Hiroshima mi amor

Título original: Hiroshima mon amour

1959
Not Rated
1h 30min

CALIFICACIÓN DE IMDb

7.8/10

37 k

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Eiji Okada and Emmanuelle Riva in Hiroshima mi amor (1959)

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Psychological Drama Tragic Romance Drama Romance

Una actriz francesa en pleno rodaje de una película pacifista en Hiroshima tiene una aventura con un arquitecto japonés casado, con quien comparte diferencias respecto a la guerra.Una actriz francesa en pleno rodaje de una película pacifista en Hiroshima tiene una aventura con un arquitecto japonés casado, con quien comparte diferencias respecto a la guerra.Una actriz francesa en pleno rodaje de una película pacifista en Hiroshima tiene una aventura con un arquitecto japonés casado, con quien comparte diferencias respecto a la guerra.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.8/10

37 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Nominado a 1 premio Óscar
- 7 premios ganados y 7 nominaciones en total

Elle
(as Emmanuele Riva)

Eiji Okada

Stella Dassas

Mother

Pierre Barbaud

Father

Bernard Fresson

German Lover

Moira Lister

(Dubbed Emmanuelle Riva)
(sin créditos)

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Argumento

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Trivia
This film pioneered the use of jump cutting to and from a flashback, and of very brief flashbacks to suggest obtrusive memories.

Errores
When Elle leaves the hotel to go the set, she is wearing a nurse's uniform with a headscarf and carrying a black handbag. When Lui meets her on the set, she is now wearing a skirt and blouse and still has the headscarf. When they leave the set, the headscarf is left behind. When they get to Lui's house, she now has a white jacket.

Citas
Lui: Some years from now, when I have forgotten you and other romances like this one have recurred through sheer habit, I will remember you as a symbol of love's forgetfulness. This affair will remind me how horrible forgetting is.

Conexiones
Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)

Opiniones de usuarios136

Opinión

Opinión destacada

8/10

A Poem

It's nearly impossible to talk about "Hiroshima, Mon Amour" in the same language I use to talk about other films. Even people used to international cinema may find themselves somewhat boggled by this visual tone poem. It's beautiful, and it leaves a distinct impression, but it does so in the way that a striking and unexpected image would, not in the way that an accessible film narrative would. Therefore, it interests without ever fully engaging.

To say that Resnais' film has something in common with silent cinema would be misleading, because sound certainly matters. But the movie definitely feels like a piece of non-verbal cinema, where sensation matters more than cognition.

A movie I probably need to see again to truly appreciate.

Grade: A