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I actually couldn't finish the movie because the CGI werewolves were way worse than the one from American Werewolf in Paris. It's bordering on cartoonish or a parody. Couldn't take the movie seriously. I'll never understand how people think they can have a werewolf movie with a horrible werewolf or in some cases no werewolf at all. I was surprised at how bad the quality was because the cast was impressive.

An ill wildlife photographer enters an airport, unknowingly carrying a werewolf virus. After she transforms, dozens if not hundreds of people are left dead or infected. And then the military steps in.

We all know the Asylum makes films for little money and uses some pretty terrible computer animation for their monsters. This is no exception. The production value seemed okay, but the wolves are just as fake as anything else they have created. Let us just get that out of the way.

But really, this is better than their average story. Decent acting, a generally interesting plot -- even if it may not always make sense. And Ernie Hudson, who never disappoints. Not the best werewolf film out there, but probably also not the worst.

Battledogs (2013)

** (out of 4)

The Asylum strikes back with this rather confusing mix of sci-fi and horror. An evil Lt. General (Dennis Haysbert) does battle against the good Major Hoffman (Craig Sheffer) over a woman (Ariana Richards) who was bitten by a wolf (or dog) and turns into a wolf (or dog) and goes on a rampage in NYC. With the virus spreading, Hoffman wants to try and save her for a cure but the General wants more wolves (or dogs) so that the Army can use them in wars. BATTLEDOGS is a pretty confusing picture on one major level and that's the fact that I'm really not sure what the monsters are. They act and sound like werewolves but the title refer to them as dogs. Even stranger is that throughout the film they are called wolves by some, canines by others and some call them dogs. I'm really not sure what they are but the CGI used for them makes them look decent but they're still clearly fake but this here is to be expected with such a small budget. The film on the whole doesn't work but I think it contains a few entertaining things for those who line up week after week to see what SyFy is giving us. The biggest attraction to the film is its cast members as many familiar faces from familiar films are on hand. Not only do we get Haysbert (MAJOR LEAGUE), Sheffer (A RIVER RUNS THROUGH IT) and Richards (JURASSIC PARK) but there's also Wes Studi (DANCES WITH WOLVES), Kate Vernon (PRETTY IN PINK) and Ernie Hudson (GHOSTBUSTERS). Obviously the screenplay doesn't give any of them a real chance to act but I thought all of them were fine in their roles and certainly raised the material. It was also fun seeing Richards back in a film after a six year break. The CGI effects are all pretty cheap and bad but The Asylum did give us some real, practical effects, which allowed for plenty of gore. I say this after everyone of these movies but if you're expecting quality then you're not going to find it here. If you looking for cheap entertainment then this here offers a little of it.

This somewhat original werewolf flick by The Asylum is more fun than it deserves to be, thanks to a its cool premise, some neato plot elements by scriptwriter Shane Van Dyke, some attractive location shooting, and the surprising and welcome presence of Ariana Richards, who's grown as hot as you might have expected since she uttered her infamous "It's a Unix system! I know this!" as a teen in "Jurassic Park."

It is, however, nearly undone by ridiculous-looking CGI werewolves, a script devoid of humor, and a couple of "Wait… What?" turns that all remind you you're watching a film from The Asylum.

Richards plays a wildlife photographer bitten by a wolf in Canada who arrives in New York's JFK Airport, where she promptly turns into a werewolf and goes on a killing rampage, turning more people into werewolves.

Without explanation, we learn the government has immediately decided to train werewolves as soldiers. That revelation provides the film's only laugh-out-loud moment, albeit unintentional, when one character asks what any sane viewer would at that point: Wouldn't that just serve to turn the enemy soldiers into werewolves, too? And then, you know, the world?

Nice of the film to take its biggest gaping plot hole and just lay it bare for the viewer.

That said, direction by Alexander Yellen is surprisingly tight and solid for a first-timer; and the Buffalo, N.Y., backdrop is a suitable stand-in for New York City. I especially enjoyed the abandoned train station that resembled Grand Central Terminal, which served as an Ellis Island of sorts for recently bitten werewolves.

But when your werewolves look like 3D versions of various cartoon "Big Bad Wolf" characters, you have to admit your audience isn't going to take your movie seriously. Therefore, you as a filmmaker shouldn't either.

And that's the major flaw in almost every film by this company – they play it straight. A little self-referential humor (I would have LOVED to see Richards save the day with a Unix system again. Just sayin') would have made "Battle Dogs" a classic.

As it stands now, it's a decent rental at the Redbox, but worth little more than that.

SyFy have a notoriously bad reputation, though there are some tolerable movies of theirs out there even if they are too far and between. Battledogs was a movie that I wasn't sure what to make of, it wasn't a particularly good one but neither was it a disaster. I am in complete agreement with the acting being the best asset, the cast were a good one to begin with and they all give fun performances, especially Ernie Hudson. Battledogs is a better-looking movie than most SyFy movies, true the CGI is not particularly great(not really much of a surprise though) but the dogs/werewolves were fairly convincing, the scenery is good and the editing is not too choppy. The music and sound mayn't win any awards as such, but they are atmospheric and sharp enough and serve their purpose well. The car wreck scene was quite an exciting set piece, and the gore isn't too shabby either. Battledogs is not without its flaws though. There is some nice tongue and cheek humour in the script, but too much of the dialogue is cheesy, unnaturally flowed and not always fitting in certain scenes. There is also a rather make-it-up-as-you-go-along feel. The story is a mixed bag. The good news is, it didn't bore me particularly and the nods to King Kong, Free Willy and Day of the Dead original were nice; the bad news is, nothing comes out as original and the mix of sci-fi and horror is confused. Maybe it would help if those two elements individually worked, sadly they don't; it is not thrilling enough to be good sci-fi and it's not scary enough to be good horror either. And it is largely to do with the overall quality of the CGI, the poor suspense and how tame and uninventive the attacks seemed to be. I'd forgive the fact that the characters are overused stereotypes if anything interesting was done with them, but despite the efforts of the actors the characters never were developed or likable enough. And how inaccurately and poorly the military are portrayed is likely to get people even more infuriated, especially if they're part of the military themselves. In conclusion, not terrible or great. 5/10 Bethany Cox