Beyond the Lights

Movies about big stars who suffer a crisis of conscience are not exactly rare, but not exactly standard fare either. My fave is PURE COUNTRY with George Strait, and I reviewed it for the IMDb.

What is rare is taking that formula and mixing it into a rom-com. That involves a degree of daring on the part of the producers -- and, no coincidence, there are about a dozen individuals listed as producers in this film. That folks is courage in numbers.

Even the length is daring. The flick runs almost two hours and these days only the largest production companies have the nerve, or the dollars, to go to full length.

But, as I said, nerve is something this film has plenty of.

Does it pay off? If you want me to tell you this is a polished gem, sorry, it is anything but.

But if you are looking for something memorable and entertaining, you have come to the right place.

Gugu Mbatha-Raw -- a name that is hard to forget -- really works the part. Her performance raises this film far above the current IMDb rating. (She is helped by EXTRAORDINRY H&M,ie, hair & makeup, which in turn makes the transition from regular person to Rap Star all that much more startling).

Minnie Driver, usually a standout, is lost here. In fact, pretty much everyone plays second fiddle to Gugu Mbatha-Raw, but that is not necessarily a bad thing.

In fact, that is precisely why I recommend the film.

This is a surprisingly good film.. with a reasonable storyline.. good casting/ acting.. above average production values... and a music score that fits the overall tone/ setting of the film. All in all, this is well done movie-making .. above most all others in the genre. There are not many surprises, but all else works, so that all time spent is fairly solid entertainment. And a couple of moments are truly special.. her rendition of Blackbird near the end is spellbinding.. few could do it as well.. casting her was genius. And kudos to the camera and editing crews.. seconds can make or break a good film. For romantic dramas from this year, this has to be considered one of the best.

I can't say that was ecstatic about seeing BEYOND THE LIGHTS because it just seemed like a 21st century update of THE BODYGUARD, but for what it's worth, despite being narratively uneven and weighed down with clichés, it still is a compelling portrait of what goes on behind the scenes of people who are in the public eye. It stars Gugu Mbatha-Raw as Noni Jean, a cookie-cutter pop star who specializes in the oversexed, over-produced crap that tops the charts these days. One night, after winning an award for her latest single, she attempts suicide but is saved by the officer (Nate Parker) assigned to protect her that evening. From that point, a romantic relationship develops between them as they each figure out how to break out of the mold that other people have tried to keep them in, and begin to think and act for themselves. On paper, that sounds pretty good generally speaking, the film does a good job exploring those themes. The real standout of the cast is Gugu Mbatha-Raw who brings a youthful quality and emotional honesty to a character who, initially, is asked to do a lot of degrading things for the sake of "image." Her mother, played by Minnie Driver, also does a great job as this domineering, controlling personality who micro-manages her daughter's life. One begins to wonder who exactly she wants the career and the fame for: her daughter or herself. It's because of these qualities that she is an extremely unlikeable character, yet there is one stripped down scene in which another, sweeter side is shown and you get a little back story on why she is the way she is. Nate Parker also acquits himself rather nicely, although he and his storyline about being an aspiring politician are mostly sidelined in favor of Noni, although to be fair she is the main character. It would have been nicer for the story to be a little more balanced in that regard, but the juxtaposition of his and Gugu Mbatha-Raw's characters was established well enough. Sadly, all is not well with the film. It succumbs to a lot of the narrative clichés that plague films revolving around music and romance. Fortunately, there is a segment about halfway in which a much-needed break is taken from it all, in which Noni and Kaz get some one-on-one time. There were also a handful of moments that made me laugh unintentionally, such as when Noni takes Kaz on his first flight and they make love to Beyonce's song "Drunk in Love." And then there's Noni's label partner and sort-of boyfriend Kid who was a collection of "white rapper" stereotypes who made me cringe every time he opened his mouth. Overall, the positive elements do outweigh the negative and the film delivers a satisfying story about being true to yourself.

With the low IMDb rating, pop culture and romance, I was thoroughly expecting overused tropes, bad acting, and marginal writing. What I got was the complete opposite. I am not a fan of pop culture or romance movies but somehow these characters became very real for me.

In particular, I am impressed with the director's discipline. There are so many overused tropes that could easily have dominated the screen time. Instead, she hits her points and moves on.

The supporting cast was particularly impressive for their sheer believability. Hollywood too often takes the liberty "it's only a movie" or "it's Hollywood, we can totally do whatever". Instead, they stayed true.

This movie will go in my Blu-Ray collection when it finally comes out. The subtleties are impressive and worth revisiting. This is the second movie with a primarily romantic focus to achieve that honor. The first is True Romance.

I was at the world premiere today at the Toronto International Film Festival and just wanted to say that I thought the movie was really excellent. Definitely on par with the director's other works. It very easily could have fallen into being a schmaltzy typical chick flick love story type of movie but it doesn't do that. It is a fairly predictable love story but the relationship between the 2 main characters is great and feels authentic and emotionally truthful. They had a pretty strong, palpable chemistry together. You could see a real attraction between the two on screen and only adds to the intensity. Minnie Driver was great as well as Noni's driving, determined mother and manager doing everything she could to make her daughter a star. Not really an Oscar movie but good solid directing and screenplay and really great acting performances particularly from Driver, Gugu Mbatha-Raw, and (the extremely handsome and delicious) Nate Parker.