La fingida cenicienta

The delightful MGM film "Slightly Dangerous" proved to the world the power and star appeal of Lana Turner, who at 21, was at the height of her beauty. The film, directed with great comedic style by Wesley Ruggles, feels as fresh today as when it was released. The excellent quality of the print TCM showed is one of the reasons to enjoy it even more.

"Slightly Dangerous" is a fun film, typical of those wartime years. We are introduced to Peggy Evans. She has been selected for an award of $2.50, in merchandise from the small department store where she works, for her punctuality. Figuring it would take her another three years to earn the $10.00 prize, Peggy, who has quarreled with her new boss, Bob Stuart, decides to try her luck in Manhattan, where she undergoes a make over and goes from a brunette into a ravishingly looking blonde.

Her problems start when she is hit by a bucket of paint in front of one of the daily newspapers. Since her clothes are ruined, and has no proof of identity, the people around her believe she has suffered a temporary memory loss. Thus begins her adventure in the big city in which she pretends to be the lost daughter of a millionaire.

Bob, who has been fired himself, comes to the city trying to locate Peggy after he sees her picture in the newspaper. By now, Peggy has turned into Carol Burden, the daughter of the rich Cornelius Burden. Her troubles start when Bob wants to prove she is Peggy the girl with whom he has fallen in love.

The film is delightful because of the light touch Mr. Green gave the story. Lana Turner was a good comedienne who was perfect in playing the double role of Peggy/Carol. Robert Young was also an actor that was effective in all the comedies he played, as he shows here with his take of Bob. The perfect supporting cast couldn't be better. Walter Brennan, Dame May Witty, Eugene Palette, Ward Bond, Ray Collins, Alan Mowbray.

"Slightly Dangerous" will please everyone because of the magnificent cast in the movie.

SLIGHTLY DANGEROUS gave 21 year-old LANA TURNER her first big starring break in a film not dominated by a male star. MGM couldn't have chosen a better vehicle to show off her talent as a light comedienne with a gorgeous face and figure. And ROBERT YOUNG does nicely as her leading man in a farce that has elements of screwball comedy.

It takes the mistaken identity theme (based on a false case of amnesia) and puts Lana in the clutches of rich relatives--WALTER BRENNAN (in an unusual role for him) and DAME MAY WITTY--who believe she is their long lost daughter. Young knows the real story and spends most of the movie chasing after her to prove to the folks in her hometown that he shouldn't have lost his job over her disappearance.

It's all lightweight comedy and Turner never misses a chance to give the role of the scheming girl a sense of fun and innocence with a sexy twist. She goes from brunette salesgirl to blonde heiress in a series of outfits that only MGM's wardrobe department could devise. This is the kind of light escapist entertainment that weary wartime GIs were crazy about--and Lana looks sensational while giving an expert performance.

ROBERT YOUNG is no slouch as her leading man. He has some scenes that reveal just what a flair he had for light comedy--and some of it very physical.

The big delight is seeing so many well-known names in character roles: Ward Bond, Florence Bates, Alan Mobray, Bobby Blake (as Lana's kid brother), Ray Collins, Frank Faylen, Norma Varden and Howard Freeman, to name a few.

Well worth a look--a pure delight from start to finish.

I've seen this a hundred times, at least. Lana is at her best..absolutely adorable-before the hard edge sets in. Robert Young is good, as always, and you can't beat the old-time character actors for rounding out a good cast. Pure escapist entertainment...no filthy language or situations. I wish it were available on video- it's a ke

I didn't find this film to be a let down in any way - I found it very funny. I didn't take my eyes from it; the gorgeous sets and beautiful Lana Turner were mesmerizing. There is a hilarious scene in which Peggy Evans (Turner) is trying to decide what her new name will be: Walking down a city street, she sees ads and signs of retailers and tries out the names to see if they suit her (Abercrombie & Fitch, Suzanne Hats, etc...). She's debating with herself, trying out new names - and it's just hilarious. There are a few scenes where we hear her talking to herself, and I find these scenes some of the most fun. She's clever and serious, but her logic is unfounded. This is a fun movie, and I don't believe the cast took it too seriously. The cast seemed to make it a light comedy-drama, with a few madcap laughs.

Shapely small town "soda jerk" Lana Turner (as Peggy Evans) can serve jumbo banana splits blindfolded, but gets in trouble for doing it with general manager Robert Young (as Robert "Bob" Stuart). When he sees Ms. Turner without the blindfold, Mr. Young falls in love. And, she is a very beautiful young woman. Still hurting from the reprimand, Turner considers her boring life, and decides to give herself a complete makeover. When her farewell is mistaken for a suicide note, Young is blamed for Turner's disappearance.

Turner takes off for New York City, where she dyes her dark hair platinum blonde. There, a mishap lands her in the care of Eugene Palette (as Durstin), who suggests she may be a missing heiress. Turner decides to adopt one's identity ("Carol Burden"), then moves in on wealthy Walter Brennan (as Cornelius) and grandmotherly May Witty (as Baba). Although initially suspicious, Mr. Brennan accepts Turner as his daughter, after she identifies a childhood toy. But, Young needs to find Turner in order to clear his name, and make it a happily ever after ending for everyone.

Veteran Wesley Ruggles contributes some fine comic direction, especially for Young. According to "Turner Classic Movies" (TCM) host Robert Osborne, Mr. Ruggles' old friend Buster Keaton directed Lana's nicely played "blindfold" sequence, early in the running time. It also looks, to this viewer, like the "concert balcony" and "coming out party" could be Ruggles / Keaton collaborations. Despite their efforts, the movie seems too long, and doesn't make too much story sense.

Several actresses have tried, but it looks like Lana was one of the few who could have played the lead in a biography of Marilyn Monroe, who probably saw the 1940s Turner in the flickering darkness. MGM made "Slightly Dangerous" a well-produced "Cinderella" story for their new starlet; probably, they expected more mileage out of the picture, but Turner would prove a big pay off in due time. The "lingerie scene" shows off an obvious pair of assets. You also get to see rascally Robert Blake (as Sonny) hit Young on the foot with a hammer, and Florence Bates is always fun at the party.

****** Slightly Dangerous (4/1/43) Wesley Ruggles ~ Lana Turner, Robert Young, Walter Brennan, May Witty