Un detective del año 2077 se encuentra atrapada en la actual Vancouver en busca de criminales despiadados del futuro.Un detective del año 2077 se encuentra atrapada en la actual Vancouver en busca de criminales despiadados del futuro.Un detective del año 2077 se encuentra atrapada en la actual Vancouver en busca de criminales despiadados del futuro.
- Premios
- 23 premios y 52 nominaciones en total
Reseñas destacadas
This show was made a decade ago but has probably grown in relevance. The contemporary events when it was produced were enormous private corporate losses being assumed by the workers\taxpayers, growing rights for corporate bodies, fewer rights for citizens, the cementing of the concept of terrorism into the zeitgeist and then being used as a justification for all manner of privations against the people.
It's 2024 and in the UK they are trying to classify wife beating as terrorism, people unhappy with their lot and lashing out are being jailed for speech or for throwing an empty drinks container, tech is embedded and in bed with government and are happy to assist to criminalise and prosecute.
Whatever happened to 'i disagree with what you are saying but will defend to the death your right to say it'? 10 years ago continuum showed us this future where the police don't even need bother to arrest you, merely facially recognise you and show up at 5am and take you away in your jimjams.
Continuum correctly predicted the mindset whereby you can simply say 'terrorism' and everybody joins in the "daily hate" and demands more of their rights removed. That the protagonist and hero of the show was essentially a black shirt enforcer of this regime is what messed with early reviewers. This was a uniquely clever aspect of the show, I can't think of another movie\show where the heroes realisation was delayed so long.
For my money continuum is up there with the running man for sheer prescience, another sci-fi warning ignored. This is smart relevant sci-fi and I wonder if I watch it again in 15 years (assuming it hasn't been altered by AI censors) what else will it have got right.
Although it draws one in with the familiar vocabulary of a police procedural, Continuum isn't a western or a magical fantasy in disguise, but a sobering look at very contemporary questions. Much like the superlative Battlestar Galactica (only with a much smaller budget) it isn't afraid to address scary subjects. And yet it's still fun.
Best performances are by the leads Rachel Nichols and Erik Knudson, with a cast of great supporting actors. Nichols, as Kiera carries us with her admirably through all of the twists and turns. I believe the key here is an admirable restraint that keeps performances focused on creating convincing characters while opening the doorway to a dazzling array of narrative possibilities. Rather than relying on formulas the show gets more interesting as it goes along.
This show, however, follows the Canadian tendency to operate in shades of grey. Continuum presents two opposing factions, and asks the viewer to make up their own mind whether they agree with the protagonist or the antagonists.
I'm not speaking from my own interpretation, but the official stance of the people behind the show. The "choose your side" mentality has been presented repeatedly in an explicit manner, most recently on the Continuum Facebook page, where a post recently asked, "Which side are you on? Team Kiera or Team Liber8?"
The show doesn't choose a side, but instead presents an interesting challenge to viewers which some won't be ready to meet:
The Freedom Fighters (antagonists) use brutal methods to accomplish their goals, but their cause is just.
The protagonist character Kiera operates within the law, uses non- lethal force, does what she thinks is right, and tries to protect people... And yet she champions the cause of despots.
Do you believe in the righteous champion of despotism, or the brutal champions of freedom? ...Or do you side with neither?
The show starts off in a distant but possible future where governments begin to fail to repay their debts and Corporations bail out the governments, to what extent we don't know. You do learn that the government very close with these corporations, and that not everyone enjoys how the corporations are running things.
A group of terrorists are constantly trying to disrupt the corporations and bring them down with any-means necessary, or so we are lead to believe, and this is where the show get's interesting. The terrorist are really just terrorists, but rather they are revolutionaries that are trying to build an honest society without the corruption of the corporations.
As the series unfolds. I like knowing that the core 'good' characters want the world to be a better place and are fighting for what is right, while the other characters each have their motives and their means. They each make their own decisions and don't have simple 'bad guy' motives. In fact several times I found my self rooting for the revolutionaries because heck I don't want a corrupt government in place, and some of the characters when given the option of fighting without violence opt for it.
If you give this show a chance I think it's one of the most compelling scifi shows out there. If you liked Caprica, or Battlestar Galactica you will like this show. The characters are very strong and compelling.
¿Sabías que...?
- CuriosidadesAs the show deals with time travel, it is only fitting that each episode title relates to that. In the first season, all episodes have the word "Time" in their titles, such as "Wasting Time" or "Playtime".
In the second season the writers expanded on the idea and named each episode something with "Second". This can be read as both the time measurement, but also an indication of the season to which the episodes belong.
Keeping in line with the previous seasons, all episodes in Season 3 includes the word "Minute" in their titles.
Continuing the trend set by the previous seasons, all episode titles the final season contain the word Hour. Very fittingly, the final episode of the final season is called Final Hour.
- PifiasApparently, Alec (Erik Knudsen) to Alec (William B. Davis) height grew up 21 cm (8.3 inches) when he got older and became taller than Kiera.
- Citas
[second season opening title sequence]
Kiera Cameron: 2077. My time, my city, my family. When terrorists killed thousands of innocents, they were condemned to die. They had other plans. A time travel device sent us all back 65 years. I want to get home, but I can't be sure what I will return to if history is changed. Their plan? To corrupt and control the present in order to win the future. What they didn't plan on, was me.
- ConexionesFeatured in WatchMojo: Top 10 Time Travel TV Shows (2016)
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Detalles
- Duración45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 16:9 HD