Gildersleeve, que se presenta a las elecciones, recibe la ayuda de dos fantasmas y los obstáculos de un científico loco y una mujer invisible.Gildersleeve, que se presenta a las elecciones, recibe la ayuda de dos fantasmas y los obstáculos de un científico loco y una mujer invisible.Gildersleeve, que se presenta a las elecciones, recibe la ayuda de dos fantasmas y los obstáculos de un científico loco y una mujer invisible.
Nick Stewart
- Chauncey - Haley's Chauffeur
- (as Nicodemus Stewart)
Tom Burton
- Newspaper Reporter
- (sin créditos)
Harry Clay
- Newspaper Reporter
- (sin créditos)
Christian Drake
- Newspaper Reporter
- (sin créditos)
Charles Gemora
- Gorilla
- (sin créditos)
Mary Halsey
- Blonde at Rally
- (sin créditos)
Jack Norton
- Drunk at Rally
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The final Great Gildersleeve picture from RKO is a weird one but entertaining. The plot this time is that Gildersleeve (Harold Peary) is running for police commissioner. The ghosts of two of his ancestors (both also played by Peary) decide to help him but only get him involved with a mad scientist, an invisible woman, and a gorilla! They are Gildersleeves, after all.
This one's fun. I've enjoyed all of the Gildersleeve movies but this one appeals to me especially as I'm a big fan of old horror/sci-fi movies. Harold Peary is great in this one playing three separate roles. Frank Reicher is appropriately sinister as the mad scientist. Beauties Marion Martin and Amelita Ward pretty things up as the invisible woman and French maid respectively. Martin is also very funny. Love her scenes with Gildersleeve. Richard LeGrand, Emory Parnell, Lillian Randolph, Margie Stewart, and Freddie Mercer all offer good support. Marie Blake is the lady in love with Gildersleeve. Every movie in the series had to have one. Nick Stewart is hilarious as a cowardly chauffeur. It's a stereotypical role but he does a lot with it. The 'old dark house' touches are very nice. The guy in the gorilla suit may not be convincing but that's part of the charm of it. Every scene with the gorilla is great. The scene where Gildersleeve threatens to spank the gorilla, believing it to be his nephew Leroy in a costume, is priceless. I can understand it not appealing to everyone but if you enjoy old-school horror comedies with a little atmosphere and a lot of laughs, you'll probably like this.
This one's fun. I've enjoyed all of the Gildersleeve movies but this one appeals to me especially as I'm a big fan of old horror/sci-fi movies. Harold Peary is great in this one playing three separate roles. Frank Reicher is appropriately sinister as the mad scientist. Beauties Marion Martin and Amelita Ward pretty things up as the invisible woman and French maid respectively. Martin is also very funny. Love her scenes with Gildersleeve. Richard LeGrand, Emory Parnell, Lillian Randolph, Margie Stewart, and Freddie Mercer all offer good support. Marie Blake is the lady in love with Gildersleeve. Every movie in the series had to have one. Nick Stewart is hilarious as a cowardly chauffeur. It's a stereotypical role but he does a lot with it. The 'old dark house' touches are very nice. The guy in the gorilla suit may not be convincing but that's part of the charm of it. Every scene with the gorilla is great. The scene where Gildersleeve threatens to spank the gorilla, believing it to be his nephew Leroy in a costume, is priceless. I can understand it not appealing to everyone but if you enjoy old-school horror comedies with a little atmosphere and a lot of laughs, you'll probably like this.
Its common, I suppose, for celebrities to make it on a single attribute. Julia's smile, Jaylo's butt... and Peary's laugh. He was already one of the top radio personalities of all time based on his exploitation of that one comic effect.
Here, it is transferred to the screen as nearly all radio successes were. And it is shoehorned into a formula cornucopia: a real gorilla and a gorilla costume; a disappearing and reappearing "show" girl (who gets to be nude on screen in a shower scene, but invisibly so); and a mad scientist. The whole thing is framed by the ghosts the ancestors of Gildy's and his sidekick, played by the same actors of course.
Its the old kind of simple comic nesting: the story within the story, that contains actors acting and confusions between the two.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Here, it is transferred to the screen as nearly all radio successes were. And it is shoehorned into a formula cornucopia: a real gorilla and a gorilla costume; a disappearing and reappearing "show" girl (who gets to be nude on screen in a shower scene, but invisibly so); and a mad scientist. The whole thing is framed by the ghosts the ancestors of Gildy's and his sidekick, played by the same actors of course.
Its the old kind of simple comic nesting: the story within the story, that contains actors acting and confusions between the two.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Two Gildersleeve ghosts discover experiments being conducted by mad scientist Dr. John Wells which include an invisible woman and an escaped gorilla. Throckmorton P. Gildersleeve is running for police commissioner against the incumbent Haley. His niece and nephew want to campaign for him in costumes, Leroy in a gorilla costume. This leads a mistaken identity and a hunt for a real gorilla although Haley believes that it's a PR stunt.
It's a minor comedy. The outlandish premise has some screwball potential. I don't know much about the comedic stylings of Harold Peary. It feels like that he's one half of a comedic duo and he struggling to fill both roles. With his tone, he should be a fraidy cat running from ghosts and other monsters. Chauncey dealing with the invisible woman is probably the funniest bits but one has to ignore the bad stereotype. He has a good amount of fraidy cat tone but he can go overboard. This would work better with more slapstick and physical humor. It's all a little less funny than the wacky premise should be able to deliver.
It's a minor comedy. The outlandish premise has some screwball potential. I don't know much about the comedic stylings of Harold Peary. It feels like that he's one half of a comedic duo and he struggling to fill both roles. With his tone, he should be a fraidy cat running from ghosts and other monsters. Chauncey dealing with the invisible woman is probably the funniest bits but one has to ignore the bad stereotype. He has a good amount of fraidy cat tone but he can go overboard. This would work better with more slapstick and physical humor. It's all a little less funny than the wacky premise should be able to deliver.
Though no great shakes on its own, "Gildersleeve's Ghost" is at least much better than "Gildersleeve's Bad Day", the only other film in this series I have seen so far. It throws in everything but the kitchen sink: ghosts, a mad scientist and his shady assistant, a loose gorilla, an invisible woman, a "haunted" mansion with secret passageways, a thunderstorm, etc. Clever special effects, funny if old-hat gags, an astoundingly fleshy and bodacious Marion Martin (when we see her body in the flesh, that is), and a good supporting comedic performance by the prolific but little-known Nicodemus Stewart. **1/2 out of 4.
I wanted to like it, I really did. As an old-time radio buff, I have a soft spot for movies like this one, and The Great Gildersleeve is one of my favorite characters. But there's no saving this turkey. It's a dreadful outing; the plot is a ridiculous farrago about the ghosts of Gildy's ancestors rising from the grave to help him thwart the machinations of a mad scientist with an invisibility potion. The movie starts out with a lame premise and flubs along to keep it afloat, making for very tedious viewing. A certain amount of contrivance is to be expected for any sitcom extended to feature length, but this movie takes it too far to be successful. All that needs to be said about 'Gildersleeve's Ghost' to get the idea of what viewers are in for is that much attempted hilarity is derived from confusion between a gorilla on the loose and various characters disguised in a gorilla costume. Final analysis: Almost unwatchable.
¿Sabías que…?
- TriviaEarle Ross appears uncredited as Judge Horace Hooker, the role he played on the radio show.
- ErroresThe newspaper in the first scene is the "Summerfield Indicator" in medium shots but the "Evening Dispatch" in insert.
- Citas
Throckmorton P. Gildersleeve: Women will back my campaign, because no one will point the accusing finger of scandal in my direction. Every woman knows that I've been the perfect gentleman in all... um, almost every woman knows that I've been... um... and in conclusion...
- ConexionesFollows El gordinflón detective (1942)
- Bandas sonorasSweet Genevieve
(1869) (uncredited)
Music by Henry Tucker
Lyrics by George Cooper
Sung a cappella by Harold Peary
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Gildersleeve, Detective
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 3 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Gildersleeve's Ghost (1944) officially released in India in English?
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