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By far the best bit of this movie is early on in the running time, when the wonderful Fred Astaire has a routine in a toy shop, to the Berlin number ‘Drum Crazy'. He's there to get an Easter present for his dancing partner (played with energy by Ann Miller), but she has a bombshell to drop: she's leaving him to join a bigger name stage show, and he's left high and dry without an act.

Step forward Judy Garland, as a waitress who Fred thinks might be able to sing and dance. At first she's reluctant, and hopeless, but of course, this being MGM mush she falls for Fred and suddenly finds her talent. At this sort of thing Garland had no peer.

Also in the cast are Peter Lawford, as a rich no-hoper with a heart who first pursues Garland, and then steps aside for Fred (heading for Miller on the rebound). He sings A Fella With An Umbrella – not very well – but is certainly easier on the eye than Astaire. A tiny but scene-stealing role is given to Jules Munshin, who would be seen the following year in ‘On The Town', as a waiter describing just how the green onion salad listed on the menu is prepared.

The lead was not originally planned for Fred, but for the younger and more athletic dancer Gene Kelly, but when Kelly injured his leg the way was clear for Astaire to be coaxed out of retirement. He continued to appear in musicals for another twenty years.

The songs in ‘Easter Parade' are a bit of a rag-bag – classics such as Easter Parade, Steppin' Out With My Baby, Shakin' The Blues Away etc. jostle with old vaudeville numbers like When The Midnight Choo-Choo Leaves For Alabam'. The result is a bit of a mish-mash. Perhaps the best song shot for the movie was the one omitted before release – Mr Monotony, performed by Garland in her trademark costume of the top half of a tux and tights (two years before ‘Summer Stock' and the Get Happy number). This number can be seen in That's Entertainment III, released in 1994.

‘Easter Parade' is good, but unbelievable. I never could understand the appeal of Fred Astaire beyond his dancing, and the supposition that a character of Garland's age would be interested in him is stretching things a bit. That aside, it has excellent Technicolor and moves along at a steady pace.