Ana Karenina

Whoever cast Tatyana Samojlova as Anna has some explaining to do. This film would be beautiful if it weren't for the star, who completely ruins every scene she's in. She is a terrible actress and her unattractiveness is a serious problem, as we are supposed to love Anna's grace and beauty. This is why her character is so tragic: this great beauty married to an old bore - we're supposed to understand why she follows her heart and goes for Vronsky, and even sort of root for her, believing she deserves her 'grand amour.' None of this comes through as you just hate Anna and her gigantic head. The film is ruined. Nepotistic casting at its most pernicious!

This movie was done well. The filming was beautiful and Tolstoy's novel (in so far as it is possible) was presented in a good light. The only spot that marred an otherwise-good film was the performance of the leading actress, Samoilova, playing Anna Karenina herself. So inept, clumsy,, irritatingly false and unconvincing was her performance that my single greatest sentiment throughout the film was: "Come on! Throw yourself on the train-tracks and get it over with!" Sadly, for over two hours my prayers went unanswered. A positive note, however, was struck by the stunning performance of the former legendary ballerina, Maya Plisetskaya in her role as the social lioness, Princess Betsy Tverskaya. Vasilij Lanovoj (memorable as Shervinsky, in 'Dni Turbinykh) was also a pleasure to watch as he made the most out of the relatively small role of Vronsky. In short: This would be a higher-than-average film, but for the tragically poor performance of the single actress that was under particular obligation to play well.

for a part of its public, the best adaptation of the novel of Tolstoy. for me, one of good adaptation for the performance of Nikolai Gritsenko, who does a memorable Karenin and for Maya Plisetskaya. for few admirable scenes. for music. Tatyana Samoilova does a decent job. but she seems be prisoner of Veronika. and that fact becomes obvious scene by scene. she gives fragments from the image of Karenina. but the identification with the character seems be more than difficult. something missing. something impose to entire film to be out of psychology of her character. only her silhouette. sure, it is a beautiful film. but it is not the film of Samoilova. because she took , in real sense , the role in few scenes - first meeting with Vronsky, the dance with him, the dialogues with Karenin, the last meeting with Serioja. same situation for the too far by his character for Vasili Lanovoy. short, a beautiful adaptation. but its beauty is the only great virtue.

I must agree with 'iliawarlock' on Samoylova's performance - but even though this is undoubtedly the weakest link, the film doesn't hold on many stronger points. Samoylova, who is best suited to play Soviet peasant or worker, is only the emanation of the overall psychological flatness, ignorance and self-content, characteristic of many destroyer-of-classic-texts communist era films. Plisetskaya is brilliant, and Lanovoy is also delightful. An interesting fact is that, before a screening which took place in Sofia, Bulgaria, the still magnificent Vasiliy Lanovoy commented that his character Vronsky was incapable of the great love which Karenina had the gift for. From his performance, I got quite the opposite impression of a highly sensitive and devoted Vronsky - but thats the greatness of a complex text. Too bad we cannot witness a complex (if any) psychological interaction with Karenina in this dramatization.

I think that Aleksandr Zarkhi's adaptation of Leo Tolstoy's famous novel "Anna Karenina" is one of the best screen versions of the book. It was filmed on the locations where the novel's events took place, its characters speak in the original language, and the spirit of the book was successfully transferred to the screen mostly due to the performances and the cinematography by Leonid Kalashnikov.

Tatiana Samoylova (radiant Veronica of "The Cranes Are Flying") plays Anna exactly as Leo Tolstoy had intended her to be, a victim of overwhelming passion, a woman who had lost herself to love, for whom the whole world had concentrated in her beloved Alexei Vronskiy, and once she felt he had became tired of her, she simply could not and did not want to live. The world famous Soviet ballerina, Maya Plisetskaya took a role of Anna's friend, Princess Betsy Tverskaya and just to see her walk is worth watching the movie. There is much more in it. Some scenes are unforgettable after so many years. Among them, the Vronsky's horse race with the rapid cuts from the faces to horses' heads scene that has to be seen to believe; the first dance of Anna and Vronsky - during the dance the lives of many people had changed forever, or the scene in the theater where Anna dared to show up after she had left her husband and moved in with Vronsky. For a woman of her social position, it was absolutely shocking and totally unforgiving. She was crucified with the looks of the St. Petersburg's Aristocracy but she was standing on the balcony all alone, beautiful and smiling and no one knew what she was going through.

The original music for the film was written by Rodion Shchedrin who would write later the ballet based on "Anna Karenina" and his wife, Maya Plisetskaya will be dancing Anna - but it is a different story altogether