Donald Trump's the Art of the Deal: The Movie
Título original: Donald Trump's The Art of the Deal: The Movie
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5.9/10
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Agrega una trama en tu idiomaFunny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.
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While not the most amazing satire or the best by any means, Depp manages to do a great job at lampooning the man who gives them so much material to work with. There are a few dull moments or moments that where the humor is targeted to people specifically in the political sphere, but the majority of it is a good time. There are some 'reviewers' here who, like the Parody Trump portrayed in the film, are claiming 'character assassination' and 'politics have no place in media' and other such idiotic nonsense, while at the same time demonizing their own political opponents. There are also various cameos from 80's pop culture that will be a nice treat for fans of that generation of film. So if you are looking for a fun little comedy about our President Elect and his boisterous and often obnoxious personality and don't have a political stick up your butt, then give it a watch. It's worth 50 minutes of your time.
Funny or Die presents a satirical rendition of Donald Trump's 1987 best selling business book, The Art of the Deal.
I have to commend Funny or Die for putting together an all-star cast. Even Johnny Depp does a fine bit of acting here, and it may be his best work in a long time, aside from maybe Jack Sparrow. This could have been disposable Internet fluff, but everyone seems to have taken it about as seriously as you could.
My only concern is that it might run a bit long. I know it's not very long, but even in its shortness, it tends to get repetitive and they rely far too much on the "Trump is a racist" jokes. That seems too easy to me and really takes the bite out of what could have been possible here.
I have to commend Funny or Die for putting together an all-star cast. Even Johnny Depp does a fine bit of acting here, and it may be his best work in a long time, aside from maybe Jack Sparrow. This could have been disposable Internet fluff, but everyone seems to have taken it about as seriously as you could.
My only concern is that it might run a bit long. I know it's not very long, but even in its shortness, it tends to get repetitive and they rely far too much on the "Trump is a racist" jokes. That seems too easy to me and really takes the bite out of what could have been possible here.
Satire of the Man with Delusions of Godhood with an Absolutely Believable Performance by Johnny Depp
While Darrell Hammond on Saturday Night Live does a decent Donald Trump, Johnny Depp of "Pirates of the Caribbean" fame proves why he may be the best performer in Hollywood. In this relatively short satirical film, Depp delivers an absolute spot-on imitation of the business magnate-turned-television reality star-turned-republican presidential demigod. If this was a more serious film at feature length, you'd start thinking Academy Award! At 50 minutes, it's just about as long as I could take in a movie concerning the most arrogant man on the planet with delusions of Godhood, although Depp's performance is more than worth the price of admission.
When I first found it on Netflix, I didn't know what to make of it. I began watching the featurette with lots of questions, the biggest being why had I not heard of it? The film begins with an explanatory intro by film director and former child/adolescent star Ron Howard. He explains the film was produced, written and starred Donald Trump in the late 1980's but was pre-empted by a Monday Night Football game in 1988, a lousy one at that. All copies were destroyed in a fire, according to Howard. Decades later, Howard was rummaging in a yard sale and he and another pack-rat found the only surviving copy among heaps of stuff. The other pack-rat was about the build of Melissa McCarthy, but luckily Howard won the day and has brought the film out for public consumption.
The film begins like one of those TV movies of the week you used to see in the 1970's and 1980's. Just about every television cliché is present from the music, similar to "Dallas", "Knots Landing", and "Love American Style" to the glittering fonts. Every credit is "Donald Trump" from producer to actor to editor. The film begins with a kid stealing a copy of Donald Trump's "The Art of the Deal" and escaping into an office. Of course in the office is Donald Trump (Johnnie Depp). The film becomes a mish-mash of episodes through his book as Trump explains how he got to where he is through being a ruthless and heartless American businessman. The kid is a mesmerized one-person audience hearing Trump's "story", if story it can be called. Chapters include among other things how to win lawsuits and how to defraud tenants. A few Hollywood name talent also appear including Alfred Molina (da Vinci Code) and Henry Wrinkler (who used to play Fonzie with Ron Howard on Happy Days in the 1970's).
While in some ways, "The Art of the Deal" is sort of like a long Saturday Night Live sketch, Depp's performance is superb. He's captured all of Trump's gestures and idiosyncrasies right down to fiddling with his hair. If a more serious film about the rise of Trump were ever produced, Depp would be the hands-on choice. A real interesting experiment in filmmaking, and if it weren't for the fact that this narcissist disguised as a human being is trying to become king of the world, he'd probably being suing Depp and the director Jeremy Konner and writer Joe Randazzo. Luckily, Trump is rather busy. Trying to become king of the world is a full-time job.
When I first found it on Netflix, I didn't know what to make of it. I began watching the featurette with lots of questions, the biggest being why had I not heard of it? The film begins with an explanatory intro by film director and former child/adolescent star Ron Howard. He explains the film was produced, written and starred Donald Trump in the late 1980's but was pre-empted by a Monday Night Football game in 1988, a lousy one at that. All copies were destroyed in a fire, according to Howard. Decades later, Howard was rummaging in a yard sale and he and another pack-rat found the only surviving copy among heaps of stuff. The other pack-rat was about the build of Melissa McCarthy, but luckily Howard won the day and has brought the film out for public consumption.
The film begins like one of those TV movies of the week you used to see in the 1970's and 1980's. Just about every television cliché is present from the music, similar to "Dallas", "Knots Landing", and "Love American Style" to the glittering fonts. Every credit is "Donald Trump" from producer to actor to editor. The film begins with a kid stealing a copy of Donald Trump's "The Art of the Deal" and escaping into an office. Of course in the office is Donald Trump (Johnnie Depp). The film becomes a mish-mash of episodes through his book as Trump explains how he got to where he is through being a ruthless and heartless American businessman. The kid is a mesmerized one-person audience hearing Trump's "story", if story it can be called. Chapters include among other things how to win lawsuits and how to defraud tenants. A few Hollywood name talent also appear including Alfred Molina (da Vinci Code) and Henry Wrinkler (who used to play Fonzie with Ron Howard on Happy Days in the 1970's).
While in some ways, "The Art of the Deal" is sort of like a long Saturday Night Live sketch, Depp's performance is superb. He's captured all of Trump's gestures and idiosyncrasies right down to fiddling with his hair. If a more serious film about the rise of Trump were ever produced, Depp would be the hands-on choice. A real interesting experiment in filmmaking, and if it weren't for the fact that this narcissist disguised as a human being is trying to become king of the world, he'd probably being suing Depp and the director Jeremy Konner and writer Joe Randazzo. Luckily, Trump is rather busy. Trying to become king of the world is a full-time job.
It appears that several Hollywood folks do not love The Donald - big shock. So these folks decide to make a movie that ranges from poking a bit of fun at His Donaldness to outright attacking his character. Again, big shock. So view this knowing that it's a slam on Trump that's amusing and nothing more. I too think that Trump is a buffoon, and I get that this "movie" what whipped up in a real hurry, but a better made, more well thought out effort might have been... well, more entertaining. This movie will likely really please folks who are terrified of Trump, annoy his followers and leave the rest of us with a big "Meh... it was okay".
Context: I am not American, and do not live in the US.
In many ways, this could be compared to the 2015 HBO TV-movie 7 Days in Hell. It's essentially a long skit based around one central idea, featuring a number of celebrity cameos. It's something where those involved obviously must have had great fun making it, and that joy is transferred to the viewer.
There is also a case to be made for a comparison between this and 2015s Kung Fury. Both rely heavily on replicating (and exaggerating) the looks and feel of popular media from a former decade (specifically the 80s).
While I can not be sure about their motives, it's easy to imagine that the people involved with this meant this as a sort of satirical reflection over Trump's character, or as an comedic attack on him. Because of Trump's way of handling his legacy and public image (basically not caring), this is not a very successful game plan. And because the caricature of Trump in this movie is (sadly) believable, it never becomes all that funny.
In many ways, this could be compared to the 2015 HBO TV-movie 7 Days in Hell. It's essentially a long skit based around one central idea, featuring a number of celebrity cameos. It's something where those involved obviously must have had great fun making it, and that joy is transferred to the viewer.
There is also a case to be made for a comparison between this and 2015s Kung Fury. Both rely heavily on replicating (and exaggerating) the looks and feel of popular media from a former decade (specifically the 80s).
While I can not be sure about their motives, it's easy to imagine that the people involved with this meant this as a sort of satirical reflection over Trump's character, or as an comedic attack on him. Because of Trump's way of handling his legacy and public image (basically not caring), this is not a very successful game plan. And because the caricature of Trump in this movie is (sadly) believable, it never becomes all that funny.
¿Sabías que…?
- TriviaJohnny Depp brought his own team of make-up artists and hairstylists.
- ErroresAt the bar, Trump refers to Roy Cohn as "right-hand man to Senator Eugene McCarthy." Cohn worked for anti-Communist Republican Senator Joseph McCarthy, not Liberal Democratic Minnesota Senator Eugene McCarthy.
- Citas
Donald J. Trump: Mr. Gorbatchev, tear down this wall. I can build you a much nicer one.
- Créditos curiososAt the end of the movie there are fake credits for the movie, crediting Donald J. Trump for almost every task (exceptions are e.g. "Catering - The Mexicans"). During these credits Donald Trump is talking to the audience. After that the real credits for the movie appear. After these credits Ron Howard appears and says how awful the movie was and he wants all to forget that this movie or even Donald Trump exists.
- ConexionesFeatured in Diminishing Returns: Back to the Future (2018)
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