CALIFICACIÓN DE IMDb
7.7/10
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TU CALIFICACIÓN
En Suecia, a principios de siglo, varios miembros de la clase alta y sus sirvientes se ven involucrados en una maraña romántica que tratan de remediar en medio de los celos y la angustia.En Suecia, a principios de siglo, varios miembros de la clase alta y sus sirvientes se ven involucrados en una maraña romántica que tratan de remediar en medio de los celos y la angustia.En Suecia, a principios de siglo, varios miembros de la clase alta y sus sirvientes se ven involucrados en una maraña romántica que tratan de remediar en medio de los celos y la angustia.
- Nominada a3premios BAFTA
- 2 premios ganados y 5 nominaciones en total
Margit Carlqvist
- Countess Charlotte Malcolm
- (as Margit Carlquist)
Björn Bjelfvenstam
- Henrik Egerman
- (as Björn Bjelvenstam)
Georg Adelly
- Legal clerk
- (sin créditos)
David Erikson
- Tobacconist
- (sin créditos)
Sigge Fürst
- Policeman
- (sin créditos)
Sten Gester
- Servant
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThis light, frothy piece (in terms of Ingmar Bergman's general oeuvre) was made whilst the director was undergoing financial troubles, stomach pains (he weighed only 125 pounds at the time) and a romance with Harriet Andersson that was on the rocks. Bergman later said that if he hadn't made this film when he did, he probably would have attempted suicide.
- ErroresWhen Egerman looks in the mirror at Desiree's, his nightcap is bent forwards over his face. In the next shots after he has moved away from the mirror, the nightcap is now bent towards his right shoulder. However, he probably just adjusted it off-screen, a natural thing to do in that situation.
- Citas
Petra the Maid: And then the summer night smiled for the third time.
Frid the Groom: [to the audience] For the sad, the depressed, the sleepless, the confused, the frightened, the lonely.
- Versiones alternativasOriginally, the UK theatrical version had the words "lust" changed to "passion" and "lecherous fantasies" changed to "unspeakable dreams". The lines "Nearly everything that's fun is a sin. Then I say three cheers for sin" were completely cut.
- ConexionesFeatured in Bergman och filmen, Bergman och teatern, Bergman och Fårö (2004)
- Bandas sonorasAufschwung, Opus 12, Nr. 2
Music by Robert Schumann
Opinión destacada
Begrman's comedy's tend to leave me cold, but I was persuaded that this one would be interesting. Bergman to some extent made his name on the back of this film. Woody Allen famously based A Midsummer Night's Sex Comedy on this movie, thus coming out as a Bergman fan.
Frankly, I think Allen has more talent for comedy than Bergman, but Smiles of a Summer Night has more depth and more interesting development of ideas than the Allen follow-up.
This movie is a typical comedy of manners and the plot is of little consequence - it has a few fun moments but the interest is in the acting and the ideas. In terms of performances, Gunnar Bjornstrand and Harriet Andersson are both superb - the rest are Bergman's usual suspects, mostly of ensemble quality. Perhaps it is Bergman's weakness with comedy, but Eva Dahlbeck and Jarl Kulle (who appear frequently in his comedies) usually seem very weak to me. Bibi Andersson is in this movie, but I blinked at the appropriate moment so I missed her. Sigh.
The core ideas of the film (that love visits few of us, even fewer of us make a good fist of it, most of us live lies and/or make fools of ourselves in matters of love) are examined well and in an enjoyable way. The style of this comedy reminds me of Jean Anouilh's lighter plays, which I suppose reflects the European style of the 1950's.
Most Bergman comedies have aged disgracefully, but this one has aged gracefully and certainly has something. Worth watching.
Frankly, I think Allen has more talent for comedy than Bergman, but Smiles of a Summer Night has more depth and more interesting development of ideas than the Allen follow-up.
This movie is a typical comedy of manners and the plot is of little consequence - it has a few fun moments but the interest is in the acting and the ideas. In terms of performances, Gunnar Bjornstrand and Harriet Andersson are both superb - the rest are Bergman's usual suspects, mostly of ensemble quality. Perhaps it is Bergman's weakness with comedy, but Eva Dahlbeck and Jarl Kulle (who appear frequently in his comedies) usually seem very weak to me. Bibi Andersson is in this movie, but I blinked at the appropriate moment so I missed her. Sigh.
The core ideas of the film (that love visits few of us, even fewer of us make a good fist of it, most of us live lies and/or make fools of ourselves in matters of love) are examined well and in an enjoyable way. The style of this comedy reminds me of Jean Anouilh's lighter plays, which I suppose reflects the European style of the 1950's.
Most Bergman comedies have aged disgracefully, but this one has aged gracefully and certainly has something. Worth watching.
- ian_harris
- 12 feb 2003
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- How long is Smiles of a Summer Night?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Smiles of a Summer Night
- Locaciones de filmación
- Ystad, Skåne län, Suecia(city streets and theater)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 21,264
- Tiempo de ejecución1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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What is the French language plot outline for Sonrisas de una noche de verano (1955)?
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