It is on every Christmas, I own it and I simply love it. The Neverending Story is one of the least offensive and nicest family films out there. It has numerous sequels, but it is the first one directed by Wolfgang Peterson that is the best of the three.
Bastian, a young boy lives in a dream world, his father wants him to grow up his school would like him to get his head out of the clouds and is tormented by bullies. On his way into school while trying get away from the bullies he runs into an old book shop. While hiding inside the owner shows him The Neverending Story' a huge volume decorated with the Orin the symbol of the child like emprise of the Land Fantasia. When the owner isn't look Bastian takes the book.
This is a beautiful film; it enthralled me as a child and still does as an adult. I have watched over and over again, never tiring of it and always enjoying it. If you have young children or are an old child it doesn't matter this is pure a adventure fantasy for all ages, with colourful characters.
Bastian, a young boy lives in a dream world, his father wants him to grow up his school would like him to get his head out of the clouds and is tormented by bullies. On his way into school while trying get away from the bullies he runs into an old book shop. While hiding inside the owner shows him The Neverending Story' a huge volume decorated with the Orin the symbol of the child like emprise of the Land Fantasia. When the owner isn't look Bastian takes the book.
This is a beautiful film; it enthralled me as a child and still does as an adult. I have watched over and over again, never tiring of it and always enjoying it. If you have young children or are an old child it doesn't matter this is pure a adventure fantasy for all ages, with colourful characters.
One of the best kids fantasy films of the 80's. This is a great films about troubled young boy Bastien who escapes some pursuing bullies in an old book shop finding a story. As he reads this story alone, in hiding, he becomes enraptured in it and soon begins to feel more than a reader but involved in the story and is sucked into the world of Fantasia.
Now, does the film have the important elements of a fantasy yarn? Yep it sure does. It looks great it has strange creatures and wonderful landscapes and it's fair share of adventure. The book bastien read centres around Artreyu a young warrior who is the only hope of saving Fantasia from the evil that is "the Nothing" which is what it's name suggest and will turn Fantasia into nothing.
I had never watched this until recently when purely by chance it was on TV and had a good write up (ah the power of movie critics!) so I thought that as a lover of fantasy, I would watch it. Glad I did people, glad I did. It takes you back to feelings of childhood and captures the imagination. Wolfgang Peterson, who didn't particularly impress me in recent flop Troy, directs preceedings with class and control. There are some good young actors too. ****
Now, does the film have the important elements of a fantasy yarn? Yep it sure does. It looks great it has strange creatures and wonderful landscapes and it's fair share of adventure. The book bastien read centres around Artreyu a young warrior who is the only hope of saving Fantasia from the evil that is "the Nothing" which is what it's name suggest and will turn Fantasia into nothing.
I had never watched this until recently when purely by chance it was on TV and had a good write up (ah the power of movie critics!) so I thought that as a lover of fantasy, I would watch it. Glad I did people, glad I did. It takes you back to feelings of childhood and captures the imagination. Wolfgang Peterson, who didn't particularly impress me in recent flop Troy, directs preceedings with class and control. There are some good young actors too. ****
¿Sabías que…?
- TriviaWith a budget of 50 million Deutsche Mark (about $27,000,000), this was the most expensive film ever produced in Germany at the time.
- ErroresWhen Atreyu is in the Swamps of Sadness with his horse, the horse sinks because it gives into the sadness, but Atreyu doesn't sink, even though he is crying and sad that his friend has died. Though not properly shown in the movie, the book explains how AURYN is protecting him. (His eventual near-sinking at the end of the scene, which never occurred in the book, is due to the plot changes that were made for the movie.)
- Citas
Rock Biter: They look like big, good, strong hands, don't they? I always thought that's what they were.
- Versiones alternativasThe Warner Bros. Pictures logo and it's closing Saul Bass variant are both plastered with the 1992 variant in the DVD version, and 2003 variant in the Blu-ray version.
- Bandas sonorasThe Neverending Story
Music by Giorgio Moroder
Lyrics by Keith Forsey
Performed by Limahl Feat. Beth Anderson (uncredited)
Guitar solo Dee Harris (uncredited)
Courtesy of EMI Records, Ltd.
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- How long is The NeverEnding Story?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The NeverEnding Story
- Locaciones de filmación
- Blood Alley, Gastown, Vancouver, Columbia Británica, Canadá(alley that Bastian is chased into)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 27,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,192,381
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,325,823
- 22 jul 1984
- Total a nivel mundial
- USD 20,289,924
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was La historia sin fin (1984) officially released in Canada in French?
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