La vida de Adele cambia cuando conoce a Emma, una joven mujer de pelo azul que la ayuda a descubrir el deseo y a encontrarse como mujer y como adulta.La vida de Adele cambia cuando conoce a Emma, una joven mujer de pelo azul que la ayuda a descubrir el deseo y a encontrarse como mujer y como adulta.La vida de Adele cambia cuando conoce a Emma, una joven mujer de pelo azul que la ayuda a descubrir el deseo y a encontrarse como mujer y como adulta.
- Nominado a 1 premio BAFTA
- 87 premios y 104 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe actresses only read the script once. Abdellatif Kechiche insisted that they forget what the script said line for line, and instead asked them to improvise their scenes and really let their actions and words come out naturally and as unforced as possible.
- PifiasWhen Adèle dresses up for Emma's vernissage, we see her painting her toe and finger nails red. In the next scene we see her walking to the vernissage, and when she adjusts her hair, her finger nails are not polished.
- Créditos adicionalesThere are no opening credits.
- Versiones alternativasThe Japanese Blu-ray release has mosaic over some of the nudity.
- ConexionesEdited into La vie d'Adèle: Deleted Scenes (2014)
- Banda sonoraA Que Bueno
Written by Klaim
Performed by Klaim
© 2012 All Rights Reserved
Reseña destacada
This is a good movie. I liked very much the way in which it describes the birth, maturity and end of a love interest among two young and attractive humans. The scenes in the park and the interplay of sentiments and nuances between the two lovers are very emotional and engaging. The difference of characters is very well presented.
The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.
And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.
Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...
The other good point is the sometimes humoristic way in which the down to earth and pragmatic family and social environment of Adele is juxtaposed with the artistic, intellectual and avant guard family and friends of Emma. I think this is the best part of the movie when one compares the realism of Adele with the artistic license of Emma. The scenes where both eat with each others family and the ensuing dialogues are a treat.
And now what you are all waiting for: the sex scenes. They are long, hot and explicit. I can not pronounce with conviction whether they served the artistic purposes of the movie or not. If someone wanted to watch the full bloom of a lesbian love story, the scenes may be considered indispensable, if you just wanted to watch a human love story between two people that happen also to have the same sex without caring for so much carnal detail, the scenes could be shorter and more circumspect. The point nevertheless is that those scenes caused a sensation and created a furore and debate from which the movie profited in terms of advertisement. People may now blame or praise it for the wrong reasons.
Both actresses where very good in playing their roles. The portrayal by Exarchopoulos of Adele as a teacher in a kinder-garden reading to the children didactic stories with animals or of her abilities as a cook and her insistence that Emma should eat something while Emma is consumed by a telephone call in which she raves about her artistic personality, integrity and vision ignoring Adele and the immediate environment are superb. She is also an actress which made feel empathy for her character. Seydoux is also very credible as the pretentious modernistic and ultimately self-centered Emma. And to conclude with a personal view I liked Adele much more than Emma as a person...
- georgioskarpouzas
- 31 oct 2013
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Detalles
Taquilla
- Presupuesto
- 4.000.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.199.787 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 100.316 US$
- 27 oct 2013
- Recaudación en todo el mundo
- 19.796.489 US$
- Duración3 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
What was the official certification given to La vida de Adèle (2013) in the United Kingdom?
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