Walesa. La esperanza de un pueblo

The formal opening of the 25th Polish Film Festival in America played to a packed house. Dignitaries, filmmakers, and sponsors from Chicagoland's Polish community and from Poland lent an air of glamour to opening night, as movie fans eagerly awaited the screening of legendary Polish director Andrzej Wajda's "Walesa: Man of Hope." The master film director himself was given the festivals "Wings" award for lifetime achievement in cinema, and he sent a video greeting that served as the perfect introduction to the film.

An Oscar winner and frequent nominee in the foreign language film category, 87-year-old Wajda said that his latest film completes a trilogy begun in 1977 with "Man of Marble" and continued in 1981 with "Man of Iron." An unfiltered portrayal of Lech Walesa, the Polish shipyard worker whose leadership led to the fall of the Soviet Union, the two-hour film stars Robert Wieckiewicz, who transforms himself into a startlingly convincing representation of the leader of the Solidarity movement. Wajda masterfully mixes news footage from the period with the fictionalized version of the Nobel Peace Prize winner's life and times. This is a compelling film that neither idolizes nor demonizes Walesa, who ultimately became president of Poland but soon tumbled from grace and revealed himself to be something less than a giant among men. It is the story of a man who fulfilled his destiny and changed the world through determination and a gift for tough, direct speech.

a portrait. a homage. a form of definition of a struggle. at the first sigh. in fact, a film about an ordinary man who has the chance to be part of a great change. the film represents the mark of Andrzey Wayda. the technique, the construction of story, references to his filmography, the tone, the dialogues, the spirit of wake up of a profound Poland . it is not a biopic but a testimony. it is not a demonstration but only an exercise to propose a slice of recent history for understand a cause. it is easy to define it as an eulogy. in fact, it is only a tool for explain. for describe. for impose the final part of a project who explains Poland and its fight under communism. a high ambition result could be unclear for viewers. and Wales is not exactly an exception. but a good support for discover Wajda films. for search the trajectory of Lech Walesa. for remind the recent past of Poland. and the values who remain its roots.

At the outset, Walesa: Man of Hope is not an ordinary film. It is one of the best examples of Polish director Mr.Andrzej Wajda's unending talent and enormous cinematographic vision. The best thing about this film is how does one dramatize real life incidents to create a biopic which is both entertaining and rich in details. It is because of this quality that the film is so tightly structured that while watching it, one doesn't even realize how 128 minutes have passed. The film finds its origin in a detailed interview conducted by noted Italian journalist Oriana Fallaci. She takes the help of an interpreter (Italian-Polish) in order to ask important questions to Mr.Lech Walesa related to his turbulent life. What is of interest is that not only she asks pertinent questions but also receives candid answers. The manner in which these questions and answers are represented on the screen speak volumes about Mr.Andrzej Wajda's method of filmmaking. He goes to a relatively distant past to reveal unknown facets about a man who would become hugely famous after a decade. Polish actor Robert Wieckiwicz is extremely ideal in his role as Lech Walesa-one of the most famous Polish citizens whose name is known even to many young schoolchildren all over the world.Lastly,Walesa:Man of hope is not a film.It is pure history in making about a person who changed the destiny of a whole nation.

Biopics can often be dull affairs and 'Walesa, Man of Hope' does not initially inspire, with its corny subtitle and hackneyed framing (the man giving an interview in which eh looks back on his life). But Lech Walesa was (and is) an genuinely interesting man who moreover was cursed to live in interesting times: a not-so-humble ordinary man who more or less appointed himself to lead a group of striking miners in Poland, a rabble-rouser yet a realist, and arguably the leading global symbol of resistance to the late-era communist dictatorships in eastern Europe. Film-make Andrzej Wadja lived through this time himself, and while his portrait of Walesa is compelling though simplistic (his strengths, it is suggested, did not lie in his subtlety of character), we also see exactly how the regime retained power. Some of my favourite moves were made by Kieslowski in the hopeless aftermath of the period of martial law imposed in the early 1980s; this film tells us more about why that martial law was imposed, and also, why the hopelessness it inspired was ultimately misplaced. The Communist officials come across as less pure evil, but as ordinary people themselves, who've talked themselves into a position where they perceive they have no choice but to run a broken and oppressive system. Walesa challenged them and ultimately was a major force for change. And Wadja's film is a convincing portrait of the man and his times.

WALESA: A MAN OF HOPE : A MISNOMER DOCUMENTARY

BY PRADIP BISWAS, THE Indian EXPRESS NEWSPAPERS, India JURY MEMBER OF INTERNATIONAL FILM FESTIVAL OF India AND FRIGOURG INTERNATIONAL FILM FESTIVAL, SWISS

44TH INTERNATIONAL FILM FESTIVAL OF India, GOA, 2013

At the age of 87, that remarkable Polish film-maker Andrzej Wajda has directed a documentary with false gusto called WALESA : A MAN OF HOPE. It is of 87 minute duration. The lead performance is done by Robert Wieckiewicz. It is said it's a biopic tribute to the trade-union leader Lech Wałesa, founder of the Solidarity movement: bullish, cantankerous, and finally wrong doer as his movement could not bring the golden age for the Socialist countries that he in association with CIA lobby uprooted. This is such a truth many would hate to be convinced. But it is true, very true and true again. Wałesa's defiance of Poland's Soviet masters removed the very first brick from the Berlin Wall. Famously, Wałesa was the one subversive trade-union leader whom Margaret Thatcher felt able to love: Arthur Scargill did not enjoy the same admiration. So is Lindsay Anderson, the angry unbritish British director, founder of FREE CINEMA

Wałesa: Man of Hope is a belated companion piece to his Man of Marble (1977) and Man of Iron (1981) respectively. It discloses now an unexpected trilogy, and somehow hints it. In retrospect, that the heroic "Man" of those first two films really was Wałesa all along, so said Peter Bradshaw, the right-winger critic of THE GUARDIAN. It starts as a shipyard electrician, devoted to his young wife Danuta, (Agnieszka Grochowska), and to their growing family, and radicalised by the Gdansk shipyard riot of 1970. Amusingly, Wajda, armed with his skewed perception. idolizes Wałesa's luxuriant moustache that made him famous and recognizable: the anti-Stalin in the cause of freedom. His activism moreover coincided with the sensational arrival of the charismatic new Polish Pope John Paul II; the Catholic Wałesa was a key political beneficiary. It's an invigorating and very enjoyable film from a director who shows no sign of slowing down.

Winner of Nobel Peace Prize, Walesa in fact brought down socialism with a hope that his new State would bring golden age to those betrayed by the corrupt socialist regimes. Good. Good to that extent that hold some iota of substance. But after that??? The regime that he brought about for the betrayed people of Poland just failed to deliver goods as the hope of the big Capitalist Nations poured not an inch of financial succour to the hard-hit Poland. The common people who used to get free ration, food, milk and education are all gone for a burton, for ever. The current Poland is neither Socialist country nor a proud Capitalist country. It is in economic shamble.

What the great Wajda has done is to show the false side of the coin. We cannot accept such