El rey de los hombres cohetes

In this 12-chapter action serial from Republic Pictures and director Fred C. Brannon, the mysterious Dr. Vulcan is responsible for a series of murders of prominent scientists, as well as the theft of their scientific breakthroughs, which he sells to foreign powers. It's up to Jeff King (Tristram Coffin), a member of the Science Associates, a gathering of America's greatest thinkers, to discover the identity of Dr. Vulcan and bring him to justice. King is assisted by plucky reporter Glenda Thomas (Mae Clarke) and Associates member Burt Winslow (House Peters Jr.), as well as by the believed-dead Professor Millard (James Craven). Millard has developed a prototype rocket-suit that will allow the wearer to fly through the air at great speeds. Jeff King dons the apparatus to become...King of the Rocket Men!

This was more cheaply produced than the other Republic serials, utilizing much stock footage, and even padding most of one chapter with clips from earlier chapters. Still, this was a big enough hit to spawn a few more "Jet-Pack" serials in the years to come. The final chapter is quite epic, even if a lot of it is repurposed scenes from older movies. Most of the action scenes are the usual fist-fights and driving off of cliffs. It's all entertaining, in a simple way, but not one of the more memorable serials in Republic history, outside of the Rocket Man's image.

This was a fantastic serial with great special effects for it's time. Unfortunately, many who review such fare today do so from feature length versions. One must always remember that these serials were meant to be viewed, chapter by chapter, on a weekly basis. It was the draw that got you back to the theater and a five cent bag of fresh popcorn with real butter, not butter substitute. This cherished specialized cinema of the 1940's and early 50's, produced mainly for kids, was known widely as "Saturday Mornings At the Movies".

To understand and appreciate such cinema, one really needs to have the inventive mind of a child, growing up during such exciting times of pioneering new technology. There was no 24 hour television in color or black and white, VCR's, or anything to get in the way of a child's greatest attribute, their imagination. This was the generation that would grow up to make all of these modern day wonders come true.

It is also fair to mention that stars like Tristram Coffin, deserved to be remembered for the fine actors they were; despite the limited range of the roles they played. After all, it takes a fine actor to make even a child believe that a man can strap two powerful flaming rockets to his back, attached to a flimsy leather jacket with four simple control knobs in front, and fly convincingly - without being killed. How many of our high paid, so-called actors of today can effectively accomplish such a feat?

1949's "King of the Rocket Men" was the first of three serials from Republic Pictures featuring a man wearing essentially the same rocket suit and helmet. The other two, both released in 1952, were "Radar Men From the Moon" and "Zombies of the Stratosphere." All three have things going for them though, each time, Republic tried to reinvent the character ... Jeff King in "King," Commando Cody in "Radar," and Larry Martin in "Zombies." The first and second serials were later revised for different purposes. "King of the Rocket Men" was edited to remove the cliffhanger sequences and the "remember when" episode (the one which is primarily flashbacks of prior chapters) and re-released it as a feature film titled "Lost Planet Airmen" in 1951. And "Radar Men From the Moon" was released as a 12-episode TV series under the new title, "Commando Cody: Sky Marshall of the Universe" in 1953. The third serial, "Zombies," while not remade, is probably the best remembered since it marked the science-fiction feature film acting debut of Leonard Nimoy (later, Mr. Spock of Star Trek fame) playing Narab, a Martian zombie.

But, "King of the Rocket Men" was the best of the three. Especially during 1949 and subsequent years, it was far more believable to envision a potential traitor, blackmailing government entities and possibly selling secrets to a foreign power than to believe in invaders from the Moon or Mars (in "Radar" and "Zombies," respectively). Also, and this is just my opinion, the two later serials seemed a bit contrived ... like they were merely attempting to cash in on the success of "King" ... a very well-acted serial for the time with an iron-clad plot line.

So, why the 8 of 10 rating? Back in 1949, money was tight in the studios. And sometimes, it was cheaper to "buy" special effects than it was to make them. That's exactly what Republic Pictures did. Since they wanted cataclysmic special effects in the last chapter but didn't want to spend the money, they simply bought rights to the 1933 film, "Deluge," for the sole purpose of borrowing the special effects footage for use in "King." And while there's nothing inherently wrong in such a practice (it has been done many times by Hollywood), it almost forced "Deluge" into obscurity. There were very few copies of "Deluge" available and, after Republic borrowed the scenes, they trashed the rest of the footage. Fortunately, one copy (not the Italian one with English subtitles) was discovered in France and it has since been preserved (though not openly released by any studio). In English? Don't know.

Dr. Vulcan, a mysterious criminal, has been sabotaging the experiments of a group of scientists at Science Associates (SA), as well as murdering the ones who come close to discovering his identity. He murders Prof. Millard, a rocket expert, who has been suspecting the nature of Vulcan's attacks. Millard is saved from his death by his colleague, Jeff King, a sonic propulsion expert. In order to save the works and surviving members of SA (where Vulcan in his true identity, serves as a member of the board of directors), King assumes the identity of Rocket Man, using a jet rocket pack designed by Millard. For 12 chapters, King/Rocket Man battles the forces of Vulcan and tries to prevents Millard's latest invention, the Sonic Desemator, from falling into the hands of Vulcan. For 1948, KOTR comes off as a good serial, but really you think it could have a been a wee bit better coming out of Republic. Coffin turns in a decent performance as King, after playing mainly villains all his career. Haggerty is great though as Vulcan's henchman Dirken, and makes you wish Republic used him more as a villain in more serials and Bs. Brannon is no Witney, English, or Bennett when it comes to serial directing, but this is one of his better serials. Many errors of logic in the serial, but does it matter in a serial about a scientist fighting crime in a rocket suit? Rating, based on serials, 6.

While I don't want to date myself, this is the first film I actually saw made. It's a 13 part chapter play, aka serial, that fifties kids enjoyed on Saturdays at the movies. All serials had a formula. They ended with a cliffhanger, they began with the "take out" of the previous week's episode, and featured lots of action and lame dialog. This one also offered the best human flying effects to that time. In fact, nobody surpassed them until Superman: The Movie. You can thank the Lydecker Brothers who not only created the effect, but nearly sunk NY City with a tidal wave. 4.5 hours of film on a budget of $175,000. You can only shake your head in amazement. I've seen the series a dozen times. I can recall seeing a screening of it in a local theater where they played all 13 episodes back to back. It got so that one section of the audience would cheer the producer and another the director. Everybody booed the actors. When did you last have a movie going experience like that?