El hijo de un oficial de policía asesinado se une al DPNY, en donde llega con el ex-compañero de su padre y una banda de policías corruptos.El hijo de un oficial de policía asesinado se une al DPNY, en donde llega con el ex-compañero de su padre y una banda de policías corruptos.El hijo de un oficial de policía asesinado se une al DPNY, en donde llega con el ex-compañero de su padre y una banda de policías corruptos.
- Young Malo
- (as La'Jessie Janoard Smith)
Reseñas destacadas
50 cent plays the main character who is a criminal on the outside with a honest person trying to get out. Seems every step forward requires him to take 2 steps to the wrong side of the law of which he is more then willing to do. I guess they were hoping 50 cent would help this film, but to me he just doesn't have it and looks like a fish out of water still.
Not the worst movie I have seen.
The film is about three crooks that get out of prison and get to work in the corrupt New York City Police Department. Soon, they get involved in the local crime scene and must learn how to survive in tough circumstances where nobody's left whom they can trust in. At the same time, the main character portrayed by a weak but not completely bad Curtis James Jackson III wants to resolve the secret of his father's assassination that he witnessed as a child.
The problem with this movie is that it almost has no clear guiding line and some events happen without any logical reason whatsoever. Sometimes, the characters rapidly change their moods and appear almost schizophrenic which is very odd. Apart of a slightly stronger and even quite entertaining ending, at least three quarters of the movie go straight to nowhere or are highly predictable. Most of the actors and especially the cop roles are simply not credible at all and even happen to be quite ridiculous. Sometimes, the movie just feels like a longer 50 Cent video clip with senseless violence, gratuitous sex, a very minimalistic story line and some cameo appearances by a couple of good actors such as the strong Robert De Niro or the now deceased and surprisingly convincing actor Pedro Armendáriz Junior where one ends up asking oneself why these gifted guys are starring in such a bad movie.
In the end, there isn't much interest in watching this film. Especially the story is quite random and predictable. The low budget flick features almost more shots of nocturnal New York City every ten minutes that are taken from a plain than gripping action or suspense scenes. The only reason to watch this flick are the solid appearances of Robert De Niro as well as Pedro Armendáriz Junior or if you simply are a big fan of 50 Cent. Objectively seen, his acting is of a rather average quality and lacks of emotion and quality but he surely has a quite cool image and mostly promotes himself and his music in this movie. You can grab this flick at a cheap price for a loan if you have not much else to do and want to switch your brain off for one hour and a half but apart of that there definitely isn't much in this.
Freelancers follow a young cop who joins in with a group of rogue cops led by his father's ex-partner. When the truth about his father's death is revealed it pushes him to finally make sure justice is served. This isn't a bad movie, but it isn't anything different than every other cop movie that has come along over the years. Jackson does a decent job here, but just doesn't have the chops to really sell the emotional aspect of the character. He works well for the action, but as soon as he has to deliver some sort of emotion it just comes off non-existent. Whitaker and DeNiro both pretty much phone this one in, but thanks to their amazing talent still manage to deliver some interesting characters. The story is pretty straight forward, but wants to try and deliver twists and turns where it is pretty obvious as to where it is all headed. In addition there are some aspects of the story that just come off a bit unbelievable in the system. There's some decent action moments here but nothing that really stands out to help push this along.
Overall this is a pretty generic delivery into the cop thriller, but thanks to the star power behind it at least feels a bit bigger than the straight to video release it got. If you are a fan of this genre or any of those involved give it a try, just don't expect anything all that new or original.
http://www.examiner.com/movie-in-dallas/bobby-blakey
"Freelancers" finds 50 Cent as a young cop who's father is slain by bad cops when he is little. Now on the force himself, Fiddy finds himself taken under the wing of corrupt captain Sarcone (DeNiro) along with other dirty cops like Detective Leurie (Forest Whitaker). Will Fiddy find his father's killer? Will the film end in a shootout?
It plays out like a dream you have every night. You know what to expect, and can just about point to the screen when you can expect to see it happen. The script is cut-and-dry, listless, and unsure of if it's trying to make more a point than simply to promote its impressive cast.
I would say don't watch it, but you've watched this before, and you'll watch it again, though in a theater and with a couple zeroes added on to the end of the budget. For a low-cost, easy to shoot film, the cast is impressive and the acting is fine, but for the hour and a half spent sitting at home waiting to be surprised, I felt let down.
¿Sabías que...?
- CuriosidadesAfter brief bookings in New York City and Los Angeles on August 10, 2012, the film went quickly to video on August 21.
- Citas
Malo: What's the worst thing you ever did, Joe?
Joe Sarcone: The worst thing I ever did was trust the wrong man.
Malo: How do you know when you're trusting the wrong man?
Joe Sarcone: You're questioning me? Huh, you lttle shit? I always make my decision with my hed, not my heart. I got to where I am in this world by taking advantage of people's trust, and I'm not ashamed of that. There's a Maldonado seed. You hungry?
Malo: I can always eat.
Joe Sarcone: Kitchen never closes, and everybody eats at my table.
Malo: You really trust everybody in here?
Joe Sarcone: That door you just walked through only works one way - In. Once you're in, the only way out is to the sounds of gunshots and bagpipes.
- ConexionesReferenced in Bad Movie Beatdown: Set Up (2013)
- Banda sonoraStreet Life
Performed by Booke & Swaggalee
Written by D. Dixon, B. Booker, T. Scott,
Produced and Arranged by David Dixon & Mike Burns
Published by Burnmore Music (ASCAP)
(c) 2011 Burnmore Music
Selecciones populares
- How long is Freelancers?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 11.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 456.350 US$
- Duración1 hora 36 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1