Agrega una trama en tu idiomaA struggling young poet in love manages a country inn, and thwarts a kidnapping attempt.A struggling young poet in love manages a country inn, and thwarts a kidnapping attempt.A struggling young poet in love manages a country inn, and thwarts a kidnapping attempt.
- Dirección
- Guionistas
- Elenco
Vincent Ball
- Stacey
- (sin créditos)
Ernest Berk
- Dancer
- (sin créditos)
Elizabeth Blake
- Dancer
- (sin créditos)
Dennis Brian
- Member, Oxford Crew
- (sin créditos)
Derek Briggs
- Cyclist
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This isn't a comedy/thriller, it's a romantic comedy that all of a sudden realises it's meant to be a thriller at approximately 15 minutes to go. It's all set in a hotel in England, owned by Saturday Keith ("he's one of 7 boys, all named after the days of the week!") and its other main players are the various guests that happen to be staying there in one particular week. Reminded me a little of Separate Tables. Now, nothing is explained too well, so halfway through the film you're apt to be thinking "huh? why is so and so doing that?" well never fear because just when it gets thrilling (kidnapping, car chase and all!) near the end, everyone all of a sudden feels the need to explain their story, and almost no one is what they seem. It only runs for about an hour and 10-15 minutes, and even if it's confusing and unexplained for the most part, it still holds your attention (I guess because you're wondering what the heck is meant to be going on), and I found myself really enjoying it. The comedy is splendid, and Joyce Grenfell plays her part to a tee. The romance is sweet, and while some scenes seem a bit ridiculous, it's never tacky or silly. Overall, 9 out of 10. I would have given it a 10 if they'd made things a bit more clear earlier on, and also explained the deal with the play/show/production/thing a little better!
Enjoyable romp about an Oxford poet, Saturday Keith, who after complaining about the dreadful food, beer, and accommodations at an ancient country village inn/pub, befriends a lady at the next table whose husband has just bought her the inn. She makes Saturday the new manager, and soon the "Downy Pelican" is a huge success, full of an assortment of characters including an American collector, a Professor/critic who wrote a bad review of Saturday's book of verses, the critic's attractive daughter, Saturday's ditsy mother, a maid who likes to snoop around the rooms, and a bartender who collects cigarette cards and has invented what he calls a "Blue Cocktail". This is the kind of place where the guests like to indulge in such things as gossip, bridge, games of croquet on the lawn, and lots of drinks in the pub including an old English concoction, a spiced whiskey drink called "Lamb's Wool".
This film is enjoyable, silly fun where the charming old inn is really the star of the whole thing - the kind of place I would love to visit! It is mostly a comedy, but includes a thrown-in mystery involving the "Essex room", the seemingly required car chase scene near the end, and, of course, a romance between Saturday and the attractive daughter. Light, quite entertaining fare - well worth seeing.
This film is enjoyable, silly fun where the charming old inn is really the star of the whole thing - the kind of place I would love to visit! It is mostly a comedy, but includes a thrown-in mystery involving the "Essex room", the seemingly required car chase scene near the end, and, of course, a romance between Saturday and the attractive daughter. Light, quite entertaining fare - well worth seeing.
In 1950 Rank had a ten million pound overdraft,and it was films like this that largely contributed to it.The film is shapeless and disjointed with characters acting in totally unexplained ways.Derek Bond is appointed hotel manager because he complained!A woman is forcibly kissed,but she likes it!Even the appearance of Joyce Grenfell and James Robertson Justice fail to raise the film above mediocrity.
Eric Linklater's affected effort at wit and sophistication seldom resulted in anything but qualified and superficial nonsense, and this is a typical example. Everything and everyone appears to be serious but no one is, the plot appears to be complicated and screwed up, but it is all about trifles of no sense. The dialog appears to be brilliant in splendour and intelligence, but it is all affected make-believe of silly nonsense, and silliness is the main character of the whole show. The performance is saved to some degree by James Robertson Justice, whose imposing appearance used to grace every film he was in, and Derek Bond is never as silly as he seems but actually tries to make a contribution. The music is the worst of all, bits and pieces of all kinds of truncated tunes, and it is not even funny, just silly all the way, while Rona Anderson is the only one who in spite of all makes the film worth watching.
Wonderful film.
Please could somebody add Edward Rigby's name to this film, and to his own list of films, as I've just watched it, and can say for certain that he's one of the villagers sitting in a row, laughing, watching the Pageant, near the end.
I've added it to his Wikipaedia Page.
I believe this hasn't before been noticed by anyone.
¿Sabías que…?
- TriviaMade using Rank's "Independent Frame" production system. The system proved a costly flop.
- Citas
Prof. Benbow: An egregious illiterate nincompoop - I will not have you casting sheeps' eyes at an unlettered buffoon.
- Bandas sonorasHalf a World Away
Lyrics by Colin Forster
Music by John Leighton
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Detalles
- Tiempo de ejecución1 hora 19 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Poet's Pub (1949) officially released in Canada in English?
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