Move On

Road movie is a long-time genre, and there are usually 2 types of them: a) a merry company is willing to experience new people and places b) a single person is willing to find his or her inner self or something/someone missing. For this matter, Move On is different, as the leading character has a task to fulfill (rather dubious one), but unintended changes in plans bring him into novel places and novel situations. The distances are long, and thanks to Europe's not-so-large-area, we see a lot of wonderful landscapes, towns and events - as the film is project-based and contains inputs from different views.

And in the center of all this - a magnificent Danish actor Mads Mikkelsen, who is most of the time alone on the screen, are there are not many actors who could fill out the course of events, so you are not feel bored and try not to notice evident flaws and gaps in the plot, uneven run of the latter. Yet, there were some twists and gripping chases, but particularly due to Mikkelsen's performance, I can give strong 7 points to this film.

PS To those who saw Move On as a car commercial - it would have ridiculous to hide symbols on the cars :) For me, product placement was not conspicuous, I was focusing on other elements.

I recently watched Move On from 2012, and I've got to say, it's a pretty impressive film. Mads Mikkelsen really shines in this one, you can tell he's fully invested in his character. It's almost as if he's not just acting, but living the role. His performance is so convincing that it blurs the lines between fiction and reality.

The plot of the movie is quite engaging, with a good mix of drama and suspense. It keeps you on your toes, wondering what's going to happen next. There's a certain depth to the storyline that I really appreciate, however I think the the overall depth of the movie is missing.

Visually, the movie is stunning. The cinematography and the locations are spot on, and it is nice to see what other parts of Eastern Europe that I don't know in real life have to offer.

The pacing of Move On is another aspect that stood out to me. It's well-balanced, with just the right amount of tension and relief. The movie doesn't rush through its story, but it doesn't drag either. It hits that sweet spot where you're entertained throughout but also left wanting more.

If I had to rate it, I'd give Move On a solid 8/10. It's a movie that stays with you after you've seen it, largely thanks to Mads Mikkelsen's stellar performance and the intriguing plot. Definitely worth a watch if you're into films that are a bit off the beaten path but thoroughly engaging.

well, here's the thing when you watched this film. the actor is a very famous one, although not quite likable in certain way, but at least a good Scandinavian actor if you could give him a good screenplay to perform. but if you gave him a clueless script or even a bit ridiculous and clueless one, all he could do was follow the traffic flow, the direction of the storyline to move along or, maybe going nowhere. in this film, we got another aluminum suit case, a larger one than the one in 'ronin', to be goofed around in car trunks or to be carried along by the actor across borders to certain people. what's in it? you'd ask. the answer is 'none of your business. just watch and keep guessing; that's the beauty or ugliness of it." a regular passenger mid-sized or even small sized car by vw would have big enough horse power to follow, to catch up or even to intercept an over-a-hundred thousand $$$$ sports car? like all those mini coopers in 'the Italian job'? givemeabreak, will you?

I had no idea of the concept of this movie, having just plucked it from the Mads Mikkelsen back catalogue, and I have to say I was pleasantly surprised. I liked the central character, and there was just enough information and pathos (being generated by Mads) to make him both sympathetic and intriguing.

The cinematography was excellent, the pace was brisk but always unpredictable and the car chases were great. I particularly liked the Hungarian section, from the moment Mark hit the deer with his car to the moment he drove his mended car from his kind host's house, I was in heaven. My only real criticism was I would have liked a few more of those human interactions, and perhaps a bit more of a flavour of Mark's past somehow. Nice movie, crisply made, entertaining and a great ending that just left me laughing out loud with wtf appreciation - as a big fan of the existential payoff!

I watched this movie yesterday on TV, and from what I read it was made by fans, but the concept were commercial project of the road movie with product implementation. From the beginning of the movie there's T-Com logo and it was obvious that this movie is an experimental project of the telecom company. From numbers of brand new smart phones in this movie it was obvious. The fans in this case were the creators of the various elements in the movie, chooses by officials of the project. Anyway it is nothing but commercial action spy movie, with typical action scenes. The movie lay strongly on James Bond concept, but it is shallow and may be confusing, especially by the end. The plot is all about aged secret agent that needs to deliver strange aluminum case from one location to another. The movie is filled with lovely European countries sceneries, especially from Croatia, Montenegro and Macedonia. But what makes worth to watch it is an excellent Mads Mikkelsen as an leading actor who held all by his charisma. Mikkelsen is such a great actor that he can make weak movie better one. He also is able to bring complete movie with all bad elements and bad actors to a higher level. This is the case here. The scenario is so weak and rest of the cast are from mediocre to weak or amateurish, yet Mads put a shine on all of them, and brings us watchable product. He is like good ingredient that makes food better. Anyway the movie is nothing to be remember for, except the acting of Mads, and it is probably only for those who admire this actor.