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IMDbPro

Welcome to New York

  • 2014
  • R
  • 2h 5min
PUNTUACIÓN EN IMDb
5,6/10
4,1 mil
TU PUNTUACIÓN
Gérard Depardieu in Welcome to New York (2014)
Mr. Devereaux is a powerful man - a man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A man who dreamed of saving the world and who cannot save himself. A terrified man. A lost man.
Reproducir trailer1:43
1 vídeo
51 imágenes
CrimeDrama

Añade un argumento en tu idiomaA high-powered financial titan who controls global markets struggles with his inner demons while grappling with uncontrollable personal urges and mounting fears.A high-powered financial titan who controls global markets struggles with his inner demons while grappling with uncontrollable personal urges and mounting fears.A high-powered financial titan who controls global markets struggles with his inner demons while grappling with uncontrollable personal urges and mounting fears.

  • Dirección
    • Abel Ferrara
  • Guión
    • Abel Ferrara
    • Christ Zois
  • Reparto principal
    • Gérard Depardieu
    • Jacqueline Bisset
    • Shanyn Leigh
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    4,1 mil
    TU PUNTUACIÓN
    • Dirección
      • Abel Ferrara
    • Guión
      • Abel Ferrara
      • Christ Zois
    • Reparto principal
      • Gérard Depardieu
      • Jacqueline Bisset
      • Shanyn Leigh
    • 32Reseñas de usuarios
    • 91Reseñas de críticos
    • 71Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Imágenes50

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    Reparto principal84

    Editar
    Gérard Depardieu
    Gérard Depardieu
    • Devereaux
    Jacqueline Bisset
    Jacqueline Bisset
    • Simone
    Shanyn Leigh
    Shanyn Leigh
    • Female Journalist
    Marie Mouté
    Marie Mouté
    • Sophie Devereaux
    Charlotte Silvera
    • French Female Journalist
    Ronald Guttman
    Ronald Guttman
    • Roullot
    Elizabeth Kemp
    Elizabeth Kemp
    • Florence
    Drena De Niro
    Drena De Niro
    • Executive Assistant
    Anna Lakomy
    • Anna
    Samantha Opitz
    Samantha Opitz
    • Hotel Receptionist
    Ilinca Kiss
    • Concierge
    Paul Calderon
    Paul Calderon
    • Pierre
    Paul Hipp
    Paul Hipp
    • Guy
    Kathryn Lill
    • Bebe
    Caroline Huet
    • Fifi
    Lucy Campbell
    • Roxanne
    Raquel Nave
    Raquel Nave
    • Russian Desiree
    Natasha Romanova
    Natasha Romanova
    • Russian Elena
    • Dirección
      • Abel Ferrara
    • Guión
      • Abel Ferrara
      • Christ Zois
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios32

    5,64.1K
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    Reseñas destacadas

    6claudio_carvalho

    Long, Uneven, Inconclusive

    In New York, the French director of the World Bank Mr. Devereaux (Gérard Depardieu) is a pervert and womanizer, partying and participating in gang bangs with women. When he tries to rape the hotel housekeeper in his room, the woman reports to the police. Devereaux is arrested, affecting also the life of his wife Simone (Jacqueline Bisset).

    "Welcome to New York", by Abel Ferrara, is a long, uneven and inconclusive film based on the New York v. Strauss-Kahn case. The story shows the lead character Devereaux as an egocentric, pervert and sick womanizer through excessive sex scenes and his relationship with his daughter and wife. When he is released in house arrest, the screenplay is developed at a very slow pace and is boring. However the lack of conclusion is terrible. My vote is seven.

    Title (Brazil): "Bem-Vindo a Nova York" ("Welcome to New York")
    8Atdheu90

    Abel Ferrara is back on top form with Welcome to New York, Depardieu delivers a superb performance

    "Welcome to New York" is based on the real-life scandal that involved the french diplomat Dominique Strauss-Kahn who was a member of french Socialist Party and also the Managing Director of IMF (Int. Monetary Fund) from 2007-2011 until he resigned due to allegation that he had sexually abused a hotel maid.

    "Welcome to New York" presents this affair in a masterful way, that one would find it hard to get the attention off the screen even for a second. Be advised that this is not something Ferrara has done in the past during his long career. For the director this is just the first time that he elaborates a certain real life event to the last detail.

    Welcome to New York proves that for Ferrara this is just the right kind of stuff that he can handle with ease with his unique talent. He has been provocative for all his carrier and this material proves to be something that can deliver without making a false step on the process.

    On the other hand, Dapardieu gives one of the best performances of his carrier. He's so convincing as Deveraux that one can say he's the real man (DSK). The script doesn't exaggerate, - written by Ferrara himself and Zois (who worked previously with Ferrara in "New Rose Hotel"),- it handles the story plain and simple, in order for Ferrara to do his thing behind the camera without losing the focus from the real life story.

    Undoubtedly, one of the best parts of the movie is when he (Devereaux) boards the plane, then is asked to step out and the whole police procedure begins. Depardieu feels very comfortable during this complex scenes as does Ferrara, who doesn't hesitate even for a second to show us what the real man experienced.

    As the movie progresses another real life accusation is unfolded. Strauss Kahn, after the New York arrest, tried to rape a journalist. In real life this allegation happened to Strauss-Kahn who was accused for such an act and is scheduled to appear in court for trial in 2015.

    Bisset plays Devereaux's wife and fulfills the other part of the story.

    If you are not convinced and need more reasons to watch this or don't want to be misled and stay away from it consider the following: If you are familiar with the real life story of DSK then give it a shot, you wont be disappointed. If you are not an Abel Ferrara fan, then skip it (it will be your loss). If you want to see Depardieu on one of his best roles he has ever done in his career then watch it. He was the perfect choice for this role. If you are not a fan of movies where unpleasant situations are unraveled in details, then don't watch it.

    Hope this helped!
    7losriley-1

    Wecome to New York brutal and unflinching

    This film has many different rhythms and paces. At first the prolonged sex scenes last so long that they became uncomfortable and disturbing.Although the sex with the prostitutes was consensual Depardieux grunted in almost pig like fashion as he lost himself in debauchery and lust. It had the feel of a porn film but with believable characters. The scenes with Depardieux and Bissett often have the feel of improvisation particularly at the beginning. It would have been nice to have seen more of the victims reactions to the abuse that they were subjected too. The unrepentant nature of the lead character is alarming and brutally honest.He does not seek to be cured even after his arrest makes his life fall apart. He shows no feeling for his victims and just is a serial abuser. His blunt attempts at seduction is seen to be successful in one instance due to his wealth and status and overt womanising. Like Bad Lieutenant this film delivers moments of brutality and spiritual abandon. In both films the central characters are spiralling out of control. The Gauguin nudes on the walls of the apartment are well placed. In all despite the lengthy sex scenes and drawn out almost real time arrest the film is well constructed and well acted. The surreal almost "bad actor" dialogues between Bissett and Depardieux as they confront the aftermath of his arrest fluctuates between the inane and the poetic. I really liked the line that,"The reverse of Love is not hate but indifference" delivered by Bissett. The fact that this film is based on true events adds weight to the subject matter. A difficult film to watch and an adult film on more than one level.
    6maureen-andersson-1

    Not the best Depardieu, but watchable...

    I was pleased when this film became available on Netflix and then on DVD, because I am an unconditional fan of Gérard Depardieu even though he is no longer the healthy-looking star he used to be, and also because I was convinced from day one that DSK had fallen into a trap set by his political enemies. Only two people know exactly what happened that day in his hotel room, so this is indeed a fictional version, but when Depardieu's character tells his wife that he is not guilty as accused, I for one believe him. It's watchable, and almost philosophical when he talks to his very rich wife about the sharing of wealth. And if anyone is disappointed by Depardieu's performance in this movie, I recommend director Jean Becker's delightful film "La Tête en friche" (My Afternoons with Margueritte) in which Depardieu is brilliant. Jacqueline Bisset's performance here is remarkable too.
    5kindredparadox

    Full of Himself

    Devereaux (Depardieau) came to New York for sex, party and pleasure. Somehow maybe one of his perversions is toward maid submission, which he thinks is OK. Then a hotel housemaid made rape allegation at Devereaux, which made him detained

    The pace of Welcome to New York is good. Somewhat you immersed in that pace. As an educated shallow main character, you will develop hatred toward him. Justification over another justification to reach freedom he craved-"a wealthy freedom"

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      When director Abel Ferrara received a letter from IFC Films, the US distributor, telling the filmmaker to deliver an R-rated version so that it could match the version to be released on Showtime during its pay TV window, the director was disgusted and refused to back down telling THR "Welcome to New York is not being distributed in the U.S. because of this company, IFC, which I'm totally disgusted with." He stated "They knew from day one when they bought this film that they had the final version and that it wasn't going to be changed."
    • Pifias
      When the Detectives are introduced, one is wearing an NYPD Detective Shield (badge), one a Sergeant's Shield. The Sergeant introduces himself to the hotel official as "Lieutenant Landano." Immediately after, he introduces himself to the housekeeper as "Sergeant Landano."
    • Citas

      Devereaux: Since childhood, I've been brainwashed. By my parents, my teachers.My teachers, my superiors at work.I'm lucky, I'm not a Christian.But I'd like to say this: When I die, I will kiss God's ass forever.I found my God.You.My first God? I didn't find it in a church, but in a classroom.It was idealism. What a magnificent God! To believe everything would be ok. I was in the temple that is university. First as a student, then as a professor. And I allowed myself to be wrapped in that hallowed light. Injustice? We had righted all the wrongs. World hunger? Everyone would eat until they were full. Poverty? A distant memory whose existence would be difficult even to imagine. Wealth would be spread around. To each according to his needs. That's right. It was only when I arrived at the World Bank that the enormity of the world's pathos, the infinite suffering inherent in human nature, revealed itself in all its horrible manifestations. Slowly. One day at a time. No. One minute at a time. I understood the futility of struggling against this insurmountable tsunami of troubles that we face. Things will not change. The hungry will die. The sick? They too will die. Poverty, It's good business. Wise men are comforted by their limitations. I'm overwhelmed by this revelation. No. I can't return to that blissful youth. No redemption for me.

    • Versiones alternativas
      In the US, the MPAA initially rated this NC-17 and required cuts of scenes of sexual assault to gain an 'R' rating, much to the disgust of the director, Abel Ferrara.
    • Conexiones
      Featured in Pauw & Witteman: Episodio #8.158 (2014)
    • Banda sonora
      AMERICA THE BEAUTIFUL
      Written by Katharine Lee Bates (as Katherine Lee Bates') and Samuel A. Ward

      Performed by Paul Hipp

      Arranged by Paul Hipp

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    Preguntas frecuentes16

    • How long is Welcome to New York?Con tecnología de Alexa
    • What are the differences between the US-Version and the Original Version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de mayo de 2014 (España)
    • Países de origen
      • Estados Unidos
      • Francia
    • Idiomas
      • Inglés
      • Francés
    • Títulos en diferentes países
      • Ласкаво просимо до Нью-Йорку
    • Localizaciones del rodaje
      • Nueva York, Nueva York, Estados Unidos
    • Empresas productoras
      • Forbes
      • Belladonna Productions
      • Wild Bunch
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 324.253 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 5 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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