Le vieux fusil

Strong War/drama set in France during WWII with marvelous main cast as Philippe Noiret and Romy Schneider . Montauban in 1944, Julien Dandieu (Philippe Noiret) is a doctor in the local hospital. Frightened by the Nazi army coming Montauban, and occupying the little town , he asks his partner Francois (Jean Bouise ) to led his spouse (Romy Schneider) and daughter in the back country villa where Julien owns an old mansion . Some days later, Julien decided to meet then for the weekend, but the Nazis are already taking the village and the castle . He turns into Revenger Angel when his family is attacked by furious Germans (Joachim Hansen , Robert Hoffman ) , as his wife is fired and daughter is shot. Then he stalks the Nazis and takes the law into his own hands, searching vengeance .

This exciting film contains romantic elements , brooding drama ,suspense , intrigue, thrills and lots of violence. Noiret is top-notch in a fully-formed main role as grief-plagued surgeon becoming avenger and he displays efficiently his old rifle killing mercilessly nasties .It's certainly thrilling , though the morality may be questionable , even in this time, as the spectators were clearly on the Noiret-Julien's side . It has a complex pace by means flashbacks in which are narrated the lovely relationship between the amiable surgeon and the attractive Romy Schneider . Colorful cinematography by Becker , being correctly remastered . Enjoyable musical score including a sensible leitmotif is composed and conducted by Francois De Roubaix .The motion picture is stunningly written and directed by by Robert Enrico . He was a good professional who directed interesting films as ¨Jailsbird vacation¨ , ¨Rum Runners¨, ¨The wise guys¨ and his masterpiece ¨The adventurers¨ and of course ¨The old fusil¨ . Rating : 7,5 , better than average. The film will appeal to French cinema lovers

On June 10th 1944, less than two weeks before the Normandy landings, almost the entire population of the village of Oradour-sur-Glane was slaughtered by members of a Waffen SS division. That atrocity is not reconstructed here but forms the basis of Robert Enrico's film.

Surgeon Julien Dandieu arrives at the village where he grew up, the castle of which he happens to own, only to find a scene of mass carnage in which his beloved wife and daughter have perished. His unbearable grief soon gives way to a natural, all-consuming hatred for the Nazi perpetrators who have taken over the castle. Taking advantage of his intimate knowledge of the castle with all its hidden passages and armed only with a double-barrelled shotgun used for hunting wild boar, he sets about stalking his human prey and exacting retribution. The method by which he disposes of the highest ranking SS officer is singularly appropriate.

Suffice to say this is a grim, harrowing and violent film, at times graphically so but has great tension, momentum and first class editing.

It is in effect an early 'vigilante' movie but is well balanced by being a love story also. The use of flashbacks to show the domestic bliss of Dandieu, his wife Clara and their daughter is dramatically very effective.

As Clara the wondrous Romy Schneider once again touches the heartstrings.

The film proved extremely popular with French audiences who had never seen anything like it before. Despite its merits I am not certain that it deserved to win the César for Best Picture although its emotive subject matter no doubt helped and the competition that year was not that stiff. I also found the jaunty title music of Enrico's preferred composer Francois de Roubaix rather incongruous. Pleased to say that the superlative Philippe Noiret in his second collaboration with this director, was awarded the first of his two Césars and a Donatello for his riveting performance as Dandieu. Also of note are Jean Bouise giving his customary understated performance as a family friend and the excellent Joachim Hansen who has succeeded in making the SS officer more than just a one-dimensional nasty Nazi.

This piece, which established Enrico as a director, mixes the genres of war, action, romance and it must be said, exploitation.

We must not lose track of the horrific historical event that inspired the film which acts as a distressing reminder of the barbaric cruelty to which humans can sink.

> This is where we may wonder why it has taken so much to rouse this peaceful man;

Everybody has his own threshold of awakening; and this film is actually the story of awakening - this is why the whole first part showing his peaceful life, even during the war, up until he is led to his threshold, and so the contrast between that and merciful killer that he becomes, becomes even more powerful.

> The next question we find ourselves asking is why he is content to go up against men armed with pistols, rifles,machine guns, grenades and flame-throwers with only a shotgun rather than picking off one man and appropriating his weaponry.

The best weapon is the weapon you are used to, the weapon you trust. Plus, this old gun together with the old castle and their old owner, become one collective weapon against the invaders. Not wise to take one piece out.

The story telling is utterly convincing, and because of the flashback technique, we feel the emotion of the main character (Julien) as the drama unfolds. The suspense is keen and mounting. The viewer keeps asking with increasing intensity: is this what I would do in Julien's position? His mistakes make us groan, his successes make us cheer. His pathos makes us cry.

Raw, tragic, and incredibly poetic, a direct blow to the heart. A low-budget film that masterfully plays all the best cinematic cards and reaches a supremely lyrical level. A masterful performance by an exceptional cast, portraying well-constructed roles and using montages built through continuous flashbacks that skillfully blend highly dramatic moments with poetic ones. Memory, recollection, personal experiences of an ordinary citizen who takes revenge into his own hands.

The protagonist, far from being painted as a heroic and superhuman Rambo (Stallone's "Rambo" film would come only 8 years later, undoubtedly drawing from this), is an everyday man in an extraordinary situation overwhelmed by events.

A microhistory, like many untold ones, that reminds us of the horrors of wars and the power of love that can overcome even in a tragic way. A tragicomedy, like Greek tragedies can be, with an ending that is not happy but somehow comforting. It makes us love the character in all his tragicness and it makes us accompany him, on the dark side of revenge.