War Nurse

Although its style is clearly 'old school' or pre- pre-code, this has an almost modern feel with respect to its cynical attitudes and brutal realistic content. Its evocative depiction of WW1 is genuinely harrowing.

If you're a shallow voyeur who watched this just to see Anita Page bouncing around in her undies you'll feel very guilty and a little soiled because this is proper film. It's a hard hitting condemnation of war. It's a life affirming story of how amazing the human spirit is.

Veteran director Edgar Selwyn wasn't one of those experimental filmmakers pushing boundaries in the late twenties but neither was he one to make those appalling stodgy static filmed stage play types of thing. By focusing on how it affects real people, Selwyn evokes the never ending relentless horror and despair of war by making it personal.

It's based on a notorious anonymously written autobiography of an actual war nurse which caused quite a scandal with its no holds barred revelations of what life was like for those young amazing heroines. Although this was made in 'the pre-code era' the saucy story was heavily censored and sanitised - in terms of any sexual shenanigans anyway. The true mental and physical brutality of conflict however was left undiluted.

Like all the best stories this tells its tale through the eyes and experiences of real people. The acting style is a bit more 1920s than 1930s but once you acclimatise, the characters do feel authentic, like real people. It's a story about how war doesn't just change people but society. These volunteer girls, hundreds and in the case of the Americans, thousands of miles from home, like the men there, realise that have to live as though each day might be their last. Consequences and convention have no role in a world without a future. The only way to survive was to pretend it's just a nightmare and live in a sphere of self deception.

Overall it's a clever and engaging fast-moving film. It's professionally made and a lot more entertaining than you might imagine... and if you're still wondering, yes Anita Page does bounce around in her undies!

Released in 1930, "War Nurse" is a story about women who volunteered to serve as nurses in WWI. Coming from varied backgrounds, they quickly find themselves manning a hospital in a small French town. Though the conditions are trying and supplies are somewhat scarce, they work long hours tending to a seemingly endless stream of wounded and dying soldiers. The women become a close knit group, sharing their fears and dreams with each other through some tough times.

There are also lighter moments in this film, especially regarding the soldiers and fliers who come to know the nurses. Chief among these is Wally (Robert Montgomery), who is a confident flier always looking to score with the ladies. He meets Babs (June Walker), a rather straitlaced girl who falls for his line in a big way. In a pivotal scene, he explains to Babs that his philosophy is to "take what you can get" from life, because the future is so uncertain in the midst of war. He also says that war makes people "cheap and rotten". Babs wonders if it might even be a girl's patriotic duty to play along, making a pilot "happy" before he's sent off on another mission.

Another young nurse, Joy (Anita Page) falls for a patient in her care, only to be heartbroken later. I thought her performance was mostly good, but when she had to cry it rang false for me.

In 1930, talkies were still a new phenomenon. Still, the sound quality in this film was fine. Obviously, sound effects was a new technical area, and some of the sound effects were amateurish. The visual effects were a mixed bag. The use of back screens and model planes--though state of the art for their time--were distracting. On the other hand, the explosion effects used in bombing scenes were excellent, and the shots of exploding buildings and collapsing ceilings were realistic enough to hold up in today's films!

The editing of "War Nurse" is sometimes choppy, especially near the end. But the film, overall, is a solid tribute to the women (and men) who put themselves in harm's way for a good cause. And it is a realistic enough depiction of war to demonstrate its tragic nature.

This film tells the tale of a group of young "war nurses". The opening scenes show them drinking and thinking that being a war nurse will be relatively easy. This is especially apparent with the character played by Anita Page. Most of these girls are unprepared and have no idea of what they are about to go through. Soon enough, the harsh realities of war hits them in the face. War Nurse doesn't rank up there with The Big Parade or All Quiet on the Western Front but it does have several points in it's favor. The performances are all good. Anita Page is perfectly cast and she convincingly portrays the wide-eyed, innocent young girl. Helene Jerome Eddy, a popular silent player who also had a long career in talkies, is especially good, as is Marie Prevost. The war atmosphere is well presented. And these nurses are portrayed as valiant, selfless and always ready to do their share. Not a major motion picture but still a pretty good one.

A young WAR NURSE learns to serve the wounded servicemen, whatever the personal cost to herself.

This fine film from MGM illustrates the horrors of World War One by celebrating the American military nurses in France. The horrendous conditions they work under, the very real dangers they face, and the lives they sacrifice for their devotion to service, both gives emphasis to their tremendous dedication, and provides some fine entertainment for the viewer. While the focus remains on the hospital drama the film is at its best; it starts going soft when the romantic escapades of two of the nurses begin to absorb considerable screen time.

Anita Page gives a commendable performance as a convent schoolgirl who quickly loses her innocence to war's terrible reality, and her heart to airman Robert Ames, who also scores as her conflicted lover. June Walker, on the other hand, provides rather colorless appeal when compared to flashy flyer Robert Montgomery, who shows some of the star power that was so soon to make him one of the top draws at MGM.

It's great to see the marvelous ZaSu Pitts, playing a rather downbeat, plain-talking nurse, but the role does not give her enough to do. Actually taking the movie's top acting honors is supporting actress Helen Jerome Eddy, portraying a starchy Kansas schoolmarm who slowly reveals her beautiful heart after joining the medical services.

Hedda Hopper is a tower of strength in her rather small role as the nurses' matron. Marie Prevost is on hand as a brazen Brooklyn babe who also is one of the Ladies in White.

I was a bit surprised by the premise of this film. It seems that not all the nurses used during WWI were actually trained nurses. In other words, while the Red Cross provided many well-trained nurses with surgical and nursing experience, many of the volunteers were just ladies who were willing to give it a try! This film is specifically about these ladies.

As far as the types of women you see in the film, they all are a bit different. Some are very professional and dedicated and some are more flighty and annoying. One of the worst of them is actually the leading lady, Anita Page, who plays a nurse who seems awfully interested in romance and who seems ready to crack up at a moment's notice! While annoying, however, this is probably pretty realistic- -and it was very tough work to say the least.

Overall, this is a pretty good little film. At times it's gritty and blunt about sex for 1930, though in some ways it is all a bit sanitized as you really see no blood and the horrors of war aren't nearly as horrific as you'll see in contemporary films like "All Quiet on the Western Front". Not a brilliant film but one that is worth seeing, well acted and well written.