The Uninvited

A easy going, sharp movie, with a feminine sensibility. Quick, clear dialogue... like you're in a play, a beautiful play. The acting is impeccable all around ... particularly Elizabeth Reaser and Lois Smith. The script is full of twists that unfold providing more depth to every character and surfacing unexpected connections. It's well timed. I really disagree with many other IMDB reviews, which - perhaps - fail to reconcile seeing these fantastic crew acting with no plethora of special effects... life as it is. Also, the constant comedy/drama interchange may be unsettling for some; I find it refreshing and, again, very real. Kudos to Nadia Conners and this crew!

Beautifully written and acted. Every detail is perfect. Truly amazing performances by every actor. Lois Smith gives an Academy award worthy performance and steals the show. Walter Goggins is uncomfortable and anxious and funny and lovable all at the same time. This is one of the best performances I've seen from Pedro Pascal. I love him in everything, but this role felt so natural for him. I felt every moment of Elizabeth Reaser's pain annd moments of joy. All of the characters are complex and intriguing. The story has many surprises in what appears to be a straightforward movie about a party. I cried and laughed and wished it was longer. We are not.

Rose" (Elizabeth Reaser) is married to talent agent "Sammy" (Walton Goggins) and they are preparing for a make-or-break party at their home one evening when the sound of a repetitious car horn sends her out to investigate. That's when she meets "Helen" (Lois Smith). She's an elderly lady convinced that she lives in their house, and when "Rose" takes her in whilst trying to summon some help her presence seems to galvanise her family and their guests into a series of revealingly uninteresting and cocaine-induced home truths that drags the whole thing into the doldrums of a melodrama populated by some seriously mediocre actors adequately reflected by the presence of Rufus Sewell! Actually, any scene stealing probably just belongs to a toilet doorknob, to Smith and to an enthusiastic effort from Roland Rubio as their son "Wilder". Otherwise it's really just a collection of who cares people that engender very little interest in their self-induced and/or self-serving problems. Stereotypes galore, sorry!

When you want to critique Hollywood, you have to do it intimately and not in a gigantic and obscene way like the budgets of summer movies: The Uninvited is a play to keep you close and engaged thanks to a beautifully staged sequence of almost thriller-like setups to surprise you. There are no superheroes, mass murderers, or lovers running through airports, but real people who feel like all of us.

All the characters are charming until real-life problems catch up with them to show that they are vulnerable humans, where there will always be hope. But will everything be too late? That's what each spectator will have to judge.

After watching Pedro Pascal and Walter Goggins absolutely dominate in The Last of Us and Fallout, I was really hoping/expecting there would be more to this than the description. Some kind of time-travel thing or something to make it interesting. (Between the title and setting, my mind kept going back to The Invitation, which definitely had its shortcomings but was at least creative) Unfortunately, it's just a straight drama. For what it is it's done very well, but the entire movie is just interpersonal drama with layers of trivial love story. It's a story, just not one worth telling.

The movie is done very well, so if you're someone that likes filling your head with banal personal BS, it's definitely worth checking out. If you like stories with creativity, definitely skip this. Pedro Pascal's charisma may seem endless, but it can't carry this much.