CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may have committed murder.A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may have committed murder.A telephone operator ends up drunk and at the mercy of a cad in his apartment. The next morning she wakes up with a hangover and the terrible fear she may have committed murder.
Fay Baker
- Switchboard Monitor
- (sin créditos)
Robert Bice
- Policeman
- (sin créditos)
Larry J. Blake
- Music Shop Clerk
- (sin créditos)
Lela Bliss
- Miss Stanley
- (sin créditos)
Gail Bonney
- Policewoman
- (sin créditos)
Edward Clark
- News Stand Dealer
- (sin créditos)
Papa John Creach
- Violinist
- (sin créditos)
Mike Donovan
- Fingerprint Officer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaDirector Fritz Lang and cinematographer Nicholas Musuraca developed a revolutionary dolly for the camera that allowed for sustained tracking shots and intimate close-ups while shooting this film. Lang preferred the practice of tracking into a close-up shot of an actor as opposed to cutting to a close-up in editing. He believed the tracking close-up captured more of the actors' intimacy and emotions.
- ErroresPerhaps unaware that his hands on the keyboard are visible in the mirror behind him, Nat 'King' Cole plays a strikingly different piano arrangement of "Blue Gardenia" than the one heard.
- Citas
Sally Ellis: I didn't like Prebble when he was alive. But now that he's been murdered, that always makes a man so romantic.
- ConexionesFeatured in Noir Alley: The Blue Gardenia (2017)
- Bandas sonorasBlue Gardenia
Written by Bob Russell and Lester Lee
Performed by Nat 'King' Cole
Arranged by Nelson Riddle
[Nat King Cole performs the song at the Blue Gardenia during Norah and Harry's date, then the song is played frequently in the movie thereafter]
Opinión destacada
Blue Gardenia (1953)
The likable Richard Conte makes a great news reporter here, and Anne Baxter as the woman in trouble is pitch perfect. In fact, Baxter's two sidekicks are also right on, Jeff Donnell (a woman, really sharp) and Ann Southern. It's a good story, a little forced, but with lots of atmosphere at the right times (including a scene with the real Nat King Cole playing and singing).
What holds the movie back is a mixture of basic story line, which lacks velocity and credibility equally, and direction, which doesn't heighten what is really strong here. That is, a great cast, and some great situations (including murder). Fritz Lang, the director, is accountable, of course, for some judgements that let things loosen up too much, and for the cute but abrupt ending. There are some characters that got developed in the beginning that don't get a chance to blossom. If we just focus on the two leads (no counting Raymond Burr, who has a brief and different kind of presence), there is a chemistry not quite clicking. Nice, regular guy Conte and slightly sophisticated Baxter don't quite match up, even though both are convincing individually.
There is some talent behind the scenes here worth mention, especially cinematographer Nicholas Musuraca, who has done a whole slew of great small movies with astonishing visuals. Lang uses him well, though with a studied restraint that almost implies this was a throwaway effort. It comes between two of his greatest American movies, however: Clash by Night and The Big Heat. It's worth a look, a good movie not quite a noir by usual measures, but filled with intrigue and a little touch of welcome romance.
The likable Richard Conte makes a great news reporter here, and Anne Baxter as the woman in trouble is pitch perfect. In fact, Baxter's two sidekicks are also right on, Jeff Donnell (a woman, really sharp) and Ann Southern. It's a good story, a little forced, but with lots of atmosphere at the right times (including a scene with the real Nat King Cole playing and singing).
What holds the movie back is a mixture of basic story line, which lacks velocity and credibility equally, and direction, which doesn't heighten what is really strong here. That is, a great cast, and some great situations (including murder). Fritz Lang, the director, is accountable, of course, for some judgements that let things loosen up too much, and for the cute but abrupt ending. There are some characters that got developed in the beginning that don't get a chance to blossom. If we just focus on the two leads (no counting Raymond Burr, who has a brief and different kind of presence), there is a chemistry not quite clicking. Nice, regular guy Conte and slightly sophisticated Baxter don't quite match up, even though both are convincing individually.
There is some talent behind the scenes here worth mention, especially cinematographer Nicholas Musuraca, who has done a whole slew of great small movies with astonishing visuals. Lang uses him well, though with a studied restraint that almost implies this was a throwaway effort. It comes between two of his greatest American movies, however: Clash by Night and The Big Heat. It's worth a look, a good movie not quite a noir by usual measures, but filled with intrigue and a little touch of welcome romance.
- secondtake
- 1 jun 2010
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Blue Gardenia
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was La gardenia azul (1953) officially released in India in English?
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