Respect

I have to be fair; these are different movies with different subjects, "Respect" attempts to follow the same format but fails. I saw the movie last night, and as most have stated, Jennifer Hudson's vocal skills are unquestionable. Her acting was satisfactory. The major problems of the film were casting, bad acting, and lack of flow. Forest Whittaker was fine, but Marlon Wayans attempt at bringing out his "Inner Ike Turner" was - almost laughable. I couldn't take him seriously, no matter how hard he tried. Also, the actor portraying Dr. King damn near had a handlebar mustache, that ain't right. The movie tried so hard to make the audience feel a certain way during scenes that it felt awkward. The ending appears as though it was an afterthought, "Just have her singing Amazing Grace and throw up a bunch of lifetime achievements..." In short, this movie could have been a parody of how to not make a bio-pic of a great musician. Where "Ray" set the standard, "Respect" hasn't earned it. Aretha Franklin deserves better, much better.

"RESPECT" (2021 release; 145 min.) is the latest bio-pic about Aretha Franklin. You may recall that earlier this year there was the 8 part TV mini-series "Genius: Aretha" which premiered in March, 2021, and while it wasn't bad, neither did it feel like it did full justice to the genius of Aretha. By then it was already well-known that a new bio-pic was being made starring none other than Oscar-winning Jennifer Hudson. In fact, in the last few years before passing away in 2018, Aretha herself had dared/blessed/encouraged Jennifer to play her. As the movie opens, we are introduced to 10 yr. Old Aretha, who is woken at night by her daddy to sing for a group of (mostly church) friends her parents are hosting for dinner. Aretha brings down the house, and before you know it, she is performing at church. In a clever montage, she starts singing "There Is A Fountain Filled With Blood", and young Aretha segues into adult Aretha....

Couple of comments: this movie is the feature debut for director Liels Tommy. She is best known for her work on Broadway. Here she makes the jump to the big screen, with a large production budget and an all-star cast fronted by Jennifer Hudson. The movie is quite good, although a bit slow at times. But the real reason for watching this is of course Jennifer Hudson, who brings a stunning performance. She really IS Aretha Franklin. As a consequence, even though the movie is not without flaws, "RESPECT" has now become the definitive Aretha Franklin biopic, period. I am already going on record that not only Jennifer Hudson will get a Best Actress Oscar nomination, but that she likely will be one of the, if not THE, frontrunner for that race.

As a complete aside, there is the original soundtrack of this movie, featuring Jennifer singing all those Aretha classics. Without the visuals of the movie, the soundtrack isn't nearly as compelling. But wait, there is a solution: in late July, a career-spanning and generous 4 CD box set (81 tracks; 310 min.) simply called "ARETHA" was released. Just like "RESPECT" is now the definitive Aretha Franklin biopic, "ARETHA" became the immediate, ultimate and definitive CD compilation. Bottom line: both "RESPECT" (the film) and "ARETHA" (the CD box) are a winner!

Jennifer Hudson is stunning as the Queen of Soul. But let's not overlook Dakota Skye Turner who plays young Aretha with so much depth in her eyes that blow away all the adult performances.

Despite all that, the unfortunate thing, as most have mentioned is that it is bits and pieces of Aretha's life. Perhaps it is because she was so internal with her pain and told most of it in song. But it soon becomes a droning cliched trip until the next powerhouse tune Jennifer is to belt out. This is obviously on the same playing field as "What's Love Got To Do With It?" With the Ike Turner character played wonderfully by Marlon Wayans. Again....same road traveled. All which culminates in a spiritual re-awakening concert recorded live church service (which people may not know was attended by Mick Jagger).

All in all a very large scope film by director Liesl Tommy that duffers from too many directions and not one which encompasses the very complex woman.

To mention, a nice breathing light hearted moments with podcast celeb Marc Maron as Jerry Wexler. The catering record producer who saw the real genius at work. A nice respite from the heaviness of the flick.

Jennifer Hudson is an excellent actress, and I always thought she would be a great choice to portray Aretha Franklin. It would be no easy task to fully portray Franklin's legacy on screen in an authentic manner, but after having seen the film early at a Fandango advance screening, I'm happy to say that she succeeded. Hudson's acting range is potent and profound. She is able to clearly convey passion, empathy, and emotional challenges where appropriate in the film's narrative. The film attempts to provide a comprehensive overview of most of Franklin's life, from her challenging early childhood until the 1970s, but primarily focuses on the mid-to-late 60s and early 70s. Its narrative structure is a bit choppy and awkwardly paced, although it should be noted that (to state the obvious) no individual's life depicted in a biopic can fit completely neatly into the conventional three-act Hollywood film structure.

To state the obvious, Hudson's leading performance is the true crown jewel of the film. The film does a great job at humanizing Aretha Franklin, while still showing her emotional and substance-related struggles in a realistic way. Supporting performances in the film are quite strong as well. Particularly notable are Forest Whitaker giving a commanding and powerful performance as Franklin's father, and Marlon Wayans portraying her violent, self-centered husband. Hudson's singing voice is great as well, and her performances of songs such as "Respect," "You Make Me Feel Like A Natural Woman," and "Amazing Grace" are superb. Despite the exceptional acting talent on display in the film, "Respect" sometimes waddles a bit too much in formulaic and conventional tropes of biopics. The film sometimes comes off as playing it a bit too safe, and shies away from taking any noteworthy creative risks that could have had greater stakes or emotional impact within the context of the viewing experience. At about 2.5 hours, it runs a bit too long, and there's definitely about 30 minutes worth of scenes in here that do not add much to the overall narrative and could easily have been cut. That said, an awards-worthy lead performance makes the film generally a solid one. Recommended. 7/10.

Recently I saw a great TV series, Genius: Aretha Franklin, which offered the width and breadth of Aretha Franklin, showing the myriad experiences that made her who she became.

The Genius series was ambitious with its shifting time and harsh moments, but Respect is a more traditional biopic, with many of the edges sanded off. It's not that there aren't good moments - Aretha creating in the studio or putting on a fabulous show can be electrifying - it's just that those moments aren't used to build anything. Genius suggested that Aretha's life was worth telling because she was interesting, Respect tells you Aretha's life is worth telling because, well, she's famous, and people like to learn about famous people.

Jennifer Hudson is excellent. Respect makes you wish you could go back in time and see Aretha in concert in a way Genius didn't. But in the end there's a "so what" quality to the endeavor.