A War (Una guerra)

Krigen (A War)

Krigen centres around Commander Klaus Michael Petersen as he serves in Afghanistan. At the same time as this his wife (Maria) and children are followed as she deals with the struggles of being a single parent as your other half is risking his life to preserve the peace thousands of miles away.

Having some time to reflect has lead me to conclude that this is one of the best and truest dramas I have seen in a long time.

A lot of this is down to the writing, Tobias Lindholm for me is one of the best dramatic writers working at the minute. It just feels so real and genuine, and the normalcy makes the situations where it's really dramatic have even more of an impact. Lindholm's directing also lends itself to this 'realism' as a lot of it is done with handhelds instead of steady cams. The performances are fantastic across the board, however I can't really point anyone out in particular, not in a negative way but more, again because of the writing. No actor gets this meaty, grandiose dialogue because in real life nobody does that, it just all feels real.

There are moments when you really feel the emotions going through the characters. Very early on - and this isn't really a spoiler - but there's a death in the regiment and one of the departed's squad mates is struggling to come to terms with this and their involvement in Afghanistan as a whole. This leads on to another point I was pleasantly surprised with, to do with the plot. There's been a lot of talk in recent years about how we're not being told about misconducts in the Afghanistan and soldiers are the bad guys but this, it never strays into that, rather depicts decisions made in the moment - decisions that none of us wouldn't do ourselves. To me anyway, I found how that was told strangely refreshing.

Also something I want to touch on is the sound, or lack of it in this case. There is very little background score which is really effective when it comes to drama and I wish more filmmakers would do this.

I'm not lying when I say that I'm struggling to find anything bad to say about this film, possibly the switching back and forth between Claus and his family may be slightly jarring for some, taking you out of it a bit, but I really don't know how that could have been fixed without taking that early character building stuff with Maria and co. out, something I'm really glad they didn't.

Looking this up on IMDb I saw that Tobias Lindolm was also the man responsible for one of my favourite foreign films 'The Hunt', which really didn't surprise me as that also was also really effective in telling a down-to-earth story. Danish cinema feels like something of a hidden gem as not a lot talk about it, yet the standard of filmmaking is so good! I don't really know if I think this is better as 'The Hunt' got me really emotional which this didn't as much, but anyway if I had to give it a score I'd say a solid 9 Danish Pastries out of 10.

What a fine film. It's free of histrionics and bombast and is miles away (thankfully) from the tripe Hollywood would dish up. It's a thoughtful, realistic and power-packed film that lays it all out - the complexity of fighting a war in which there are no easy answers and in which every option has huge and life-threatening risks attached to them. A fine cast carries it off with aplomb. At end I was thinking this is one of the best war films I have seen - it sure is. Enjoy.

A War is not just about one war in Afghanistan; it is also about a war at home in two parts. So I guess that makes three. Anyhow, director Tobias Lindholm, who scored big with his docudrama A High Jacking, repeats the illusion of reality while presenting a fully-metaphoric tale about a commander caught between saving a man under fire and endangering civilians, in this case causing the deaths of 11 Afghans.

As Lindholm depicted the tension aboard the hijacked tanker, in Afghanistan the tension is even more pronounced as bullets and mines abound with death even nearer than aboard the ship. Company Commander Pederson (Pilou Asbaek) is a decent man, whose second war is his attempt to be a father to children who have seen too little of him. Young Julius starts his own wars at school and Pederson's wife has a challenge keeping order, much less worrying about her husband in clear and present danger.

The third war, and the center of the film's drama, is his court marshal for violating International humanitarian law by murdering civilians. That he did not have PID (identification of enemy in the target) is the charge. Although it appears to be scant evidence he had PID, the director continues to show the confusion of fighting an enemy in the field and at home.

What makes this an Oscar-nominated Danish film is the non-manipulative narration, the lack of screaming at home, and the first-rate acting and directing. While the story strives to tell a linear morality tale, it ends up telling a story of not-so-clear motives and circumstances, whereby a good everyman faces implacable forces on the world stage and at home.

Although A War did not beat Son of Saul for the best foreign film of 2015, it will resonate with practically all the human race cornered by the conflicts in the Middle East.

Pilou Asbæk of 'A Hijacking' fame plays Claus Michael Pedersen a Commander of the Danish forces in Afghanistan. The men have to do the usual patrols and face constant threats from Afghan rebels and IED's. Then on another patrol he and his men come under heavy and sustained fire and in the fog of battle he makes a fateful decision that will have huge future ramifications.

We also have the story of his wife back home and the daily trials of trying to bring up three kids and hold a normal life together with their father away for months overseas and only having a satellite phone to stay connected.

This is a very intense film that captures the utter fear of war and the awful situations that modern warfare can land people up in. It shows this from all sides. The acting is just superb and the direction from Tobias Lindholm ('The Hunt') is very accomplished. They do have wobbly cam a few time but not the full on shaky cam that so many people dislike, but I can live with that. The translation of the sub titles is wrong in a couple of places but generally quite good. This is a film that had me on the edge of my seat, the time flew by and as such I can agree with all the plaudits and easily recommend this as a great one to see.

Over the last decade, we've come to expect a lot from the Danes when it comes to making movies. This film, too, shows a lot of promise: its writer and director Tobias Lindholm also wrote the scripts for the fantastic Kapringen and the utterly haunting Jagten. Its lead actor Pilou Asbæk shined in R, Kapringen and Borgen. Does this talent show again in Krigen? Yes, it does.

It certainly does. The film excellently portrays the atrocities of warfare in Afghanistan through the eyes of company commander Pedersen (Asbæk), who is confronted with questions and decisions only soldiers have to deal with. Issues of survival, of morality, of death and life come to the fore in a film that shows nothing in war is black and white.

Why decide so-and-so? Why did such-and-such happen in this or that way? Could it have been altered? Could lives have been saved? Did I do the job I signed up for, or more, or less? The ways in which such issues haunt soldiers, their commanders, their families and even the Afghan locals, form the basis of this important film.

Lindholm refrains from falling into the pitfalls of making a typical gung-ho war film, or copying any of the thousands of battlefield depictions already produced. He produced a motion picture that will certainly stand the test of time because it is as much about the human condition on the battle- and home fronts, as it is about the fighting itself.

The cinematography is great, the sound is very decent and the plot ultimately leaves you with the same ambiguous feeling that many of the soldiers depicted will undoubtedly have. Krigen is a solid film that does not blemish the Danish film industry's good reputation, and is certainly a serious contender for this year's Academy Award for Best Foreign Picture.