A medianoche me llevaré tu alma

Having heard about Coffin Joe (Jose Mojica Marins) for years, I finally watched AT MIDNIGHT I'LL TAKE YOUR SOUL. Within the first 15 minutes or so, Joe has already relieved a man of his fingers, blasphemed the church, and murdered those dearest to himself. He's just getting started!

Joe is pure eeevil!

For its time, AMITYS is a bleak, goldmine of ruthless horror. For its budget, or lack thereof, it's a dark miracle!

Remorseless, insane, yet fascinating, Joe isn't easily forgotten. A cult icon in his native Brazil, Marins went to great lengths to preserve and project the character -btw, the fingernails are indeed real!- in his everyday life. Such dedication pays off!

Having passed on this past February (2020), we can be sure he looks upon our world and laughs satanically...

It's very impressive and ambitious for Jose Mojica Marins to get this project done when he had only 15 cans of negative film stock to start with, 2 of which got stolen leaving him only 13, and not having a main actor so having to play the part himself. Most of locations were indoor sets, except for one outdoor location. Although it may seem like the lack of planning and abrupt decisions could have affected the outcome, it in fact did not. This film has some great work, starting from Jose's performance with his monologues and single take unedited continuous scenes, all the way through the very impressive set and production design and special effects. They actually manually glued glitter on the negative to get that cheap effect of halo around the spirits. I always give credit to people who are willing to get things done no matter what the budget or circumstances. Several hair raising moments make me think that this film must have been really scary for it's time 40 years ago. Overall, this is a brilliant film that is very cinematic and relies on traditional but very effective tricks of the trade to make it work.

Almost like a "the seventh seal" for horror films.

'Zé do Caixão' aka 'Coffin Joe' is THE essential character in Brazilian Horror cinema, which isn't very prolific otherwise. The character was single-handedly created and played by Brazilian Horror/Exploitation icon José Mojica Marins, who has, over forty-five years, so far played the role of his life in 14 films (most of which he directed and scripted) as well as a TV series. This first film about the deranged gravedigger in search of a woman to bear him a son, "À Meia-Noite Levarei Sua Alma" aka. "At Midnight I'll Take Your Soul" of 1964 isn't exactly a 'good' Horror film, but it is definitely a highly charming one, which deserves the certain cult-status it enjoys.

The central character, Zé do Caixão (Coffin Joe) is the stereotype of a schlock-horror character (though he often behaves like an everyday bully): a bizarre-looking black-clad fellow with a full beard who sports a top hat, a cape and overlong thumb-nails. Zé (José Mojica Marins), the gravedigger of a small Brazilian town, is generally feared by his fellow citizens, whom he bullies and treats despotically. None of the superstitious and religious townspeople dare to fight back at Zé, who believes neither in God nor in superstition, and who has no scruples whatsoever. Zé has a lovely wife who loves him, but he despises her because she hasn't born him a son. The gravedigger therefore goes out on an unscrupulous search for a woman to bear him a son...

"At Midnight I'll Take Your Soul" has many highly clichéd and stereotypical elements, and due to the low budget, it often looks very cheap. This only increases the camp-factor, however, and gives the film a very particular charm. It has to be said that a low budget isn't necessarily an excuse for a cheap look - after all, the sixties brought forth countless brilliant low-budget Gothic Horror films, including productions from countries like Mexico (with amazing films such as "Misterios de Ultratumba" of 1959 or "La Maldición de la Llorona" of 1962). The particular cheapness of "At Midnight I'll Take Your Soul" is a charming one, however, and though many elements have a cheesy look, it is obvious that writer/director/leading man José Mojica Marins made his first success with a huge love for the genre. Most of the actors are truly amateurish, and probably had no other screen-experience. The film is full of plastic skulls, fake spiders, fake cobwebs, and stereotypical characters (such as a gypsy fortune teller), and though these elements may look amateurish, they simply have to be loved. The film relies on these elements (as well as on the priceless character of Coffin Joe) in order to build up a creepy atmosphere - and, even though it is never suspenseful or even remotely scary, it succeeds in that. As stated above, this is not a good Horror film; in fact, it is highly nonsensical cheese; but it is also a highly charming and weird little film that cult-cinema fans should at least give a try. Personally, highly enjoyed it, and I am now looking forward to see more 'Coffin Joe' films. "At Midnight I'll Take Your Soul" certainly won't meet everybody's tastes, but it is definitely recommendable to my fellow fans of obscure low-budget Horror and Exploitation/Cult-Cinema in general.

The Brazilian film "At Midnight I'll Take Your Soul" (1963) features a character who is a strong contender for the most hateful, obnoxious, despicable, slimy and loathsome creature in horror movie history. He is Ze do Caixao, a name that, loosely translated from the Portuguese, means Coffin Joe, and he would go on to become a wildly popular figure in Brazilian culture over the years; kind of like an amalgam of Baron Samedi and Freddy Krueger. As played by the film's director, Jose Mojica Marins, Ze is quite unforgettable. Bearded, caped and top hatted, he bullies and browbeats the inhabitants of his small village, and does away with those closest to him, all in his sick pursuit to father a son and continue his bloodline. Perhaps most shocking, in the largely Catholic country of Brazil, he is a taunting atheist, who eats meat on Good Friday and even forces others to do the same! No living person seems able to stand up to Ze. But the unliving...ah, perhaps that's another story.... Filmed on the cheap, this picture still works marvelously, featuring as it does many scenes of casual and brutal violence (wait'll you see what Ze does to his barren mistress), some interesting FX (I love that glittery ghost!), fairly intense acting (especially by Marins and that gypsy witch), and a very freaky score (wails, screams, echo effects, etc.). One scene in particular is very fine; the one in which Ze rails against heaven and hell during a thunderstorm and drunkenly demands that God and all spirits do him harm. Pretty intense stuff. Anyway, that gypsy woman, at the film's beginning, warns us NOT to watch this picture, as it will make us suffer, but I'm glad that I stayed with it. And oh...a modern-day interview with Marins is included on this DVD. If you want to see something REALLY scary, take a look at his fingernails!

This is my first forray into the wonderful world of Coffin Joe, and having read about Marins and his films was still not enough to prepare me. Not because "At Midnight..." is a great film by any set of conventional standards; it's a low-budget affair and it looks like it. What really makes it compelling is how passionate it is in all its blackly surreal glory.

Coffin Joe (Ze Do Caixao) is the atheist, unscrupulous undertaker of a small, religious community somewhere in Brazil. This set-bound place is more of a (at times too) convenient playground for Marins to explore his dark fantasies than any sort of realistic community. Its inhabitants are mere props to be abused, scoffed and laughed at. A sizeable guy who dares to stand up to him gets whipped in the face. His sole preoccupation is to find a woman worthy to bear him a son and thus "continue his bloodline". Coffin Joe strides through this fictional (and perhaps symbolic in Marin's mind) world, mocking the superstitious villagers, defying god, Satan and the dead, sometimes all of them together in a matter of minutes.

If "At Midnight..." is set apart from every other horror movie of its time, it's because the morbid, macabre imagery (skulls, plastic bats, cobwebs, tarantulas; you know the drill) is undercut by a Nietzche-esquire atheism that bites. At times it's as if the whole movie serves as nothing more than Marins' soapbox, his way of venting against the conservative and religious. How much of what Coffin Joe declares in the film are meant to be serious is anyone's guess. However it's exactly the fact that it works so well on a camp level (like a blasphemous Ed Wood flick) that redeems the film from all heavy-handedness.

In that aspect, and as far as what one would expect from an early 60's horror movie, "At Midnight..." is both avant-garde in its own micro-budget, often crude but unashamedly enthusiastic way and surrealistic. Mandatory viewing for fans of cult movies and I hear the sequels are better which I'll have to see for myself.