Rapto espacial

Amicus were a well-known film company during the 1960s and 1970s who made a number of anthology horrors that continue to be well-regarded amongst fans. It transpires that they tried their hand at a number of other genre efforts during that time-frame too, including this ultra-low-budget sci-fi effort.

Sadly, THE TERRORNAUTS turns out to be one of the cheapest and silliest British science fiction films ever made. It has good pedigree; after all, Amicus is behind it, and their DR TERROR'S HOUSE OF HORRORS, made 3 years previously, is still one of my all-time favourites. This film is based on a novel by the one-time hugely popular Murray Leinster, and has a script by respected sci-fi writer John Brunner. What could go wrong? Er, everything, as it happens. This is a cheapo production with wobbly sets and production values which are far below par. It actually looks cheaper than the episodes of DR WHO that they were shooting at the same time. The basic storyline sees a group of astronomers getting involved with a planned alien invasion, but the outer-space special effects look like something you'd see in THE CLANGERS. It's hardly the stuff to give George Lucas nightmares.

The cast turns up a few faces of interest, most notably Charles Hawtrey and Patricia Hayes who make up a kind of comic double act to comment on the action. Despite the limitations of his acting style, Hawtrey is the best thing in this - well, him and the beautiful actress Zena Marshall, one-time Bond girl (in DR NO) and now reduced to making this nonsense. Unfortunately, the male leads are resolutely dull.

I still laugh even now when I think about the Robby the Robot rip-off that rolls and wobbles all over the place as well as the dodgy explosive effects and the green-skinned aliens who look like they're wearing bath rugs on their heads. As an unintentional comedy, THE TERRORNAUTS is a lot of fun, just as fun as all those dodgy sci-fi B-movies that got made during the 1950s. But as a proper film it's a real mess.

Sci-Fi and horror movies don't often win Academy Awards, but that's not necessarily the fault of the films themselves but merely due to the fact there aren't sufficient categories! If, for example, there existed an Oscar for the coolest movie title, it would guaranteed be won by a horror or Sci-Fi flick almost every year! "The Terrornauts" definitely would have deserved the Oscar for coolest title back in 1967, that's for certain, even though it's a completely irrelevant title. There isn't much "terror" here and the main characters arguably don't even qualify as "astronauts" either. Then again who needs the Academy Awards; because I've never seen an Oscar winning film that provided me with so much entertainment and chuckles than "The Terrornauts". Thus far I always assumed that "First Men in the Moon" (Nathan Juran – 1964) was the cheesiest and most pleasantly deranged Sci-Fi movie to hail from England, but that was before I discovered this even crazier and more imaginative little accomplishment from the Amicus Studios. It's practically impossible to describe the plot of "The Terrornauts", but I'll give it a try anyways. Dr. Joe Burke, along with his girlfriend Sandy and co- worker Ben, is running operation Star Talk. His mission is to intercept radio signals from outer space in order to prove the existence of other intelligent life forms. He's devoted to his job because, as a child, he once had a vivid dream about being on a planet where he could breathe normally. But since his project is unsuccessful for the past four years and quite expensive at the same time, a grumpy government official now informs Dr. Burke that the project will be terminated in three months. But then suddenly Dr. Burke receives signals, hallelujah! He responds to them and, before they properly understand what is going on, their entire laboratory is sucked out of its fundaments and into a massive space ship! The crew, including the talkative coffee lady and a nerdy financial auditor sent by the government, is hosted by a tacky robot and forced to participate in hallucinating experiments. They also stumble upon a portal that leads them directly to – oh yes – the planet that Dr. Burke dreamed about as a child! Do I really need to re-emphasize that "The Terrornauts" is downright awesome?!? Whoever wrote the script of this movie was permanently high on excellent drugs and the team in charge of the special effects and costume designs must have been even crazier! At a certain point in the film the group runs into a flamboyant monster with tentacles on its head and one giant eye on the lower left side, whilst on the planet our heroine is chased by green-faced aliens that want to ritually sacrifice her. The warfare during the climax (I'm not even entirely sure against whom…) looks like it could have formed the inspiration for the legendary "Space Invaders" video game and the very last sequences, featuring a French gendarme, are simply priceless.

Back in the late '60s and early '70s, Amicus was a fairly solid and respectable production studio in the shadows of the almighty Hammer Studios. They released several great anthology horror films starring British horror regulars such as Peter Cushing and Christopher Lee ("Asylum", "Tales from the Crypt", "Torture Garden"), as well as fantasy/Sci-Fi flicks ("Dr. Who and the Daleks", "At the Earth's Core"). "The Terrornauts" is a bit of an outcast in their overall repertoire, but definitely a gem for avid cult fanatics to seek out and enjoy!

Like Danny Boyle's 'Sunshine' forty years later this film starts promisingly enough with the receiving of a mysterious distress signal from the depths of space, but completely unravels towards the end; 'The Terrornauts' because it just didn't have the funds for slam-bang special effects at the finale, 'Sunshine' precisely because it did, and like so many movies these days ends up so bludgeoning you with visual effects you end up begging for it to stop.

Several earlier reviewers have compared 'The Terrornauts' (a totally meaningless title by the way) to 'Dr Who', but one thing it has that British TV then lacked was bright shiny sixties Eastman Colour (sic) - a first for this director - and as long as the action remains indoors it passes painlessly enough. (Respected British sci-fi author John Brunner - whose only film script it was - said that producer Milton Subotsky "was a very reasonable guy" and a pleasure to work with, that Brunner scrapped most of the original splendidly titled pulp novel 'The Wailing Asteroid' (1960) by Murray Leinster, and later got "a fan letter from someone in Indiana who'd seen it on TV and who said what a pleasure it was to hear the technical terms used correctly for a change".)

It all goes pear-shaped unfortunately when bug-eyed monsters and galactic battle-cruisers are finally called for.

This movie is one of my childhood memories. Our local TV station used to broadcast it semi-regularly and I recall seeing it several times as I was growing up. As a sci-fi nut I found the story intriguing, though full of holes and very obviously done on a limited budget.

What made me want to track the movie down was, some years later, reading the book on which the movie was based. The book is "The Wailing Asteroid" by Murray Leinster, written in 1960. Like the movie the book is somewhat dated, though I think the book has probably aged better. Nevertheless, I'd still like to track down a copy of the movie and revisit my childhood Saturday afternoons.

OK, I am a big Amicus fan and for years, I searched for this film, it was almost like the 'Holy Grail' for me, as far as Amicus films went. Finally, I received a copy of this film and let me just say, it didn't disappoint. The wonderful thing about this film is, it doesn't take itself seriously, it offers the purest form of entertainment and delivers. I do believe when the film began, it was to be a fully serious sci-fi effort, but once the film location changes to space, it's more camp and definitely a lot of fun. I just adore Mrs. Jones and Mr. Yellowlees, they bring a sense of fun to the film that it might never have enjoyed, without their characters. At times, the film has an almost; Dr. Who feel to it, with some of the creatures we see and the colors glow with the 60s look. I can't recommend this film as a serious sci-fi film, but if you're in the mood for innocent and enjoyable fun with a film, this is the film for you!