Tarzán y el muchacho de la selva

One of the better post-Johnny Weissmuller "Tarzan" films stars heavy-lidded Mike Henry in the lead. Henry, ex-football player making his third appearance as the Ape Man, is a decent actor, although he would probably be more comfortable cast as a shady gigolo seducing older women over champagne than playing Tarzan. Henry does have the proper physique for the role, and his modern appearance is used to his advantage. This Tarzan is given a 1960s spin: he's 007 in a loincloth! Tarzan searches for a lost child in the jungle, aided by a sexy female reporter. The entire movie is full of sweaty bodies, so it comes as something of a surprise when potential love-interest Alizia Gur isn't allowed to play around with anything but her camera! ** from ****

this movie is fine!mike henry is at his best once again!the plot involves tarzan finding a lost boy!the boy sees him,sets a trap!the ape man steps into it.but he is too big for it!the boy tries to run,but tarzan calls him before he escapes!after that,they engage in male bonding!they swing in vines,swim in the river!the film is set in brazil,which makes it very special!!

TARZAN AND THE JUNGLE BOY (Paramount, 1968), directed by Robert Gordon, may not be the best nor the worst in this long running series based on the Edgar Rice Burrough's created character, but no doubt one of the weakest. Though the premise is basically a good one, using two subplots for the price of one, this Tarzan adventure stands apart for having more plot elements than unrelated segments leading to high adventure.

Starting off traditionally in 1960s style where prologue precedes opening credits, the initial three minutes sets upon a famed geologist named Carl Brunik, who, after stumbling upon mineral deposits, packs up his supplies into his canoe where his seven-year-old son, Erik, and pet baby leopard are seen sleeping under a blanket. While heading down the rapids, Brunik loses control of the canoe that flips over. Father drowns while boy and leopard mysteriously disappear from view. After the slow motion title credits superimposing over the image of Tarzan running about or swinging on the vine and other scenes to take place for the upcoming 99 minutes, the plot resumes, moving forward six years. Myrna Claudel (Aliza Gur), a photographic journalist, and Ken Matson (Ron Gans), her associate, parachute from a private airplane through the trees of the African jungle. They are soon met by Tarzan (Mike Henry), and his pet chimpanzee, Cheta. Myrna asks for the Lord of the Jungle to guide them through Zanuga territory in hope of finding a missing boy. Based on a photo they've acquired taken by a oil company stationed there, they've come to the conclusion the son of the late geologist is very much alive, having miraculously survived the jungle with a leopard as his only companion. Naturally, Tarzan takes to the assignment. Second portion of the story involves brother against brother competing for leadership of the Zagunda tribe. Buhara (Edward Johnson), friend of Tarzan, is kept from tribal leadership by being abducted, left to die by his evil brother Nagambi (Rafer Johnson), while tied to the ground onto four extended pillars in the view of hungry lions at a distance. After Tarzan finds jungle boy (Steven Bond), known to many as Jukaro, "boy of the trees," Myrna and Ken are captured and become hostages to be sacrificed under Nagambi's rule.

While the basic element is on the search of a missing boy, the second premise lifted from the Bible's "Cain and Abel" is actually better. Steve Bond, makes an agreeable jungle boy. Appearing 27 minutes from the start of the movie, he has limited scenes to himself, one worthy of mention is his method of hunting and survival. Boy doesn't meet Tarzan until the film is nearly over. Almost instantly, Tarzan and Erik form a certain bonding in the father and son mode, even taking time out for fun and games by having boy dive into the river from Tarzan's shoulders. Leisurely paced to a degree, TARZAN AND THE JUNGLE BOY greatly benefits from rich color photography from Panavision, as well as fine scenery and authentic jungle locales of Brazil in place rather than its true setting of Africa.

While previous Tarzan actors were far from great actors, Henry, the latest and most muscular ape man since Gordon Scott a decade earlier, enacts his role in calm, low-key style, often speaking with little expression. Categorized as bad acting, Henry, in his third and final attempt in the role for which he is most identified, gives some impression of being bored in some spots. With the writers bringing Tarzan more down to earth and being more relevant towards the sixties, this latest Tarzan is definitely not the same character as presented in decades past. Tarzan's background very much parallels that to the jungle boy. A prime example of this is found during one of their one-on-one talks. Tarzan briefly mentions as being an orphan of the jungle himself, taken to civilization, and making his decision of returning to the Africa after reaching manhood. Though there's not a mention of he being Lord Greystoke as depicted in the Tarzan stories, there's a clue of he being educated in city schools before resuming his lifestyle of a jungle man.

Having come a long way since the titled character's introduction in TARZAN OF THE APES (1918) featuring Elmo Lincoln, and dozens more Tarzan's since then, TARZAN AND THE JUNGLE BOY marks the end of the trail. Frequently shown in many commercial TV stations on "Tarzan Theater" since the 1970s, TARZAN AND THE JUNGLE BOY did play part of the cable TV generation on American Movie Classics (1997-2000) and Turner Classic Movies (TCM premiere: November 12, 2011). Though this closed the annual or biannual theatrical release of Tarzan adventures since the 1940s, Tarzan was then on call for a TV series (1966-1969) starring Ron Ely for NBC that certainly kept the legend alive regardless of which actor plays him. (** loin-cloths)

Allow me a moment to wipe the drool from my mouth, what with Mike Henry being such a delicious piece of prime beef! Even if the film was no good, it would still have been worth the watch. I could easily pause the movie and just stare at his great physique. He is also the first hairy chested Tarzan - and oh-so-yummy! Fortunately, I enjoyed the movie as a whole.

In this film, Tarzan is a civilized man who is educated and very well spoken. There is no Jane, hence no "Me Tarzan, you Jane." In fact, there is no romantic interest whatsoever. On the contrary, Tarzan is trying to get away from the only female character in the film!

Ok, but let's start at the beginning. The film opens with a father and his young son running into trouble in white waters. The father is washed away and we can safely assume he drowned, leaving the boy stranded in the wilderness.

Six years later, a journalist, Myrna, and her assistant, Ken, travels to the jungle to meet with Tarzan hoping to find the boy. Meanwhile, the Chief of the Secunda tribe is ill and his two sons, Buhara and Nagambi, are in a contest to determine who will be the next Chief. Buhara is Tarzan's friend and agrees to help locating the boy, while Nagambi is the film's antagonist and wants the boy killed.

'Tarzan and the Jungle Boy' delivers non-stop action and adventure, and is also a story of rivalry and jealousy. Mike Henry makes a credible hero, but I found the character a bit too well educated to be a jungle man. Unfortunately I did not find Steve Bond believable at all as the young boy, Erik, but I think the casting was too blame. He was too small and skinny for the character, and it wasn't believable - especially when he was helping an injured Buhara.

'Tarzan and the Jungle Boy' didn't really feel like a Tarzan movie, but it was still a good enough adventure film.

Mike Henry in his last appearance as Tarzan assists a pair of journalists (Gur and Gans) in attempting to locate a boy (Bond), missing in the jungles for several years. Complicating matters is the volatility of a local tribe after its chief dies, leaving the sons (Ed and Rafer Johnson) to battle for succession.

Strictly formula Tarzan fare with all the usual motifs (pet leopard, a pair of chimps et al) blends some nice scenery with watchable action scenes. Henry is not as relaxed in his role as Ron Ely (the TV Tarzan), but does the business well enough to be convincing. Lacks intensity (the scene where Gur & Gans are attacked by the megalomaniacal brother Ngambi ends rather abruptly), although enough of the cast end up skewered on spears that it's perhaps too violent for the pre-adolescents.

If you're into Tarzan, and especially if you grew up on Ely's TV rendition, then this instalment should satisfy a Sunday afternoon.