Hungry Hearts

Hungry Hearts is a phrase play on words. It is a potent combination of words. The film showcases the blurred sense of what is conceived as normal in modern society. Normal as in interpersonal relationships, honesty, frankness, the depth of knowing one another, as well as in self awareness. The personal freedom, freedom of choices, what is considered to be an informed choice. How long can a partner respect the choices of the loved one? What is love and at what point does it start to turn into crippling obsession or mental illness. When the heart is hungry it clouds the senses. "Its a phase mum, it will pass." If you are in it you can't see the full spectrum of it. A spectator can. A wise grandmother whose heart is not hungry anymore, can feel the real responsibility of bringing up a child of a selfless point of you. It is not about you or your partner, it is about that new person that has been brought into this world hungry!

I have an impression that people disliking this movie just can't stand the harshness of real life or what it can be like. My life and my family life is warmth and mutual trust and understanding, however, I was on the verge of postnatal depression, so i can relate to this. I hate the way Mina reacts, though, but the actress's performance is amazing. I was so depressed when my first child was born - but I always blamed myself. it lasted just for a month or so and I was aware that I wasn't right - it was just mum's striving for perfection - but I can also relate to the fact that there are women who didn't have the support and who just have the wrong perception and this is what i liked about this movie - the reactions of all charters are so believable... Being a parent I felt this so deeply... Adam and Alba, and also Roberta were amazing in their parts. I like the way camera angle changes to show the state of mind of the characters.... The ending could have been just a little bit more elaborated....

In the beginning of this movie you get more or less the "romantic" story about how our two protagonists, Mina and Jude, got together, but things really start to get interesting when their child is on the way. During the pregnancy the viewer already experiences the opposite positions that each partner has about their baby. Mina, who is portrayed by and outstanding and excellent Alba Rohrwacher, has a rather extreme attitude towards modern medicine, nutrition and cleanness. Jude (Adam Driver) tries to be the supporting husband but after seeing that Mina's methods endanger their child, he is forced to act against his wife's will.

This movie has a very realistic tone to it. There isn't much music to be heard and the colors are kept quite cool as well. Already in the first scene of the movie, where the couple meets in the bathroom you experience an awkward feeling that didn't really let go of me throughout the whole film. Maybe that is because the actions of all three main characters (including Jude's mother who also distributes a lot to the plot of this movie) seem somehow relatable even though they are sometime quite drastic. Especially Mina is an interesting character. She has those really extreme obsessions but somehow you still can relate to her and she feels like a real person and in no way stereotypical crazy. On the other hand there is Jude who really loves his wife and tries everything to be supportive of her but at some point that can't continue and so he is more or less forced to act against her interests for the good of their child. As a viewer I could understand both characters very well and it left me kind of torn between whom to sympathize with.

All in all, it really is an enjoyable movie though it is more of a psychological drama than a thriller and my problem with it was that the plot got a bit boring in the middle part because the actions of the characters seem repetitive. Although the ending and the character portrayals were great it is not a must-watch and certainly not a movie for everyone.

Judging by the comments of previous reviewers, Saverio Costanzo's film has divided reviewers and audiences alike. Perhaps this is due to its combination of tones: the apparently artless beginning that does not prepare us in any way for the film's major issue, that of how to reconcile one's inner beliefs with the realities of bringing up a child. Or perhaps it's because of the desperate measures adopted by the child's grandmother (Roberta Maxwell) in an attempt to ensure the child's future welfare. Some have dismissed them as melodramatic: one wonders what they might do in a similar situation.

The main point at issue here is one of obsession: Mina (Alba Rohrwacher) believes that her newly-born son is somehow special and needs to be "protected" from supposedly corrupting influences such as doctors, red meat or sunlight. The fact that this results in the child's attenuated growth is a side-effect. Her husband Jude (Adam Driver) tries to make her see reason (as he perceives it), but fails to do so. Director Costanzo invites us to reflect on the morality of both protagonists - is one "right" and the other "wrong"? Or are there other issues involved here?

What gives the film its particular resonance is its style. Very little music appears on the soundtrack - except at the end; hence we as viewers are not guided into making a specific response to what we see. Fabio Cianchetti's camera is fond of consciously out-of-focus shots, transforming the characters into other-worldly beings rather than New Yorkers. This strategy reminds us quite powerfully of how anyone departing from ideological or social behavioral norms is invariably dismissed as "deviant." Sometimes this visual technique seems excessive - as for example, when Mina is shot in such a way as to emphasize a large head and skinny body - but we can understand the purpose behind it.

In this kind of film, it is difficult to maintain some sense of dramatic balance. All credit, then, to the three protagonists, whose performances seem inspired by the situations contained in the screenplay, and refrain from dramatic or gestural excesses.

I'll admit, I was only interested in seeing this initally because I'm a huge Adam Driver fan. I knew nothing about the plot going in but found myself hooked on what I found to be a really stunning film.

At times the film almost feels like theatre, with some scenes being filmed in such a way that you feel like you're in the room with them. In a way it makes Jude and Mina's relationship feel all the more real; from their unlikely romantic start right through it's eventual unravelling. There are times in the film where Mina's presence almost evokes a sense of horror in the film, carefully crafted by the film's score.

Hungry Hearts perhaps finds its best quality in it's tonal shift from beginning to end, as well as the outstanding performances by both Adam and Alba, who give such an honesty to the characters that it's hard to feel as if you don't know them personally. I think the film does a great deal to question the moral stance of the viewer: each of the main characters makes decisions throughout the film that are questionable at best, but when put into context are almost justified by their personal idea of what is best for the baby. Almost.

Coming out of the film, it's hard not to imagine what might have happened if Mina's mental illness had been treated, and how that might have affected the films trajectory. Either way, I know Hungry Hearts will sit with me for a while.