Ecstasy

Normally a book has more depth. So does this. However the producers felt they had to rewrite the plot to make a better movie, they where wrong!

When Ecstacy was made, the best known film based on Welsh's work that had came out was Trainspotting. Of course there were other projects, but those aren't that well known to us. Maybe people have heard of Acid House, but movies like Dockers? Has anyone heard of those, apart from the people who made them? Trainspotting's touch is so clear on Ecstasy. The very beginning has the same feeling to it. The main character Lloyd is talking about ecstasy in a narrating, monologue way. When certain important characters appear, their names are shown to us, just like in the beginning of Trainspotting. While I like Trainspotting, I'd rather not be watching a movie where the director thinks he's doing Trainspotting when he's not.

But luckily that's the beginning. Apart from drugs, Scotland and Welsh's charming text (and his face, briefly), there's nothing too similar in these stories.

The love story was somehow new to me. I have read only few novels by Welsh, but love and romance have never played such a major part in them. Welsh seems to be great at love stories too, which is something I couldn't have anticipated. But in the story two imperfect characters fall in love, and Lloyd's imperfection, addiction, creates a whole lot of trouble, but eventually it's clear they are going to be a great couple.

Have Welsh's characters ever been easily likable? I don't think so. It's hard to like Lloyd when he's in debt and he knows he should get the money at a certain time, because the guy told him so, yet there he is, partying with his girlfriend. Get a grip! Also it's really frustrating in a good way (because you know you'r at least somewhat invested in the story) to watch this, because you start thinking if only. If only Lloyd had done this, if only Lloyd hadn't done that...

As always, I like how we get to learn about characters naturally, slowly, instead of getting a massive dump of info on us.

I liked this movie visually very much. It was very colourful, mostly because of the clubs, but on the other hand there was a lo of earthly colours, because it takes place in Edinburgh. It creates such a nice contrast.

I can't say Ecstasy was anything I expected, because I wasn't really expecting anything. It isn't on the same level with Trainspotting, but how could it be, when the only similarity is Scotland, drugs and Irvine Welsh. Partly it's hard to watch, because it's a bit slow and doesn't seem to go anywhere, but at the end it's a great story, worth reading, watching.

I recently watched this film at the Vail Film Festival. This story is about, well.... it's in the title. I was not sure how I would take this at first being fearful that it would be a Trainspotting knockoff. I was very pleased that even though it is about drugs like Trainspotting, it has a unique story that stands on it's own two feet. I do fee that the first act dragged a little before the story really began moving. I have seen other reviews from old people (me being not too young myself) complaining that this should have been a nostalgic piece or should contain dub-step tracks... that is complete rubbish. I am a fan of most Genre's of EDM but I feel the tunes in this film fit very well. Other than some minor editing choices, this film delivers a great love/human story... no spoilers here. I am a fan of Trainspotting, It's all Gone Pete Tong, Go and Groove. I feel this story fits nicely into these films as far as content/story go. I hope you enjoy it too and I am excited for it to come to America.

Well...I went to the premier, I felt older and uglier than everyone else there, I had huge expectations due to the Irvine Welsh endorsement of the project, and the knowledge Trainspotting was and is the king of UK indie films , so I was set up for a miserable cold rainy Tuesday evening in South East London and remembering that the last time I walked through the doors of the Ministry of Sound, I only managed to stay in there for about 20 minutes before being ejected..(use your imagination …20 years ago I might add) , added to my fear of another deflated experience at the birth place off Vodka Jellies and Mecca of modern dance music . I took my seat and tucked into the free popcorn. The lights dimmed the film rolled and the music started, my ears pricked and after the 4 beats in a bar huge bass smashed through my eardrums and made my heart beat dance in time with it - I was back in the club on the podium semi naked smiling from ear to ear and chewing my jaw off !!

I couldn't believe how Rob Heydon has nailed the clubbing experience so well , having seen him on an interview for the film , he comes across as though he'd be better suited to directing a Surbiton church hall adaptation of 'The Good Life ' ... how wrong I was , he must have done some serious damage in his day because to interpret to this level of accuracy meant he was there ! The acting was superb, really mature actors nailing their characters , having seen a clip , I immediately was comparing Adam with Ewan Mc Gregor before Adam had even spoke a word , I needn't have bothered , Adam has huge personality that comes across very well , he looks and sounds great and he is quite obviously his own man and made this 'his' film … Another thing that was totally unexpected, in fact 'unexpectedly brilliant' was the cinematography was nothing short of top notch . I hope you like this film, if like me you were there, you can only attest to its accuracy, it walks the fine line well of showing how the drugging club culture does allow colourful imagination and frees the most repressed spirit but like any drug or alcohol fuelled experience the time to pay the piper will come and you can be sure the piper will asked to be paid when your least capable of paying him, Heydon portraits this with the reverence it deserves . Well done great film !!

I wasn't sure if I would like the movie as I was a huge fan of Trainspotting and also Welsh's work but it totally blew me away. Hayden's direction manages to convey a real sense of the brutal underworld involved in the drug culture while unfolding the rather unconventional love story at the same time. Great performances from Sinclair and Kreuk but Billy Boyd simply stole the show for me (think Spud from Trainspotting meets Donkey from Shrek).Having read the book I think that Hayden and McCafferty eloquently captured the essence of the book and incorporated some really touching emotional scenes with Lloyd and his dying father, adding a slightly softer side to the movie. I'll be going to see this again and again and predict that it becomes as big a success as Trainspotting.