Cuando la estrella de una producción de Broadway cuelga la toalla repentinamente, los productores buscan a una sustituta y cada uno presenta a su favorita.Cuando la estrella de una producción de Broadway cuelga la toalla repentinamente, los productores buscan a una sustituta y cada uno presenta a su favorita.Cuando la estrella de una producción de Broadway cuelga la toalla repentinamente, los productores buscan a una sustituta y cada uno presenta a su favorita.
- Chorine
- (sin créditos)
- Joe
- (sin créditos)
- Dancer
- (sin créditos)
- Show Spectator
- (sin créditos)
- Fanny
- (sin créditos)
- Dancer
- (sin créditos)
- Dancer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAlthough Stanley Donen and Gower Champion were credited with staging the musical numbers, Bob Fosse insisted on doing the choreography for his dance scenes.
- ErroresThe theater marquee on opening night says "Felix Jordan's New Review". It should be "New Revue".
- Citas
Bob Dowdy: Wait a minute. This is show business! There's nothing you can't do in show business. You just got to try a little harder, that's all.
Leo Belney: That's all.
Ted Sturgis: That's all!
Ted Sturgis, Bob Dowdy: [singing] There's no other way, Beginning today, You're going to work, Under pressure
Leo Belney: But pressure, I will not know where I'm at
Ted Sturgis, Bob Dowdy: You've gotta come through, And isn't it true, The new stuff you write, May be fresher
Leo Belney: Yes, I've a thesis, Masterpieces, Often happen like that...
- ConexionesFeatured in That's Dancing! (1985)
- Bandas sonorasGive A Girl A Break
Music by Burton Lane
Lyrics by Ira Gershwin
Performed by Marge Champion, Debbie Reynolds, Helen Wood and Ensemble
To differ from another reviewer, I think that Kurt Kaznar was perfect for the Leo Belney part, at least as it was written. He carries off being totally suggestible, changing opinion instantly, and having an equal conviction in each new attitude.
Though they don't make a big deal about it, the film was mirroring a real conundrum facing Broadway directors at that period: what kind of dance to use? Tap was still around but on its way out; a kind of jazz-ballet blend was becoming mainstream; the avant-garde was a more dramatic and angular "modern" dance. Which would the public go for in the next show?
- t1z2f
- 20 oct 2005
- Enlace permanente
Selecciones populares
- How long is Give a Girl a Break?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Eine Chance für Suzy
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,200,000 (estimado)
- Tiempo de ejecución1 hora 22 minutos
- Color
- Relación de aspecto
- 1.37 : 1