Añade un argumento en tu idiomaIn "Rejected," a short horror parody, three twisted tales of macabre horror unfold, all linked by an antiquated digital camera from 1997. The tales intertwine, creating a narrative that is b... Leer todoIn "Rejected," a short horror parody, three twisted tales of macabre horror unfold, all linked by an antiquated digital camera from 1997. The tales intertwine, creating a narrative that is both terrifying and hilariously absurd.In "Rejected," a short horror parody, three twisted tales of macabre horror unfold, all linked by an antiquated digital camera from 1997. The tales intertwine, creating a narrative that is both terrifying and hilariously absurd.
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REJECTED delivers a well-crafted horror/comedy anthology that punches well above its short film status, feeling more like a feature film with a substantial budget.
Rena Rivas' visionary professionalism shines through with impeccable timing and editing. The film is packed with engaging and thoughtful shots that keep the audience fully immersed throughout its entirety. Each character enhances the storytelling with impeccable acting and cadence, while the wrap-around segments between each short are tightly woven and tonally perfect. The score is expertly curated to match the film's themes and period.
REJECTED balances its comedic timing with equally impressive horror production values. The CG and practical effects are executed cleanly and with great taste, enhancing both the humorous and chilling elements of the film.
Overall, Rene Riva and his team excel in every aspect of filmmaking, leaving viewers eager to see his next project. Fans of his work should also explore titles like 'BITE SIZE,' '10/31/85,' and 'JUDY' for more of his distinctive style.
Rena Rivas' visionary professionalism shines through with impeccable timing and editing. The film is packed with engaging and thoughtful shots that keep the audience fully immersed throughout its entirety. Each character enhances the storytelling with impeccable acting and cadence, while the wrap-around segments between each short are tightly woven and tonally perfect. The score is expertly curated to match the film's themes and period.
REJECTED balances its comedic timing with equally impressive horror production values. The CG and practical effects are executed cleanly and with great taste, enhancing both the humorous and chilling elements of the film.
Overall, Rene Riva and his team excel in every aspect of filmmaking, leaving viewers eager to see his next project. Fans of his work should also explore titles like 'BITE SIZE,' '10/31/85,' and 'JUDY' for more of his distinctive style.
I received a screener to review this. I have to say this is a fun romp that doesn't take itself too seriously. There was a fun call back to the technology of the nineties and it fits well with the story.
This is a great parody of the infomercials of the time and candid camera types of video. By the title and premise you could be mistaken as a found footage film, which it isn't.
There is a great use of practical effects and limited, but well used CGi. This film doesn't commit the crime of using digital blood (which is illegal in horror movies by the way!).
All in all a great presentation. I would like for it to have been a little longer and a resolution to the story. Maybe this is being saved for the full feature,
Well worth the watch!
This is a great parody of the infomercials of the time and candid camera types of video. By the title and premise you could be mistaken as a found footage film, which it isn't.
There is a great use of practical effects and limited, but well used CGi. This film doesn't commit the crime of using digital blood (which is illegal in horror movies by the way!).
All in all a great presentation. I would like for it to have been a little longer and a resolution to the story. Maybe this is being saved for the full feature,
Well worth the watch!
This film is set in 1997, and it begins at the SONU Broadcasting Headquarters, where we are introduced to a couple of ridiculously dressed reviewers, who are discussing three SONU Mavico advertisements that have been rejected from mainstream media. With each story, we come to learn what the digital camera is capable of, and the reasons behind the banned advertisements. Then it seamlessly segways into the first segment of the film, where we see a woman taking a photograph with her 1997 digital camera, of a painting in an art gallery, and what eventuates is truly ghastly. We return back to the reviewers, who seem rather unfazed by what is going on - I like that their reactions are not what we would expect as it adds to the comedic tone. Then into the second segment, where three young people enter a forested area, and what occurs there is sure to make you slightly sickened! Awesome for that, had me sitting on the edge of my seat. We transition back to the narrators, as they delve into the third and final segment. A woman finding out her husband is cheating on her. What transpires is horrendous, to say the least. Although these are short little segments, they each seem to carry a message, about being careful of what we do, as our actions can come back to bite, the second lesson is that you are never safe in the wilderness, and the last lesson is not to mess with a woman scorned.
I can see that a lot of work went into the making of this short film, especially in terms of the makeup, costumes, prosthetics, visual effects, sound effects, physical props, cinematography, as well as the savage carnage we see playing out in each segment. I commend the team behind the film for the intricate depictions and excellent attention to details. Although there is quite a lot going on, considering the running time is only 15-minutes, I think this was well contained and delivered appropriately. It is made easy to follow along with the storyline.
The gore is top notch cringy and scary - with a twist of parody that isn't taking away the overall effect of the film. Plus, such a brilliant concept, so simple, a camera with a taste for blood! I was gripped in tension from start to finish. This is what I like about short horror films, the technicalities that go into making a short film in such a short length of time. It always excites me to see a short anthology when it is successful, like this one. I appreciate how this film interweaves the camera into each of the individual segments, almost like the camera is the antagonist character in the film. I also found the interludes where we see the video players mechanisms internal system operating, as I believe this adds texture and layering to the overall authentic feel of the film and the era the film is set in. It makes me grateful that we are no longer in those times before the technological advances we now have. I also enjoyed the 90s sitcom music; it was very nostalgic.
I have seen a lot of horror comedy films in my years as an independent horror film reviewer. From the likes of the greatest, Sir Peter Jackson, Sam Raimi, Rob Zombie and the likes. To pull off a successful film in this genre is complex and technical, especially given the short length, it can make it extremely challenging. So, it is always refreshing to see an independent filmmaker, like Rene Rivas, who can deliver what big budget films can only achieve in a feature length film - into a 15-minute time frame! This shows me that the people behind this short film are exceptionally driven and committed to ensure its success. That is essentially what I am looking for in short films like this, if they can deliver a well plotted film, that I can see the cast and crew working hard to ensure it meets its goals.
I support independent filmmakers, because they are leading the way in the horror genre, as Hollywood falls apart, and with films like this, that are unconventional and not the typical generic Hollywood horror, it is encouraging to see that although some Indie films are hit and miss, this little gem is one of the successful ones. We need to ensure Indie creators have a voice, it is imperative to the horror genre that we keep Indie filmmakers in the front, leading the horror genre into uncharted territories, pushing the boundaries when it comes to gore, and ramping it up with some comedic expositions to lighten the extremely horrific images.
If you want to see something different in the horrorsphere, this is one to watch! You won't regret it! This film will surely please all horror fans.
I can see that a lot of work went into the making of this short film, especially in terms of the makeup, costumes, prosthetics, visual effects, sound effects, physical props, cinematography, as well as the savage carnage we see playing out in each segment. I commend the team behind the film for the intricate depictions and excellent attention to details. Although there is quite a lot going on, considering the running time is only 15-minutes, I think this was well contained and delivered appropriately. It is made easy to follow along with the storyline.
The gore is top notch cringy and scary - with a twist of parody that isn't taking away the overall effect of the film. Plus, such a brilliant concept, so simple, a camera with a taste for blood! I was gripped in tension from start to finish. This is what I like about short horror films, the technicalities that go into making a short film in such a short length of time. It always excites me to see a short anthology when it is successful, like this one. I appreciate how this film interweaves the camera into each of the individual segments, almost like the camera is the antagonist character in the film. I also found the interludes where we see the video players mechanisms internal system operating, as I believe this adds texture and layering to the overall authentic feel of the film and the era the film is set in. It makes me grateful that we are no longer in those times before the technological advances we now have. I also enjoyed the 90s sitcom music; it was very nostalgic.
I have seen a lot of horror comedy films in my years as an independent horror film reviewer. From the likes of the greatest, Sir Peter Jackson, Sam Raimi, Rob Zombie and the likes. To pull off a successful film in this genre is complex and technical, especially given the short length, it can make it extremely challenging. So, it is always refreshing to see an independent filmmaker, like Rene Rivas, who can deliver what big budget films can only achieve in a feature length film - into a 15-minute time frame! This shows me that the people behind this short film are exceptionally driven and committed to ensure its success. That is essentially what I am looking for in short films like this, if they can deliver a well plotted film, that I can see the cast and crew working hard to ensure it meets its goals.
I support independent filmmakers, because they are leading the way in the horror genre, as Hollywood falls apart, and with films like this, that are unconventional and not the typical generic Hollywood horror, it is encouraging to see that although some Indie films are hit and miss, this little gem is one of the successful ones. We need to ensure Indie creators have a voice, it is imperative to the horror genre that we keep Indie filmmakers in the front, leading the horror genre into uncharted territories, pushing the boundaries when it comes to gore, and ramping it up with some comedic expositions to lighten the extremely horrific images.
If you want to see something different in the horrorsphere, this is one to watch! You won't regret it! This film will surely please all horror fans.
REJECTED showcases a terrific blend of intricately crafted horror stories all surrounding the new in universe SONU digital camera. Each story is presented as lost media, that being footage of seemingly obscure television advertisements for the camera in question. Ones that should've never seen the light of day.
Each story is effective in its own right but it's clear that conscious effort was made to experiment and dabble in multiple genres and it is extremely endearing. There's horror, comedy, drama, action, love and of course carnage, with terrific practical effects that will make even the most hardened gorehound queasy.
Overall REJECTED is a beyond entertaining ride with no dull moments in sight. All three stories tie together in a simple yet fun way and are certain to offer something enjoyable to every horror fan no matter what subgenre suits your fancy.
Each story is effective in its own right but it's clear that conscious effort was made to experiment and dabble in multiple genres and it is extremely endearing. There's horror, comedy, drama, action, love and of course carnage, with terrific practical effects that will make even the most hardened gorehound queasy.
Overall REJECTED is a beyond entertaining ride with no dull moments in sight. All three stories tie together in a simple yet fun way and are certain to offer something enjoyable to every horror fan no matter what subgenre suits your fancy.
Rejected is a unique blend of satire, nostalgia and total gorefest that's got something for everybody (well, most...). Great practical effects and big laughs fill this delightfully twisted short.
You'll be saying WTF by the end and wanting more.
The basic premise surrounds an infomercial showing you "rejected" ads for an archaic 90s digital camera. Everyone uses the camera gets...let's say some seriously bad luck.
The acting is hilarious and the cinematography is top notch. I'd love to see this concept extended into a feature, like a Kentucky Fried Movie with splatter.
For horror fans for sure, but enough laughs to satisfy even the most squeamish.
You'll be saying WTF by the end and wanting more.
The basic premise surrounds an infomercial showing you "rejected" ads for an archaic 90s digital camera. Everyone uses the camera gets...let's say some seriously bad luck.
The acting is hilarious and the cinematography is top notch. I'd love to see this concept extended into a feature, like a Kentucky Fried Movie with splatter.
For horror fans for sure, but enough laughs to satisfy even the most squeamish.
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Detalles
Taquilla
- Presupuesto
- 20.000 US$ (estimación)
- Duración15 minutos
- Color
- Relación de aspecto
- 4:3
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By what name was Rejected (2024) officially released in Canada in English?
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