CALIFICACIÓN DE IMDb
6.3/10
1.9 k
TU CALIFICACIÓN
Un teniente de submarino y su comandante se enamoran de la misma chica.Un teniente de submarino y su comandante se enamoran de la misma chica.Un teniente de submarino y su comandante se enamoran de la misma chica.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 4 premios ganados en total
Tyrone Power
- Lt. Ward Stewart
- (as Tyrone Power U.S.M.C.R.)
May Whitty
- Grandmother
- (as Dame May Whitty)
Harry Morgan
- Brownie
- (as Henry Morgan)
Fred Aldrich
- German Seaman
- (sin créditos)
Stanley Andrews
- Shipwrecked Captain
- (sin créditos)
John Archer
- Curly Bowman
- (sin créditos)
David Bacon
- Lieutenant
- (sin créditos)
Brooks Benedict
- Angry Man at Hotel Registration Desk
- (sin créditos)
Lulu Mae Bohrman
- Undetermined Secondary Role
- (sin créditos)
Dorothy Brent
- Schoolgirl
- (sin créditos)
Frederic Brunn
- Q Boat Lieutenant
- (sin créditos)
Paul E. Burns
- Simmons - Desk Clerk
- (sin créditos)
Harry Carter
- Sailor
- (sin créditos)
Gene Collins
- Boy in Lifeboat
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was a very enjoyable WWII film, though before I discuss why I liked the movie, I should point out that the film does have one BIG cliché. When Tyrone Power meets a woman (Anne Baxter--here with dark brown hair) and they immediately hate each other, lovers of classic Hollywood films know that this can only mean one thing---they are destined to fall in love by the end of the film!! Aside from this predictable aspect of the film, I really did like the movie.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
The first thing I noticed about the film was the gorgeous color film. For 1943, it was terrific--with the most vibrant blues I've ever seen--much like the look of the great film, THE CAINE MUTINY. Twentieth-Century Fox really pulled out the stops to make this film look nice.
As far as the plot goes, it's a pretty exciting and standard submarine film. Now that I write this, I realize that they sure made a lot of great sub films over the years--with hardly a stinker among them. This film maintains the excellent tradition of such lovely films as RUN SILENT RUN DEEP, THE ENEMY BELOW and DESINTATION TOKYO--all lovely films that are both gripping and entertaining.
The film has more plot than just subs and Anne Baxter. It seems that Tyrone Power was very happy and successful aboard PT boats. When he was transferred to sub duty, he wasn't particularly excited, as he thought that patrol boats were the greatest thing since sliced bread. However, over time, he makes good and grows to love the submarine.
CRASH DIVE has some excellent action scenes--particularly the attack on a secret base near the end. The acting good, script very good for a wartime propaganda flick and I particularly liked the sympathetic portrayal of the Black sailor--something pretty rare in a film of the era. Overall, a good and enjoyable film.
There is plenty more of director Archie Mayo's films to be seen, but of the films already seen of his he has generally struck me as a very competent if not exceptional director. Most of the seen films of his ranged for me between average and pretty good, with a few very good ones ('It's Love I'm After', 'The Petrified Forest' and 'Legion'). Tyrone Power is not a favourite of mine either, but starred in a fair share of good and more films and showed more than once that he had acting ability in him.
'Crash Dive' was seen for those two main reasons. Other reasons being my love of classic/golden age film and seeing that the special effects won an Oscar (so wanted to see if the win was deserved and whether they held up today). Finally seeing it, 'Crash Dive' struck me as an uneven film that doesn't completely thrill with some noticeable flaws. Yet it also doesn't crash and burn either, with a lot of great things so there was enough for it to warrant a watch.
A lot of great things can be seen in 'Crash Dive'. First and foremost, the production values which are still mighty impressive. The Technicolor photography is truly ravishing, with colours that really pop up at you. The sets are not elaborate but don't look fake, but the standout visually is the special effects which were wholly deserving of the Oscar. They still look incredible, so much money and time clearly went into the ones featured in the climax, and they are used thrillingly towards the end. The music score is haunting and Mayo's direction in the action is accomplished.
Furthermore, the action does excite and move and does fare a lot better than what is going on in the more dramatic and romantic moments. Some of the script is intelligently done and the acting is fine. Power, in his last role before his military service, is a noble lead, while Dana Andrews is equally amiable and Anne Baxter has enough charm to her to make the romance believable. Really appreciated the sympathetic portrayal of Ben Carter's character, nothing stereotypical or demeaning here and nothing to be offended by either while Carter gives a dignified performance.
Mayo's direction is not as confident however in the non-action scenes and becomes rather undistinguished and like his heart wasn't in it. The romance is both bland and stale and too much of the storytelling borders on the ridiculous, complete with some rather leaden pacing.
It also gets rather heavy handed towards and at the end, don't like being talked down to and that's how the writing towards and at the end made me feel. The writing is on the most part daft and lacking in life and there wasn't enough to the film to make me connect all the way through for the characters, Carter's being the exception.
Overall, uneven with a lot of good but an equal amount of not so good. 6/10
'Crash Dive' was seen for those two main reasons. Other reasons being my love of classic/golden age film and seeing that the special effects won an Oscar (so wanted to see if the win was deserved and whether they held up today). Finally seeing it, 'Crash Dive' struck me as an uneven film that doesn't completely thrill with some noticeable flaws. Yet it also doesn't crash and burn either, with a lot of great things so there was enough for it to warrant a watch.
A lot of great things can be seen in 'Crash Dive'. First and foremost, the production values which are still mighty impressive. The Technicolor photography is truly ravishing, with colours that really pop up at you. The sets are not elaborate but don't look fake, but the standout visually is the special effects which were wholly deserving of the Oscar. They still look incredible, so much money and time clearly went into the ones featured in the climax, and they are used thrillingly towards the end. The music score is haunting and Mayo's direction in the action is accomplished.
Furthermore, the action does excite and move and does fare a lot better than what is going on in the more dramatic and romantic moments. Some of the script is intelligently done and the acting is fine. Power, in his last role before his military service, is a noble lead, while Dana Andrews is equally amiable and Anne Baxter has enough charm to her to make the romance believable. Really appreciated the sympathetic portrayal of Ben Carter's character, nothing stereotypical or demeaning here and nothing to be offended by either while Carter gives a dignified performance.
Mayo's direction is not as confident however in the non-action scenes and becomes rather undistinguished and like his heart wasn't in it. The romance is both bland and stale and too much of the storytelling borders on the ridiculous, complete with some rather leaden pacing.
It also gets rather heavy handed towards and at the end, don't like being talked down to and that's how the writing towards and at the end made me feel. The writing is on the most part daft and lacking in life and there wasn't enough to the film to make me connect all the way through for the characters, Carter's being the exception.
Overall, uneven with a lot of good but an equal amount of not so good. 6/10
Archie Mayo's film lurches between a straightforward war movie (with impressive effects in the later section, concerning an attack on a submarine) and a tug of love romance between two friends and the girl they both want to marry. The balance between the two stories isn't always effective, and perhaps the film would have been better one thing or the other.
However, Tyrone Power is top-billed - in his last movie before real-life active service - and close following in the cast are Dana Andrews, reliable as ever in what could have been a unsympathetic role, and Anne Baxter as the schoolmistress who wins their hearts. All are very good. James Gleason, as 'Mac', is as watchable as ever, while the great May Whitty makes an impact when the focus moves away from the boys at sea.
'Crash Dive' is perhaps a noble failure, but yet another interesting war film, this time propaganda for the submarine units. It is also of note for the blink-and-you-miss-him film debut of Steve Forrest (younger brother of Dana Andrews).
However, Tyrone Power is top-billed - in his last movie before real-life active service - and close following in the cast are Dana Andrews, reliable as ever in what could have been a unsympathetic role, and Anne Baxter as the schoolmistress who wins their hearts. All are very good. James Gleason, as 'Mac', is as watchable as ever, while the great May Whitty makes an impact when the focus moves away from the boys at sea.
'Crash Dive' is perhaps a noble failure, but yet another interesting war film, this time propaganda for the submarine units. It is also of note for the blink-and-you-miss-him film debut of Steve Forrest (younger brother of Dana Andrews).
Tyrone Power and Dana Andrews take on the Nazi's in their submarine.
When it comes to nautical movies you just can't beat a good old submarine story, the claustriphobic atmosphere of the sub, the inevitable sweating in the dark, listening to the ping of the sonar and anticipating the rocking explosions of the depth charges...
And it's all in glorious colour, which is unusual for a war movie actually made during the war.
Throw in a love triangle and a commando attack on a secret Nazi base and you have a solid patriotic entertainment (it even encourages you to buy war bonds over the final credits!).
Crash Dive is a typical WWII propaganda film with a stirring musical score by Hugo Friedhofer that prompts any young man to want to enlist in the navy. The cast is uniformly good, especially Tyrone Power as he cleverly tries to woo a reluctant Anne Baxter. Sub skipper Dana Andrews always excelled in military roles. The plot borders on the ridiculous. A German naval base in the north Atlantic- where? An American submarine conducting offensive operations in the Atlantic would likely have been attacked on sight by Allied forces who would naturally assume all subs in the Atlantic were German (such was the fate of one U.S. sub which left New London for the Panama Canal and was never heard from again). Good action scenes for a film of this genre with many of the clichés that would be repeated in other WWII submarine films.
¿Sabías que…?
- TriviaIn the opening scene, the boy in the raft says that he can hear airplanes, which turn out to be PT boats. Many of the WWII PT boats were powered by airplane engines. Specifically, marinized versions of the Packard 3A-2500 V12 aircraft engine, designated the 3M-2500 (the "M" stands for Marine), the 4M-2500, and the 5M-2500 variants, each with higher power and other improvements.
- ErroresWhen the PT boat is rescuing survivors and they spot a U-boat, the young boy who was being hauled aboard the PT boat is wearing a life-jacket. The close up in the next shot shows Lt Stewart lifting the boy up to put him back in the lifeboat. The boy is no longer wearing the life-jacket. In the following shot, as Lt. Stewart completes putting him back into the lifeboat, the boy is again wearing the life-jacket.
- Citas
Oliver Cromwell Jones: Mac, it's none of my business, and it certainly isn't up to me to give you advice, but if I had a weak heart ...
Chief 'Mac' McDonnell: What are you talking about?
Oliver Cromwell Jones: A man don't take nitroglycerine for dandruff.
- Créditos curiososThis movie's opening prologue states: "The cooperation and assistance of the officers and men of the U.S. Navy submarine base, New London, Connecticut, is gratefully acknowledged."
- ConexionesFeatured in Going Hollywood: The War Years (1988)
- Bandas sonorasDon't Sit Under the Apple Tree
(uncredited)
Music by Sam H. Stept (1942)
Lyrics by Lew Brown and Charles Tobias
Sung in part by Tyrone Power in the car
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- How long is Crash Dive?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 46 minutos
- Relación de aspecto
- 1.37 : 1
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