La feria de la vida

OK, first, let's get the unimportant things out of the way. The 1945 musical remake of "State Fair" is indeed as corny as one might imagine (appropriate, perhaps, considering that Iowa, where the film transpires, is, according to the state song, "where the tall corn grows"). But it also features a cute story, concerning a farm family's visit to the eponymous fair; some sweet and unfailingly catchy tunes by Rodgers & Hammerstein; gorgeous, supersaturated Technicolor filming; and some amusing characters and situations. Now, then, for the important stuff: Jeanne Crain. Oh my gosh, IMDb viewers, you cannot believe how incredibly beautiful Ms. Crain is in this movie; truly, the idealized representation of the all-American girl, and the quintessence of pulchritudinous muliebrity. Her Margie Frake character just might be the prettiest gal I've ever seen in a movie, and she makes this musical, for me, something very special. That same year, Crain appeared in the Gene Tierney vehicle "Leave Her to Heaven," and managed the near-impossible task of even looking better than Tierney at her best. Why our GI's during WW2 hung up pictures of the comparatively dowdy Betty Grable and Rita Hayworth in their lockers, instead of Jeanne Crain, is a mystery to me. Anyway, if you think I'm going overboard here, rent out "State Fair" one night and put it to the test. If you don't find yourself freezing the images of Jeanne Crain a half dozen times to admire her remarkable looks, I would suggest a visit to your local doctor, as you might be half dead...

Let me start by saying this film is not meant to make you think long and hard about the problems of the world. It is a 'feel-good film'in the best sense of the phrase. The songs are, perhaps, not as instantly memorable as those from other Rodgers and Hammerstein musicals, such as Oklahoma or The Sound Of Music, but they are wonderful in their own right. "It Might As Well Be Spring" won a well-deserved Oscar and "It's A Grand Night For Singing" will have you humming right along. Jeanne Crain, lovelier than ever, gives a top performance as the restless daughter, wanting something 'more' though with no idea what 'more' is. Dick Haymes tackles the role of the son handily, with some very fine singing to go with it. Fay Bainter, all warmth and kindliness in another of her patented mother roles makes you wish she were your mother. Charles Winninger, surely one of the best character actors ever, brings the necessary comic ability to the role of the father, completely preoccupied with his prize hog. Vivian Blaine plays the band singer who catches the son's attentions at the Fair and does some nice singing on her own and in a couple of duets. Dana Andrews, something of a shock in a musical plays Jeanne Crain's love interest and shares tremendous chemistry with her, making their love story believable. This film is a pretty Technicolor musical that will leave you with a song in your heart and a happy feeling to go with it.

Not like the other R&H musicals - its ten years older, for a start. It has Jeanne Crain, young and pretty and as fluffy and fun as she was in Margie - and a more perfect fit for the other roles you would not find (Vivian Blaine in another great film musical role to rival Miss Adelaide, Dana Andrews (an odd choice but who else could you imagine?), Dick Haymes in great voice, Fay Bainter and her mincemeat, Charles Winniger and his prize pig). It is a gooey pleasure something similar to eating chocs when you know you really shouldn't ... highly recommended - great tunes. And avoid the remake with Pat Boone and Ann-Margret. No comparison. This is the one to watch - 56 and still fantastic.

"State Fair" continues the trend of films that wanted the songs to be integrated into the plot without stopping the action--much the way Rodgers & Hammerstein did when they produced "Oklahoma" on Broadway. So they start the picture with "Our State Fair" sung by various characters and it goes on from there. Trouble is, there is almost no plot to speak of--the only suspense being, who will win the top prizes at the Fair and we all know the answer to that anyway. And who will end up with who at the finish--another easy one.

Despite the lackluster plot, it does give us a chance to view the young and gorgeous Jeanne Crain (then at the height of her popularity), Dana Andrews, Vivian Blaine and Dick Haymes--a pleasant enough foursome to carry any picture. And, of course, there are a couple of splendid songs by the famous songwriting team--including "It Might As Well Be Spring", dubbed for Jeanne Crain by Annette Warren (I believe), and "It's A Grand Night For Singing". Vivian Blaine gets a chance to sing "That's For Me" and is charming as the girl singer Dick Haymes takes a shine to. To complete the "American as apple pie" image of the story, we have Fay Bainter being motherly in the kitchen and fussing about her jams and Charles Winninger for comic relief.

No matter what anyone says, it's a pleasant film to watch, beautifully photographed in the rich Fox color of the mid-40s--and, after all, it does contain the Oscar winning song, "It Might As Well Be Spring."

Much better than the awful 1962 remake--and easier to take than the earlier 1930s version with Janet Gaynor.

I love this movie! I think it has an incredible cute love story, and a cute family movie. I love to watch this movie over and over again, sing the songs, experience the love, and enjoy the fair! Jeanne Crain and Dana Andrews did a wonderful job portraying two people in love, Fay Bainter did a wonderful job with her cooking (I could almost taste it!), and Charles Winninger did a fabulous job at being a hog obsessed farmer. It's a movie for every girl who has dreamed of meeting a handsome stranger and falling in love! This movie will make you laugh, sigh, and dream of the things you wish you could have, but only can have through this movie. Roger's and Hammerstein did an excellent job!