PUNTUACIÓN EN IMDb
5,9/10
14 mil
TU PUNTUACIÓN
Tras la muerte de su hija, un psicoterapeuta tiene pesadillas y siniestras visiones. Vuelve a su hogar de infancia con la esperanza de encontrar paz.Tras la muerte de su hija, un psicoterapeuta tiene pesadillas y siniestras visiones. Vuelve a su hogar de infancia con la esperanza de encontrar paz.Tras la muerte de su hija, un psicoterapeuta tiene pesadillas y siniestras visiones. Vuelve a su hogar de infancia con la esperanza de encontrar paz.
- Premios
- 2 premios en total
Brooke Alyse
- Student #3
- (sin acreditar)
Reseñas destacadas
I'm one of those people that came close to switching it off, I found the first half of the film excruciatingly boring, I've never watched a horror thriller before and found myself nodding off, with this I did. Possibly because I didn't quite get what was going on with the story, it wasn't explained in any sort of way, which I found frustrating, but once you become involved as a viewer, which is just over half way through, the film becomes gripping, captivating, and thoroughly enjoyable.
Very well acted, Adrien Brody is terrific, as is Sam Neill. Some terrific special effects, and good music, which doesn't overtake the film.
Second watch, and I'll enjoy it all the more.
The only scenario I can think of for this film, imagine being invited to a party where you don't know anyone, half way through you get to know the guests, have a drink, and engage. This film is the same.
Very well acted, Adrien Brody is terrific, as is Sam Neill. Some terrific special effects, and good music, which doesn't overtake the film.
Second watch, and I'll enjoy it all the more.
The only scenario I can think of for this film, imagine being invited to a party where you don't know anyone, half way through you get to know the guests, have a drink, and engage. This film is the same.
OK...before i start on the review itself, i just want to say that i am giving this movie a 7/10 rating. So far this movie has a rating of 5.9 which is a little low in my opinion. The movie itself was very professionally done and the Cgi in the movie...about a minute in all was fairly well done. I went in to the movie hoping Adrien Brody just didn't needed a paycheck...and was very happy he didn't. Don't want to give the spoiler for the movie...just like the other reviewers said. Please give this movie a chance if you are a fan of either horror, mystery or thriller movies. I think you'll be fairly pleased with the movie overall, as there are elements of all three genres in this movie. Hahaha...still thinking about this movie and just wanted to say that its classified under horror. I am a big fan of a good horror movie also..especially...a good jump scare...hehehe. THis movie although short..as you're watching it you will be thinking..OK..i know where this is going...the try for a jump scare is coming right now. This actually keeps happening for a while until you forget about it...because what you think might be a jump scare which you brace for never materializes....UNTIL...BOOMMM!!!. Hahaha...I swear i almost jumped out of my skin. For the reviewer who said it was a good movie with a god-awful ending..how would one close the movie???? There was only 2 ways out of the ending...and...the latter would have been to gloomy indeed, and would have made viewers very uneasy indeed. All in all a very worthwhile watch in my opinion for any fans of a good movie...and how long has it been since Brody made a movie?
When Adrien Brody stars, you know it will be good - you just are not sure HOW good. This movie is REALLY good and a better actor could not have been chosen to play this tortured soul struggling to hold onto his grasp on reality. To not lose his mind, he knows he must delve into his past where 'some memories are so unacceptable, we do whatever we can to keep them buried'- it has every element you want in a thriller. It is utterly haunting, moody, unpredictable, creepy, and emotional. Did I leave anything out? It is a cerebral thriller - not quick-paced - just enough to keep building suspense. And make no mistake - just when you think you have it figured out - you will be wrong.
"Backtrack" is well executed. The acting and cinematography are competent and professional. Special effects are more than adequate. It economically manages to convey a sense of desolation, solitude and creepiness.
Horror films generally adhere to a simple basic formula. A sinful act unleashes a supernatural power that wreaks vengeance on the guilty, but spares the innocent and those who repent. Occasionally films like "The Sixth Sense" and "Ghost Town" effectively embellish the basic formula in novel, interesting and dramatically gratifying ways.
"Backtrack" deviates from the basic horror conventions, but does not provide anything superior and is inconsistent. Arguably innocent people are caused to suffer. The supernatural forces torment the protagonist who is not the sole or even the most guilty party. They seem to want his help or he wants their help, but they seem equally capable of interacting with the most guilty party without him. It's not clear whether they need the protagonist's help or they want to involve him in order to help him expiate his guilt. The supernatural forces do not have a consistent understanding of their status.
The supernatural forces do not behave randomly, but even though they operate in concert, it's not clear that they understand their purpose or the master plan. Their motives for particular actions aren't always clear. They don't always seem to be on the same page.
Some of the early scenes are ambiguous. It's not clear whether the protagonist is alive, dead, dreaming, deluded, hallucinating or what. We have dreary, foreboding scenes of abandoned buildings and streets and empty trains. Everybody who visits the protagonist seems unusual. He never interacts with anybody who seems entirely normal. Then suddenly, his world is populated, but the reason for the transition is unclear.
The movie would have been stronger with a clearer concept of who and what the supernatural elements were, why they did what they did and what they know or believe about the events in question. If they need the protagonist's assistance to discover who was the guiltiest, that could have been clearer. If they have several suspects, why torment only the protagonist? One of the supernatural entities knows the whole story. Why they don't go after the guiltiest party directly is unclear, except that a negligent act gave him some special insights, but that resulted in the death of an innocent, so the story is less satisfying.
Horror films generally adhere to a simple basic formula. A sinful act unleashes a supernatural power that wreaks vengeance on the guilty, but spares the innocent and those who repent. Occasionally films like "The Sixth Sense" and "Ghost Town" effectively embellish the basic formula in novel, interesting and dramatically gratifying ways.
"Backtrack" deviates from the basic horror conventions, but does not provide anything superior and is inconsistent. Arguably innocent people are caused to suffer. The supernatural forces torment the protagonist who is not the sole or even the most guilty party. They seem to want his help or he wants their help, but they seem equally capable of interacting with the most guilty party without him. It's not clear whether they need the protagonist's help or they want to involve him in order to help him expiate his guilt. The supernatural forces do not have a consistent understanding of their status.
The supernatural forces do not behave randomly, but even though they operate in concert, it's not clear that they understand their purpose or the master plan. Their motives for particular actions aren't always clear. They don't always seem to be on the same page.
Some of the early scenes are ambiguous. It's not clear whether the protagonist is alive, dead, dreaming, deluded, hallucinating or what. We have dreary, foreboding scenes of abandoned buildings and streets and empty trains. Everybody who visits the protagonist seems unusual. He never interacts with anybody who seems entirely normal. Then suddenly, his world is populated, but the reason for the transition is unclear.
The movie would have been stronger with a clearer concept of who and what the supernatural elements were, why they did what they did and what they know or believe about the events in question. If they need the protagonist's assistance to discover who was the guiltiest, that could have been clearer. If they have several suspects, why torment only the protagonist? One of the supernatural entities knows the whole story. Why they don't go after the guiltiest party directly is unclear, except that a negligent act gave him some special insights, but that resulted in the death of an innocent, so the story is less satisfying.
It was slow to start and had me wondering, do i carry on? Maybe i am impatient or was it my mood that day? Then the mystery starts to unfold and you think you know, but you do not ha! The mystery almost holds it self to the very end.
I'm from old school where the Exorcist still remains my top scary film.
Freddy Kruger and Jason ...... Well them films are for kids, cos they have no imagination and have to live with special effects.
This film is about ones conscience even though he is not aware of for some time. A past that got locked out but comes back when his daughter is involved in a car crash
I gave it a 7 because it was good film
I'm from old school where the Exorcist still remains my top scary film.
Freddy Kruger and Jason ...... Well them films are for kids, cos they have no imagination and have to live with special effects.
This film is about ones conscience even though he is not aware of for some time. A past that got locked out but comes back when his daughter is involved in a car crash
I gave it a 7 because it was good film
¿Sabías que...?
- CuriosidadesPeter calls his mate Baz when they first see each other. Baz--or Bazza--is common nickname for Barry in Australia.
- ConexionesReferences Días felices (1974)
- Banda sonoraOnly You
Lyrics & Music by Dale Cornelius
Vocals by Lucy Massouris
Lapsteel Guitar, Bass and Drums by Anthony "Barney" Spicer
Recorded by Anthony "Barney" Spicer
Recorded at Barnarts Productions
Mixed by Christian Scallan
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Sin regreso
- Localizaciones del rodaje
- Southern Cross Station, Melbourne, Victoria, Australia(Railway Station for departure to small town)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 30 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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What is the French language plot outline for Backtrack: Sin regreso (2015)?
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